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Posts by Mi Ra SOUL

From September 2026, Google is pushing a forced, irreversible update that removes your ability to install software they haven't approved on a device you own, with no consent and no way to reverse it.

37 minutes ago 33 15 3 1
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Exclusive: University of Queensland scraps Indigenous children’s book, citing controversial anti-Semitism policy The University of Queensland has decided to pulp all 5,000 copies of a children’s picture book written by an Indigenous poet, after media queries from News Corp’s _The Australian_ newspaper that levelled accusations of anti-Semitism against the book’s illustrator. It’s a decision that also marks the first time a controversial definition of anti-Semitism, adopted by Australia’s universities last year, has been cited as the basis of a book cancellation. _Bila, a river cycle_ , was written by award-winning Wiradjuri poet Jazz Money and illustrated by Matt Chun. It’s an environmentally-focused book that tells the story of a river’s journey from mountain to sea and the people who pollute the waterways. Money and Chun began work on the book in 2022 and it was due for release this year. Jazz Money, the author of __Bila, a river cycle.__ In January this year, Dymocks announced that it was removing all of Chun’s books from its stores after he wrote an article titled “We don’t mourn fascists” in the aftermath of the Bondi terror attack. After the Dymocks announcement, _The Australian_ approached University of Queensland Press (UQP), a wholly-owned subsidiary of the University of Queensland, to ask about _Bila._ The chair of UQP, Professor Heather Zwicker, told the newspaper that the publisher had, “put the proposed publication on hold pending the outcome of an internal review and external legal processes underway,” effectively suspending its publication. ### This post is for subscribers only Become a member to get access to all content Subscribe now

The book's author has described the decision to pulp all 5,000 copies of the book as reckless and disrespectful, and says it "sets a chilling standard".

3 hours ago 35 30 6 7
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The chilling role of ChatGPT in mass shootings and other violence Several attacks involving OpenAI’s chatbot—including Tumbler Ridge and FSU—raise urgent questions about the technology.

2/ Here’s that investigation, and I have more reporting coming on this soon…

The Chilling Role of ChatGPT in Mass Shootings and Other Violence

Several attacks involving OpenAI’s chatbot—including Tumbler Ridge and FSU—raise urgent questions about the technology www.motherjones.com/media/2026/0...

1 hour ago 24 15 0 0

Conan going Clutch Cargo is one of the greatest moments in TV History.

2 hours ago 1 0 0 0
Screenshot from VHS tape, video frame at 345 seconds.

Screenshot from VHS tape, video frame at 345 seconds.

The President In Crisis October 14, 1998 : 345s

2 hours ago 32 11 0 1

This Is Just To Say

I have turned off
the AI features
that were in
the update

and which
you were probably
hoping
to monetize

Fuck you
they were stupid
so unnecessary
and so annoying

1 day ago 8128 2943 60 56
Did I just argue with a joke?

Part of a Bluesky educational series

Did I just argue with a joke? Part of a Bluesky educational series

1 day ago 7234 1268 49 57
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The message of the Right reacting to Virginia is the same as the message of "2020 was rigged": no victory by anyone but us is ever legitimate. We are the only ones allowed to win.

These people are cartoon villains entitled to no respect and no trust. Rabid dogs.

3 hours ago 2519 483 31 10

Michael Mann must be filming.

2 hours ago 1 1 0 0

Please don’t use generative AI. They steal from working living breathing artists to do train these models

You take money out of artists pockets when you use generative AI

7 hours ago 59 12 0 0
AOC talking to RFK Jr. Her facial and hand gesture has the spiritual energy of that Italian hand gesture where you pinch your fingers and wave your hand (the "ma che vuo" gesture).

AOC talking to RFK Jr. Her facial and hand gesture has the spiritual energy of that Italian hand gesture where you pinch your fingers and wave your hand (the "ma che vuo" gesture).

how it feels to say "sprezzatura"

5 hours ago 9712 1155 297 132
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RFK Jr. Says Measles Outbreaks Not His Fault: ‘I’ve Never Been Anti-Vaccine’ The HHS secretary, known for spreading disinformation about vaccine safety, falsely claimed people aren’t getting vaccinated because “the government lied to them during COVID.”

New from me: RFK Jr., who has spent decades pushing disinformation about the safety of vaccines, insanely insisted to Congress today he's played no role in fueling the resurgence of measles in the U.S.

"I've never been anti-vaccine." www.huffpost.com/entry/rfk-me...

7 hours ago 274 131 28 16

Social media and group chats have microwaved the brains of the ruling and media class. They set that shit to POPCORN and let it go until it smelled like burning.

8 hours ago 1330 193 6 0

Huge Jackedman was the worst.

5 hours ago 1 0 0 0
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See Hugh Jackedman.

5 hours ago 1 0 0 0
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The end of oil? As fuel shocks cascade, 53 nations gather to plan a fossil fuel phaseout Frustrations at slow global climate talks has led more than 50 nations to begin plans to phase out fossil fuels – even as oil shocks raise the stakes.

"The end of oil? As fuel shocks cascade, 53 nations gather to plan a fossil fuel phaseout"

theconversation.com/the-end-of-o...

