Black Week Specials at Riekeles Gallery!
From Monday, 24 November to Saturday, 29 November, we offer a 20 percent discount on all our poster prints. All orders over 100 EUR receive free worldwide shipping.
riekeles.com/shop/poster
Shūichi Kusamori's original drawing for his graphic novel Fuyu no Ō (冬の王, Winter King, published by Graphic-Sha, 2018), page 1, pencil on paper, 407 × 321 mm.
Original artwork now available at Riekeles Gallery.
Art for Animation: Shūichi Kusamori
October 16, 2025 – March 14, 2026
Riekeles Gallery, Potsdam
Opening reception: October 15, in presence of the artist.
www.riekeles.com/kusamori-exh...
We are proud to announce the first solo exhibition of Shūichi Kusamori.
Art for Animation: Shūichi Kusamori
October 16, 2025 – March 15, 2026
Riekeles Gallery, Potsdam
Join us for the opening on October 15, 2025, 6:00 pm – in the presence of the artist.
www.riekeles.com/kusamori-exh...
Painted by art director Kosuke Hayashi, the scene captures a striking tension between sorrow and hope. His talent for portraying light as a fleeting substance gives the work its painterly intensity. That's why we released this as a limited Solegraph edition.
This background from In This Corner of the World shows Hiroshima after the atomic bomb. In the foreground stands the building that today serves as a memorial. Despite the destruction, the city is bathed in radiant light.
#この世界の片隅に #InThisCornerOfTheWorld
@k_hayashi_1202
Playing Time – an original painting by Kosuke Hayashi, created in 2018 with watercolor and Nicker Poster Color.
Shown at his solo show at our gallery.
Size: 23 × 34.5 cm.
This unique piece is now sold.
#KosukeHayashi #StudioGhibli #RiekelesGallery #OriginalPainting #アニメ背景 #君たちはどう生きるか
Exhibition view of "Art for Animation: Kosuke Hayashi" at Riekeles Gallery.
Personal Work (left & right) of Kosuke Hayashi and his background artwork for The Boy and the Heron.
Kosuke Hayashi's background artwork for In this Corner of the World. Top row are the original paintings. Our reproductions below.
Kosuke Hayashi's background artwork for In this Corner of the World.
Now open: Art for Animation: Kosuke Hayashi at Riekeles Gallery, Potsdam.
Hand-painted backgrounds from In This Corner of the World & The Boy and the Heron, plus personal works.
Thu–Sat, 12–6 PM, until Oct 5
→ www.riekeles.com/hayashi-exhi...
#KosukeHayashi #RiekelesGallery
Photos from the opening of our exhibition Art for Animation: Kosuke Hayashi are now online. Thanks to everyone who joined us for this special evening!
→ www.riekeles.com/hayashi-exhi...
#KosukeHayashi #AnimeBackgroundArt #ArtForAnimation #InThisCornerOfTheWorld #TheBoyAndTheHeron #RiekelesGallery
Thank you, David!
Art for Animation: Kosuke Hayashi
First solo show in Germany dedicated to a Japanese anime background artist — feat. works for In This Corner of the World, The Boy and the Heron & original artwork!
riekeles.com/hayashi-exhi...
#この世界の片隅に
#君たちはどう生きるか
Thank you very much for your support! That's been a really exciting show!
Vielen Dank! Wir sehen uns beim Festival!
The ‘Ghost In The Shell’ and ‘Kiki’s Delivery Service’ posters are from the splendid @reallyriekeles.bsky.social collection btw - halcyonrealms.com/animation/ak...
Helen, thank you very much for your support! If you're ever coming close to the gallery, please drop me note. It would be an honour to welcome you!
We’re proud to present the first solo show outside Japan by background artist & art director Kosuke Hayashi, featuring work from The Boy and the Heron & In This Corner of the World and his personal work.
Opens June 5 at Riekeles Gallery, Potsdam.
🔗 www.riekeles.com/blog/art-for...
First image from "Sunny" animated feature by @michaelarias.net ("Tekkonkinkreet").
Based on the manga by Taiyo Matsumoto (again).
Produced by GKIDS.
variety.com/2025/film/gl...
I'm a sucker for long background paintings drawn in different perspectives that turn simple animation camera pans into an in-camera optical trick.
Katsufumi Hariu explained his work as the art director for Macross Plus. The background art for the series and feature film are of outstanding quality and conceptual depth. Digging into the artist's archive made me think it would be great to present these works to a larger audience.
Sounds familiar to me. Much looking forward to your take on being animal like. 😀
That's been exciting, of course. A rare opportunity. Very grateful for such things to happen. 😊
"Handpainted backgrounds in modern animation films" workshop with Liu Yuxuan (Ghibli, Ponoc, Look Back, Hosoda films...) & Arnaud Tribout (Le Collège Noir, Scavengers Reign...).
May 8 & 9 in Bern, Switzerland (on registration / for pros).
>> www.catsuka.com/news/2025-03...
Des, thank you very much for your support! It really means a lot to me to receive such comments from a respected artist. My greatest satisfaction is to feed back the findings of my work to the creative scene.
In the files we found beautiful cel setups for Tomcat's Big Adventure, imageboards for the Appleseed OVA and Kuroda's work for the video game of Blood - The Last Vampire. I'm much looking forward to publish some of today's findings in the monograph on Ogura and his workshop I'm currently working on.
Hiromasa Ogura was very busy with a current production. Nevertheless he was generous enough to let me browse his archive.
Most beautiful!
Unfortunately I don't. And it's not the studio but a generic meeting room somewhere in Kichijoji.
Thank you. I'm conducting most of the interviews with Ogura's apprentices and colleagues to include them in the monograph on Ogura I'm currently working on.
