if u decide to broadcast urself talkin about this stuff and i spot u doing this i click off immediately

pet peeve: someone tries laying out the plight of the animator in general, then as an example they bring up the grit of animators in foreign countries, and then (a seeming slight of hand) using the example of that grit to prop up modern American animation as good or important.

like why’d u do that

knights of guinevere fanart. Guinevere is at the top, with a sad city below.

close up

Congratulations to the team that worked on the Knights of Guinevere. The pilot is amazing <3

Concept Art credits: Guinevere by @din_du_99 on IG, Andi & Frankie by @jarkofi.bsky.social , Plushes by @seanandcoe.bsky.social & @eyecager on IG with colors by @andygflex.bsky.social

Concept art of our newest traumatized trio, plus some familiar faces!

try oh-hi.info ! it’s got a ton of pics

Knights of Guinevere is a psychological thriller that welcomes you to a planet-wide theme park in the clouds!… And the shadows below, where a broken Princess Android is two dreamers’ tickets to better lives, or the end of them. :3 💙

SICK

who tf is doctor philipps

why do they dust the dough with some extra flour before baking?

cuz pizza sticks

it could be that you have a hidden/disabled/locked layer selected.
when you're drawing on a layer, a pencil icon appears on it. any strokes that you draw in the Camera view will be applied to that layer. hiding or locking the layer clears this away.

select a visible, unlocked layer to draw again.

@parkersimmons.bsky.social harmony is cool mmmkay

im gonna do a video

in your layer of choice, select the frames that you want to cycle.
then right click, and look for "Create Cycle...".
then type in how many times you'd like those frames to repeat and click OK. the selected frames will then be repeated for as many times as you set.

i didn't even realize there were node effects for timing until now hahahah
whole time I've just used Create Cycle + pegs

tatsuya yoshikawa (breath of fire), kazutaka sugiyama (chainsaw man), yoji shinkawa (metal gear solid)

some probable examples of high-power draftspeople:
kohei horikoshi
naoki urasawa
bob ross

drawing power = total lines drawn divided by total instances of lines undone, adjusted, and erased

#GlompChallenge

this all said, i believe that there’s no such thing as a small change, only the tolerated or unperceived change.

jung sheldon

#Tekkonkinkreet image board L/O #1 by Shojiro Nishimi. Note instructions to inbetweener to trace the character even outside the frame, and also pointing out the need for preserving color traces for shadows, in the eyes and around lips.

#Tekkonkinkreet image board #1, completed, with BG by art director Shinji Kimura. This was finished in March 2004, nearly three years before our release

In Japan we call this kind of mock-up of a finished frame an “image board” and this was our very first for #Tekkonkinkreet

Layout by our brilliant character/animation lead Shojiro Nishimi, BG by the great Shinji Kimura.

#AmerBeton #鉄コン筋クリート #anime #animeBG #TaiyoMatsumoto #松本大洋 #AnimationIsFilm

i wanna try making burgers with lettuce buns but lettuce doesn’t keep as long :(

i get a bit bummed that all the site formats on squarespace more or less feel the same, with the big banner space frontloaded to hold a 4k picture, and the little pockets of text below

like yea what if i WANT my website to look like a university’s project site for their translation of the Iliad smh

#oheobebiwiba

Hi evil

whether such a change results in the disruption of SoD will depend on the design of the copied drawing relative to the other drawings in the series, and the fancies of the viewer.

the viewer’s subconscious regularly checks, “does the animation feel like a unified whole? a whole of what?”

a movie projected in a theater from a spool of film is a different experience from that projected from an SSD on a drive-in theater screen, or a CRT in pan-and-scan.

physically in the viewing environment, physiologically in the viewer.

i feel like suspension of disbelief isn’t just a response to story, but a response to design in general.

if you take an animation made up of ten drawings, and switch one drawing with a traced copy, then i’d say that the animation as a whole has changed into a fundamentally different experience.

kinda want some wendys