Portrayal of Guilt : ...Beginning of the End | Album review | Treble Though no less aesthetically evil on '...Beginning of the End,' Portrayal of Guilt offer up their most accessible album to date

ICYMI: Our Album of the Week is Portrayal of Guilt's '...Beginning of the End'

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Miss Grit interview: Finding a new energy | Treble In our Miss Grit interview, Margaret Sohn talks 'Under My Umbrella,' letting go of a cyborg persona, collaborating with friends & more

"I couldn’t necessarily put into words what my feelings were or what I was going through. I was hoping to be more metaphorical, not so direct.”

We spoke to Miss Grit about new album 'Under My Umbrella,' vulnerability, collaborating with friends and more

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At the Gates : The Ghost of a Future Dead | Album review | Treble The final album from At the Gates, 'The Ghost of a Future Dead' is a fitting tribute to the death metal group's late vocalist, Tomas Lindberg

At the Gates' 'The Ghost of a Future Dead' is a fitting tribute to their late vocalist, Tomas Lindberg

Michael Pementel reviews

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Modest Mouse announce new album, An Eraser and a Maze - Treble Hear "Picking Dragon's Pockets"

@modestmouseoffical.bsky.social have announced a new album, 'An Eraser and a Maze'

Hear "Picking Dragon's Pockets"

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ELUCID & Sebb Bash : I Guess U Had to Be There | Treble The first collaborative album between ELUCID and Sebb Bash, 'I Guess U Had to Be There', puts a dazzling spin on the emcee-producer archetype

At 31 minutes, 'I Guess U Had to Be There' is concise but dense, endlessly dazzling and rich in its economy.

Love this @desperatehours.bsky.social joint on 'Mezzanine', which came out today in 1998.

And probably a good thing to listen to roughly 16 minutes from now

Massive Attack : Mezzanine | Treble 100, No. 68 | Treble With the release of their third album Mezzanine, Massive Attack took their signature trip-hop sound to a much darker place

'Mezzanine' dropped most of Massive Attack’s pretense of a good time whether in the streets or in the sheets, adding wobbly guitars to a digitized facsimile of brooding modern rock.

The new Portrayal of Guilt album is an absolute ripper, and I wrote about it for @treblezine.bsky.social

Nine Inch Nails & Boys Noize : Nine Inch Noize | Review | Treble Fresh off Coachella, Nine Inch Nails and Boys Noize go extra hard on their collaborative 'Nine Inch Noize' LP

Of course I reviewed the @nin.com and Boys Noize collaborative album for @treblezine.bsky.social, I’m no dummy. www.treblezine.com/nine-inch-na...

Portrayal of Guilt : ...Beginning of the End | Album review | Treble Though no less aesthetically evil on '...Beginning of the End,' Portrayal of Guilt offer up their most accessible album to date

Album of the Week: '…Beginning of the End' applies portrayal of guilt's pursuit of new configurations and new forms of abrasion on a set that offers their most diverse set of bruisers and brawlers. Run For Cover Records

Jeff reviews

Nine Inch Nails & Boys Noize : Nine Inch Noize | Review | Treble Fresh off Coachella, Nine Inch Nails and Boys Noize go extra hard on their collaborative 'Nine Inch Noize' LP

@nin.com and Boys Noize's 'Nine Inch Noize' finds on-ramps to past and current trends in synth-based industrial—it’s as close as Reznor and Ross have been to pure electronic body music (EBM) in some time

@desperatehours.bsky.social reviews

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Portrayal of Guilt : ...Beginning of the End | Album review | Treble Though no less aesthetically evil on '...Beginning of the End,' Portrayal of Guilt offer up their most accessible album to date

Our Album of the Week is Portrayal of Guilt's '...Beginning of the End'

On 'The Disintegration Loops,' cracks emerge, the melody fades and becomes warped, the dreamy soundscape turns haunting. Eventually, each loop is overcome by decay.

