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Posts by Conrad Hughes

I’m not interested in a new job btw I just have a blank timeline so am posting work that I can post

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Conrad Hughes This is "Conrad Hughes" by Conrad Hughes on Vimeo, the home for high quality videos and the people who love them.

vimeo.com/628438327 this is an old reel I did

1 year ago 1 0 1 0
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Dreams on a Pillow - a videogame experience about the 1948 Nakba, based on a true story | LaunchGood A pseudo-3D stealth adventure game about a land full of people being made into a people without land

After years away from game dev, I couldn’t stay silent about my people’s dehumanization. I made Dreams on a Pillow 🍉a game inspired by a famous Palestinian folktale about the 1948 Nakba.

I’m crowdfunding it now—please back & share!
🔗 launchgood.com/1948

1 year ago 4017 3075 52 130
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How Developers Stop Learning: Rise of the Expert Beginner In this post, I describe the phenomenon of the so-called expert beginner -- someone with mediocre skill who thinks he's an expert.

Yes, I think they do. Unless they are ‘Expert Beginners’, elucidated here: daedtech.com/how-develope...

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"He (David Byrne)'s a genuine eccentric," says Eno. "He's always been exactly like that, and I've seen him remain like that in quite extreme situations. For instance, we were mugged together once in New York. It was quite frightening; we were mugged by 14 people. My enduring memory is of David being dragged off into the bushes, saying 'Uh-oh!' That's absolutely true; it was like a cartoon scene."
- Brian Eno

"He (David Byrne)'s a genuine eccentric," says Eno. "He's always been exactly like that, and I've seen him remain like that in quite extreme situations. For instance, we were mugged together once in New York. It was quite frightening; we were mugged by 14 people. My enduring memory is of David being dragged off into the bushes, saying 'Uh-oh!' That's absolutely true; it was like a cartoon scene." - Brian Eno

Uh-oh!

1 year ago 6 2 0 0

hey! would love to be added to this. Thanks!

1 year ago 0 0 0 0
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starting my series of essays on wagner’s ring cycle by putting forth my belief that opera (and the ability to enjoy it) is all about accepting the stakes of a work at face value — and there is no work with higher (eschatological!) stakes than the ring.
open.substack.com/pub/thelater...

1 year ago 315 48 31 18
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hi! can you add me please? Thanks!

2 years ago 2 0 1 0