心の平安に幸いあれ
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53 minutes ago
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Posts by James F. ガメ・オベール
James F. ガメ・オベール
@gamayauber01
·
Now
日本の再建 1 おれたち、ひとごと
ゴールデンウィークに、みんなで一緒に、日本の再建をじっくり考えるため（←ほんとですか？）に、まず予習の段階から始めることにしました
左派右派からポストコロニアル座標軸への転換を前提としての社会改革を目指すのだ
なんちて
open.substack.com/pub/gamayaub...
53 minutes ago
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秦野中井ナウシカ
21 hours ago
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😂
21 hours ago
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戦争へのメカニズム その2 対米戦はなぜ起きたか
なぜ日本が誰も望まなかった対米戦を、しかも自分のほうから仕掛けて始めるに至ったのかを、なるべく判りやすいように順を追って書いたつもりです。
あー、ちかれた
open.substack.com/pub/gamayaub...
1 day ago
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わし、イースターとクリスマスと春節とディワリの四交代制がいい
1 day ago
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カリフォルニア人って、普通、友だちはいないじゃないの。
中央値なんじゃない？
1 day ago
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"Happiness," he said, always seems nothing. It is like water; one only realizes it when it has run away." "That is true," she said. She thought for a moment and said, "It is the same with the evil we do; it seems nothing, just seems foolishness, cold water, while we are doing it. Otherwise people would not do it; they would be more careful." "True," he said. She said, "Why have we ruined everything, everything?" and she began to cry. She said, "I can't leave this house. I brought up my children here. I have been here so many years, so many years. I can't—I can't leave it." "Then you want to stay here?" he asked. And she said, "No" — and went away the next day. From Voices in the Evening by Natalia Ginzburg
Staggered this evening by Natalia Ginzburg. The usual when reading her!
This scene occurs after WWII as the locals return to the area and resume their lives there. #1961Club
1 day ago
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Pink and yellow magnolia blossoms on the ends of slender branches under a blue and white sky.
This is the last magnolia of the season and my favorite. The tree was so slender and had a heavily damaged trunk but it was also very alive and tossing beautiful big blossoms into the sky.
1 day ago
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飛行機雲って、いいよね
2 days ago
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戦争へのメカニズム その1 安保三文書
自動機械のように戦争へ向かう日本
今回は、なぜ官邸主導が戦争国家化を進める実務官僚にとって都合が悪いのか、メディアを通じて批判が洩れてくる理由も含めて、日本がどのような仕組みで軍拡を達成しているかについて書きました
open.substack.com/pub/gamayaub...
2 days ago
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3 days ago
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カリフォルニア人が、そう感じているのは、かなりのショック
3 days ago
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「UBIか死か、なんちて 」
「AGIの完成近し」の噂が流れるAIと、次世代AIを受容しうる社会モデルについて。
「知の定義」、AI産業に都合が悪いものは、切り捨てちゃってるのよね
open.substack.com/pub/gamayaub...
4 days ago
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10日間の停戦が出来るなら11日の停戦も出来るはずだし、11日の停戦が出来るなら12日も出来るはず
4 days ago
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帰納法停戦😄
4 days ago
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諸星先生の描く何かのようでもある
6 days ago
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なんかもう全面的にめっちゃダメ、明日は生きていける気がしない
6 days ago
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「夫はどこ」「もういません」
父がトルコに強制送還、母はショックで気絶
日本で暮らすクルド人少年の青春を壊した『入管の残酷』
bunshun.jp/articles/-/8...
「職員は言った。『あなたの夫はもうここにはいません』。驚いた母子が『どういうことですか』と聞くと、職員は『トルコに強制送還しました』と言った。『なんですって！』。ロジンは叫んだ。…興奮したロジンは嘔吐し、気絶し、床に倒れ込んだ。首のところに赤いぶつぶつがでている。『お母さんが大変だ。早く救急車を呼んでください』。ディヤルは助けを求めたが、入管職員は動こうとしない」
6 days ago
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がん手術維持へ病院集約 厚労省
www.nikkei.com/article/DGXZQO...
がん治療を担う外科医は2040年に需要を5200人下回るとみられます。
高度ながん治療を手掛ける病院の集約を進め、全国どこでもがん治療を受けられるよう施設整備を促してきた従来の方針から転換します。
6 days ago
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1 week ago
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カリフォルニアですら
4 days ago
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とりあえず生き延びて晩ごはんを何かこしらえる
5 days ago
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おれがどんな意見をどのように表明するかにケチをつける輩は、全部無視です当然です。
5 days ago
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こう！
5 days ago
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ジャミラ！ジャミラ！ジャミラ！
5 days ago
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なんとなく流れで貼る先週見かけたジャミラ。
4 days ago
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film still from LAST LIFE IN THE UNIVERSE (Pen-Ek Ratanaruang, dir., 2003). An exhausted man and a woman, played by Tadanobu Asano and Sinitta Boonyasak, sprawled out on a leather couch
CFP: Special Issue on Asian Crime Cinema GLOBAL STORYTELLING Carlos Rojas and Eileen Chow are taking over from founding editor Ying Zhu, as editors of the journal GLOBAL STORYTELLING, and we are currently recruiting proposals for the Spring 2027 special issue on Asian crime cinema. Topics may include-but are not limited to-issues of justice and transgression, orthodoxy and heterodoxy, violence and redemption, gender and desire, vengeance and ressentiment, institutions and heterotopias, genre and industry. We are particularly interested in projects that combine detailed analysis of specific works with broader reflections on the theoretical, methodological, and ideological implications of the analysis. We welcome projects analyzing works set in and/or originating from Asia, particularly East, South, and Southeast Asia, as well as submissions examining a broader range of works that take inspiration from them (such as Scorsese's The Departed, as a remake of Lau and Mak's Infernal Affairs). Also, we welcome projects that examine feature films, but also ones that focus on other cinematic media forms, including serialized television or video episodes, narrative games, and so forth. Please submit a 300-word abstract and short bio by May 15, 2026. For selected proposals, full submissions will be due October 1, 2026. Global Storytelling is an open-access, peer-reviewed, digital-born journal. Conventional articles are certainly welcome, but video essays and other types of multimedia contributions are also possible. **Please submit your proposals to GSTjournal@duke.edu. Please contact c.roja@duke.edu or eileen.chow@duke.edu if you have any questions.
CFP: Special Issue on Asian Crime Cinema
Carlos Rojas and Eileen Chow are taking over as editors of the journal GLOBAL STORYTELLING, and we are currently recruiting proposals for the Spring 2027 special issue on Asian crime cinema.
[LAST LIFE IN THE UNIVERSE (Pen-Ek Ratanaruang, dir., 2003)]
6 days ago
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