6 hours ago 13 9 0 1

saying that charlie brown had "hoes" is like saying that temple of aphrodite at corinth had "hoes". what was happening there was within its own cultural context, and we should be careful about describing it in modern language

9 months ago 1671 334 6 9
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Trump's approval on economy falls in AP-NORC poll, showing new warning signs for president A new AP-NORC poll finds that President Donald Trump’s approval rating on the economy has slumped over the past month as the Iran war drives prices higher.

New AP/NORC poll: "President Donald Trump’s approval rating on the economy has slumped over the past month as the Iran war drives prices higher...with even Republicans showing less faith in his leadership."

Overall approval: 33% (-5 from March)

Approval on the economy: 30% (-8% from March)

10 hours ago 423 119 24 60

Trump is within sight of an under 30% overall approval rating.

One of the most important causes right now is to establish a media narrative and popular support behind severe punishments and consequences to our present criminals running things.

9 hours ago 2872 669 46 23

I can’t wait to be banned. Sweet freedom.

5 hours ago 0 0 0 0

Malcolm X, Amadeus, Capote, I'm Not There, Love and Mercy, and all the Alexander/Karaszewskis

5 hours ago 34 5 3 1

This is horrific. I feel physically ill.

(Reposted with ALT text)

9 hours ago 1759 702 28 107
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4/22/2016- The Winner www.timesfreepress.com/news/2026/ap...

7 hours ago 54 28 3 1
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A prime-time hit job on renewables falls apart under basic facts Spotlight's TV report on renewables and EVs collapses under basic fact-checking, highlighting how misinformation is shaping Australia’s energy debate.

A prime-time TV report on renewables and EVs fell apart at the first fact-check.
Misinformation is distorting Australia’s energy debate – and being amplified in mainstream media, Giles Parkinson writes.
#auspol #Energy #Climate #Renewables #Media

8 hours ago 66 47 7 3
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Two CIA agents reportedly killed in car crash in Mexican state of Chihuahua The presence of US officials in a law enforcement convoy raises questions about respect for Mexico's sovereignty.

www.aljazeera.com/news/2026/4/...

7 hours ago 0 1 0 0
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Forbes Prediction Market Gamifies Story About Mass Shooting of 8 Children Forbes launched ForbesPredict in January as part of an effort to reverse declining traffic from search engines and keep users on its website longer.

Prediction markets remind me of Huxley's Brave New World.

"When the individual feels, the community reels..."
"Never put off till to-morrow the fun you can have to-day..."

A desensitized and distracted population is easier to manipulate.

Not everything is meant to be a game.

#Pinks

11 hours ago 59 42 10 0
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The Onion has reached a deal to acquire Infowars

• It will be turned into a parody site of itself

• Has the support of the Sandy Hook families

“A lot of people gave up on doing the right thing over the last two years. Despite an insane amount of threats & bullshit, we persevered"

(via Variety)

1 day ago 4222 872 38 87
a still of plated deserts from MARIE ANTOINETTE. Sofia Coppola invents instagram

a still of plated deserts from MARIE ANTOINETTE. Sofia Coppola invents instagram

Sofia Coppola’s film about France’s final queen Marie Antoinette bloomed with controversy before the film even went into production. Rumours that proved to be true circulated in online film spaces that she was going to take an anarchic anachronistic approach to the period costume-drama. Her Marie Antoinette would be a deconstruction of period pieces and the mannered style therein—and cast the gluttonous queen in the guise of her career-long examination of the teenage girl as an outsider figure whose behaviour could be explained through Coppola’s tendency to self-identify with the aesthetic surfaces and caged emotions of these characters. It became more obvious that this would not be a studied and faithful adaptation when news broke that she was scripting from Antonia Fraser’s newly revisionist biography of Marie Antoinette as her source material, instead of the more detailed and factual accounts of the monarch from Stefan Zweig’s analytic biography. To make matters more profane, Coppola shot her fantasia of the beheaded glamour queen at her former kingdom—the Palace of Versailles—and she intended to debut her film at Cannes for a French audience.

Sofia Coppola’s film about France’s final queen Marie Antoinette bloomed with controversy before the film even went into production. Rumours that proved to be true circulated in online film spaces that she was going to take an anarchic anachronistic approach to the period costume-drama. Her Marie Antoinette would be a deconstruction of period pieces and the mannered style therein—and cast the gluttonous queen in the guise of her career-long examination of the teenage girl as an outsider figure whose behaviour could be explained through Coppola’s tendency to self-identify with the aesthetic surfaces and caged emotions of these characters. It became more obvious that this would not be a studied and faithful adaptation when news broke that she was scripting from Antonia Fraser’s newly revisionist biography of Marie Antoinette as her source material, instead of the more detailed and factual accounts of the monarch from Stefan Zweig’s analytic biography. To make matters more profane, Coppola shot her fantasia of the beheaded glamour queen at her former kingdom—the Palace of Versailles—and she intended to debut her film at Cannes for a French audience.

