“Moving image archivists have been studying and working to address the loss of TV news for decades,” said Becca Bender with Channel US, which grew out of AMIA work. https://loom.ly/Bz_IMr0
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Innovations in technology since then (y’know, high-speed streaming, iPhones, etc.) paved the way for a collaboration with Rhino and the Dead’s archivist, David Lemieux. https://loom.ly/ljCnrlc
For archives, libraries, and cultural heritage organizations, generative AI raise urgent questions about authenticity, rights, access, and the responsible use of archival materials. TAI working groups have designed a toolkit to help archives navigate an evolving landscape. https://loom.ly/bL7LT4Y
In LA on April 17 and 18? Check out the UCLA AMIA Student Chapter Takeover! Programmed and introduced by student chapter members including Clare Britton, Molly Regan, and Noah Brockman. https://loom.ly/A1u02cA
Two men fighting in an office, one with extremely oversized hands.
A young man and woman standing in an elevator.
Two people smiling and walking down a sidewalk.
An animation depicting a warped face, keys and assorted small objects.
Apr. 17–18: UCLA AMIA Student Chapter Takeover!
We’re thrilled to collaborate with the UCLA student chapter of the Association of Moving Image Archivists @amianet.bsky.social to present a student-curated lineup exploring the themes of “Avant-garde Animation” and “Reenactment.” Free! ucla.in/4stnTjI
Jacobs said the majority of the artists he recorded are pleased to have their work preserved. As for copyright concerns, he’s happy to remove recordings if requested, but added that only one or two musicians so far have asked that their material be taken down. https://loom.ly/9-XI7pk
This week's Screening Room: Project Silica is exploring how to use fused silica (glass) as a media for future archival storage. https://loom.ly/Rub-J_w
Recently, the team has been experimenting with repurposing their archives into entirely new editorial products. They started with a weekly Dateline quiz, a game that challenges readers to guess the year specific excerpts from its archive were written. https://loom.ly/BxO6TOE
Apply for the 2026 AMIA Pathways Fellowship! Fellows participate in paid internships, structured mentorship, cohort-based learning, and an ongoing alumni program. https://loom.ly/j_yVLbQ
"We can recreate that exact, you know, environment that the film was made for. It’s also made to be interactive: an audience, the energy within an audience, reacting to the film. You can’t do that at home." https://loom.ly/b29_XMU
Research emphasizes that heritage can only remain vibrant when institutional efforts are aligned with active community participation. https://loom.ly/yKrCWK4
How can one describe a collection, if the content defies archival standards? This week's Screening Room highlights the challenges and potential recommendations for complex moving image collections. Look for the link in your inbox.
The Central America Independent Media Archive (CAIMA) is a civic tech project which builds tools to protect endangered media against state censorship aiming to provide journalists, researchers, and historians with secure access to uncensored primary sources. https://loom.ly/iz47hLM
The finale features a room with banners from all 107 HBCUs draped from the ceiling and a large-screen video highlighting modern HBCU leaders and the current state of these institutions. https://loom.ly/F5TQaHU
The fifth in our Legacy Equipment Series is Thursday! Proper maintenance and repair is critical - get the foundations you'll need to effectively use and maintain your Betacam, Digibeta and DVCAM decks. https://loom.ly/tffuM3M
A civil rights organizer since high school, Barbara Smith became an architect of Black feminism and Black women’s studies whose work helped lay the foundation for the modern Black LGBTQ rights movement. https://loom.ly/VhWv8VI
"Colorization is a good comparison, but it didn’t have the same sweeping social and economic impact of something like generative AI — so there’s more at stake in how we sort through what we’re going to accept and valorize.” https://loom.ly/bAsiIDM
Call for Special Issue closes March 31st! The Moving Image Special Issue: Videotape in the Archive. https://loom.ly/CjFjs20 https://loom.ly/CjFjs20
This week's member Screening Room looks back at 2015: Implementing the best possible preservation strategy is an intricate and difficult process. IPI worked on an NEH-funded project to create a web-based application called filmcare.org. Look for the link in your inbox.
it's 2013 - the Pope resigns, two European Kings are crowned, Beyonce reigns at the Super Bowl, and AMIA's Black & White Mocha is created in Richmond!
While Sora may be going away, it’s likely OpenAI won’t be abandoning any ambitions toward creating more sophisticated generative video models and potentially looking for more influence in Hollywood or with other media companies. https://loom.ly/O-VWvWI
What’s new online this month at the Library of Congress includes the celebration of J’ouvert by the Trinidadian community of Brooklyn, workshops and reflections byelders of the Makah Indian tribe, and the traditions of coffee growing in the mountains of central Puerto Rico. https://loom.ly/TR6f8Y0
A collection of documents detailing the history of the Black Loyalists in Nova Scotia and New Brunswick has been added to the UNESCO's Canadian Memory of the World Register. www.cbc.ca/news/canada/nova-scotia/...
In this week's member Screening Room from DAS 2018 is a closer look at object storage and how it fits in to the expanding archive and a case study on the Montreaux Jazz Festival's digital project. Look for the link in your inbox.
Scored live on musical instruments that line the back of the room, Gravey’s micro-venue doesn’t announce itself beyond some string lights and a curious invitation to check out the next showing. https://loom.ly/vqFqWsc
It holds more than 50,000 items of Scottish film and video sourced and donated over the years from private attics and garages, film clubs, councils, businesses and local museums. https://loom.ly/vq4xFUk
St. Patrick's Day 1917 - from the IFI Archive Player
https://loom.ly/faMQkto
And there, on one film, was a black star painted onto a pedestal in the center of the screen. They were looking at “Gugusse and the Automaton,” a long-lost film by the iconic French filmmaker George Méliès at his Star Film company. https://loom.ly/WyvVYRE
This week's member Screening Room is a look at object storage and the Montreux Jazz Festival from DAS 2018. The collection was inscribed on the 2013 UNESCO memory of the world register. Look for the link in your inbox.
The New York Public Library hosted Guillermo del Toro for a tour of the Carl H. Pforzheimer Collection of Shelley and His Circle, diving into historical materials related to Mary Shelley and Frankenstein. https://loom.ly/KckZG98