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Potrayal of Guilt interview: Ruined world | Treble In our Portrayal of Guilt interview, Matt King discusses new album '...Beginning of the End,' religion, horror and blending genres

"I feel like we can write any song and have it sound like us. With the next record, who knows what’s gonna happen."

Boards of Canada : Music Has the Right to Children | Treble 100 On their 1998 debut album Music Has the Right to Children, Boards of Canada created a psychedelic journey of memory and illusion

'Music Has the Right to Children' captures the warm and imperfect glimpses of things we can no longer touch but still somehow feel.

The 10 Best Ambient albums of Winter 2026 - Treble KMRU, Mary Lattimore and Julianna Barwick, Midori Hirano and more

Get caught up on the best ambient albums of winter

Fiona Apple - Fetch the Bolt Cutters - Treble Returning with her first new album in eight years on Fetch the Bolt Cutters, Fiona Apple sounds as strong and inspired as ever

'Fetch the Bolt Cutters' reminds us why we wait so long for Fiona Apple to return

A dark and twisted album about love

Oranssi Pazuzu : Mestarin Kynsi | Review—Album of the Week | Treble Oranssi Pazuzu's 'Mestarin Kynsi' is a realization of the Finnish psychedelic metal band's greatest strengths, their weirdest and wildest.

On 'Mestarin Kynsi', Oranssi Pazuzu find themselves recalibrating the alien brain that drives their harrowing journey into black metal’s most harrowing depths

Flea : Honora | Album review | Treble Making his solo debut with 'Honora,' Flea turns to jazz with a cast of collaborators that includes Jeff Parker, Nick Cave and Thom Yorke

Flea delivers an impressive set of shape-shifting jazz with an array of standout guests on 'Honora'

The Twilight Sad interview: Telling a human story | Treble In our Twilight Sad interview, frontman James Graham discusses the band's new album 'It's the Long Goodbye,' grief, Robert Smith and more

We spoke to James Graham of the Twilight Sad about new album 'It's the Long Goodbye,' grief and more

Nine Inch Nails : Year Zero - Soundtracking an apocalypse | Treble On 2007's Year Zero, Nine Inch Nails depicted a dystopian future that's terrifying and feels all too real, even after more than 15 years

Nine Inch Nails at their most terrifyingly dystopian

My New Band Believe : s/t | Album review | Treble Making his debut as My New Band Believe, black midi's Cameron Picton goes acoustic on a set of dramatic folk maximalism

Album of the Week: My New Band Believe's self-titled debut is rife with joyful eruptions of atypical rhythmic figures, maximalist arrangements and sprawling sonic explorations.

Public Enemy : It Takes a Nation of Millions | Treble 100 | Treble With the release of their 1988 album It Takes a Nation of Millions to Hold Us Back, Public Enemy reinvented rap.

A sea change in hip-hop

The Armed - ULTRAPOP | Review - Album of the Week | Treble The Armed : ULTRAPOP review - The Detroit hardcore collective infuse their sensory overload sound with a pop sensibility.

A Loud and Out of Breath record that's still wildly accessible

Outtakes: The best hip-hop albums of the 21st century

The albums we cut, the blurbs we wrote and our reasons for making the swaps. Read it on Patreon! www.patreon.com/post...

William Basinski's 'The Disintegration Loops' has entered our Hall of Fame

An elegiac masterpiece that measures the weight of time

Kathryn Mohr : Carve - Treble The singer/songwriter offers a more understated album that captures a powerful sense of place

Kathryn Mohr captures a sense of place on 'Carve'

Michael Pementel reviews

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Kathryn Mohr : Carve - Treble The singer/songwriter offers a more understated album that captures a powerful sense of place

Kathryn Mohr captures a sense of place through a more straightforward sound on 'Carve'

Various Artists : Help(2) | Album review | Treble A sequel of sorts to a 1995 charity compilation, 'Help(2)' brings together bands like Fontaines DC and Pulp to benefit War Child

A cultural time capsule and something worth celebrating—even in an age when the latter is in woefully short supply

www.treblezine.com/various-arti...