And like that, it was gone
Posts by Campbell70
And yet the swear words were always sexual
No Sudden Move (2021): a stacked cast led by Don Cheadle & Benicio Del Toro enliven this Soderbergh helmed 50s set noir which echoes better films like Fargo & Chinatown. It’s tense & twisty but ultimately a little rote. Nonetheless, there’s gritty & cynical fun to be had here & cameos aplenty. 7/10.
Every now and again, you spend a week just marvelling at the Beatles, individually and collectively, don’t you? That’s been my week
One Battle After Another (2025): PTA’s sprawling awards hoover has a huge rep that I’m not sure it fully deserves. The climactic car chase, performances by Chase Infiniti etc, the set pieces & the clear political heft are all on point. Sean Penn’s performance is a cartoon though. Still worth 8.5/10.
I know I’m in no position to poke fun at other teams but this tailspin that Spurs are in is morbidly fascinating
The Lost Bus (2025): another streamer, based on a real life wild fire disaster & elevated by Paul Greengrass in familiar kinetic form & the welcome return of Matthew McConaughey’s easy charm, albeit beaten down & under severe duress. Impressive CGI & genuine danger make this a cut above. 7.5/10
I haven’t disabled my account on the hellsite but stopped posting there when everyone else did.
The temptation to reply to some of the geopolitical / conflict discourse can be, on days like today, almost overwhelming.
Incredible filmography, another key 70s star gone. RIP
Downgrading this to 6/10 as its flaws are too great to ignore.
The Rip (2026): Another streamer hit, this tense Miami heist / corrupt cops thriller is built around & succeeds due to the (more grizzled) Damon / Affleck dynamic at its core. While it does end up in generic action vehicle territory it’s taut enough to be a good time on a Saturday night 7.5/10
Nuremberg (2025): first thing I’ve watched in ages, this starry account of the Nazi trials is both compelling & flawed with wild swings in tone, focus & performances. Crowe dominates as Göring but Malek is as twitchy & offkilter as always. The footage in the trial scene overshadows everything. 7/10
While everyone else is watching the latest Traitors, we’re on series one. Keeping it real at the cutting edge.
Good Lord Macclesfield
How is it only Tuesday? It’s inhumane
-8 tomorrow when I’m due to go to work after 2 weeks off, I see. #wfh
Kinda dreading how many times we’re going to need to listen to Yes Sir, I Can Boogie in various guises in 2026
Yes indeed
L.A. Confidential (1997, rewatch). Hadn’t revisited this for at least 20 years and I can tell you it holds up magnificently. All all-timer for me, just about hitting perfection. No further notes. 10/10
Still up at 1.40 and listening to a bowdlerised version of Now 4 I made a few years ago. The middle week strangeness has set in.
Belter of a game at Easter Road there. #thefitba
Looking forward to my carrot & milk snack now
I go into Twitter (without posting) on a daily basis and it exhausts and depresses me. Jumping back in here to look at pictures of 7” singles, amusing non-sequiturs and people’s ramblings on whatever is a relief.
Its Criterion reissue in September is utterly essential. It is a truly complete official presentation, pulling together the in and out-of-character commentaries, all the ancillary stuff, all looking great, with even more outtakes than ever. You need it. Just get it. Honor the man and the work.
RIP Rob & Michele Reiner
His movies gave me so much happiness.
He directed the funniest movie I’ve ever watched and provided wonderful straight man support to Christopher Guest in its funniest scene: youtu.be/uMSV4OteqBE?...
Wake Up Dead Man (2025): the latest Knives Out whodunit is as a
entertaining a trifle as the others, with the by now familiar Christie-esque beats, allstar cast (Josh O’Connor in particular shining as a pugilistic priest) & wry humour. Perfect holidays fare then if unlikely to linger on. 8/10