She seemed to be courting controversy, and scandal followed the film after the divisive premiere. The film was booed, which is not exceptional for Cannes, but some in the French critical establishment took the film to task for the way it presented the facts of its revisionist history. Agnès Poirier, the critic at the French Newspaper Libération, wrote, 

“The film is shocking because it is empty, devoid of a point of view, because the person who has made it has no curiosity for the woman she is portraying and the time that her tragic life is set in. The film director seems as unconcerned by her subject as Marie-Antoinette was indifferent to the plight of her people and the world she lived in.”. 

Poirier’s frustrations were somewhat tempered by his admiration of the colorful mise-en-scene, and it must be said that not everyone in the French intelligentsia were critical of Coppola’s vision; Jean-Michel Frodon, the editor-in-chief at Cahiers du Cinema found much to admire about Coppola’s film and made an argument for the film with an auteurist take on the material.

She seemed to be courting controversy, and scandal followed the film after the divisive premiere. The film was booed, which is not exceptional for Cannes, but some in the French critical establishment took the film to task for the way it presented the facts of its revisionist history. Agnès Poirier, the critic at the French Newspaper Libération, wrote, “The film is shocking because it is empty, devoid of a point of view, because the person who has made it has no curiosity for the woman she is portraying and the time that her tragic life is set in. The film director seems as unconcerned by her subject as Marie-Antoinette was indifferent to the plight of her people and the world she lived in.”. Poirier’s frustrations were somewhat tempered by his admiration of the colorful mise-en-scene, and it must be said that not everyone in the French intelligentsia were critical of Coppola’s vision; Jean-Michel Frodon, the editor-in-chief at Cahiers du Cinema found much to admire about Coppola’s film and made an argument for the film with an auteurist take on the material.

Marie Antoinette was always going to garner a sharply critical response within France, because the nature of Antoinette’s monarchy, and the French revolution that followed, is too explosive for a tepid response. Indifference might have been the worst of all possible fates: in Coppola’s own words, “it would have been worse if they hadn’t reacted at all.”. It is true that Coppola’s Marie Antoinette presents itself as a hollow endeavor, but its cloistered world of ritual, feminine finery, and glamour at the expense of the noble peasant life of blood and dirt and responsibility and anguish is entirely the point. Marie Antoinette is told in a way that is extremely pleasurable in its surfaces of beauty, and in its elaborate and meticulous and jaw-dropping set-design, but there is criticism within the form itself. Alongside those aspirational qualities that Coppola self-identifies with as a daughter of filmmaking royalty, there is also condemnation and interrogation. Marie Antoinette asks viewers what is at stake when a white woman aspires to this type of lifestyle, and Coppola’s film wonders if there is something rotten when femininity is linked to such exhibitionist displays. However, the film’s brilliance lay in how there is still a seductive pull, and a longing for majesty within her images that persists, even with that critical valve of tension and criticism bubbling underneath the elaborate wigs, and the decadent costumes. With Marie Antoinette, Sofia Coppola has her cake and eats it too.

Marie Antoinette was always going to garner a sharply critical response within France, because the nature of Antoinette’s monarchy, and the French revolution that followed, is too explosive for a tepid response. Indifference might have been the worst of all possible fates: in Coppola’s own words, “it would have been worse if they hadn’t reacted at all.”. It is true that Coppola’s Marie Antoinette presents itself as a hollow endeavor, but its cloistered world of ritual, feminine finery, and glamour at the expense of the noble peasant life of blood and dirt and responsibility and anguish is entirely the point. Marie Antoinette is told in a way that is extremely pleasurable in its surfaces of beauty, and in its elaborate and meticulous and jaw-dropping set-design, but there is criticism within the form itself. Alongside those aspirational qualities that Coppola self-identifies with as a daughter of filmmaking royalty, there is also condemnation and interrogation. Marie Antoinette asks viewers what is at stake when a white woman aspires to this type of lifestyle, and Coppola’s film wonders if there is something rotten when femininity is linked to such exhibitionist displays. However, the film’s brilliance lay in how there is still a seductive pull, and a longing for majesty within her images that persists, even with that critical valve of tension and criticism bubbling underneath the elaborate wigs, and the decadent costumes. With Marie Antoinette, Sofia Coppola has her cake and eats it too.

I wrote about Sofia Coppola's MARIE ATOINETTE for my reader's choice series. I dove into how the superficial qualities are actually the entire point of the endeavor and how it's the most complicated film she's ever made. Really proud of how this one turned out.

www.patreon.com/posts/patron...

13 hours ago 56 19 1 0

the extremists the govt alleges have been paid snitches for the SPLC for years are not named in the indictment but there is enough info to identify them if you have some knowledge of the organizations involved... a couple of racists are about to get a lot of angry phone calls from their friends

7 hours ago 426 106 13 3
Is There a Way out of the Iran War? (w/ John Mearsheimer) | The Chris Hedges Report
Is There a Way out of the Iran War? (w/ John Mearsheimer) | The Chris Hedges Report YouTube video by The Chris Hedges YouTube Channel

Was listening to this yesterday. Trump is trapped. All he can do is extend ceasefires. Mearsheimer called it. youtu.be/GMg6_jGfjzM?...

7 hours ago 0 0 0 0
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