Amy Goodman from Democracy Now! on the future of independent journalism and the stories that don’t always get told. @democracynow.org @stealthisstory.bsky.social @insidethearthouse.com
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In a world where media power is increasingly concentrated, telling the truth can come at a cost. For over three decades, Amy Goodman has refused to back down—challenging authority, amplifying unheard voices. @democracynow @Together_Films @amygoodman_dn
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Palestine ‘36 director Annemarie Jacir shares the extraordinary story of bringing a film to audiences under some of the most challenging conditions imaginable. She reflects on the logistics, the risks, and the deeper meaning. @watermelon_pics
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What did Camus leave out of The Stranger? Director François Ozon explains why adapting the iconic novel today meant confronting the absence of its Arab characters, and rethinking the story for a modern audience. @musicboxfilms #theStranger
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its true! Very much a specific reference that most people will not know. As he describes it-- it's a very apt use of the music (a boat on the ocean), but creates some complexity. He describes how his producer was not so fond of the idea-- and then he said, "Chanel No. 5" --& the producer laughed.
Fantasy Life director Matthew Shear opens up about his experience with panic attacks & the surprising realization that helped make them disappear. Shear describes a shift in perspective that changed everything
@Greenwich_Films
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Director François Ozon—speaking through an interpreter—explains the challenge of adapting Camus’ iconic novel for today’s audience. Reflecting on how the original story sidelines its Arab characters & why it was essential to confront that absence.
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Director Annemarie Jacir discusses the extraordinary challenges of filming Palestine ’36, including the realities of working in Gaza. She reflects on the logistical, political, and human obstacles involved in bringing this story to life.
@watermelon_pics
#palestine36
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Director Annemarie Jacir discusses the extraordinary challenges of filming Palestine ’36, including the realities of working in Gaza. She reflects on the logistical, political, and human obstacles involved in bringing this story to life
@watermelon_pics
#palestine36
Fantasy Life director Matthew Shear shares how classic 1970s and ’80s films—especially romantic comedies from filmmakers like Woody Allen and Mike Nichols—influenced his creative voice. @Greenwich_Films #fantasyLifeMovie @Inside_Arthouse
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Director Christian Petzold explains his unique approach to working with actors on Miroirs No. 3.
Rather than relying on exposition, Petzold creates detailed biographies for his characters—giving actors a deeper internal world so they can exist naturally within the story.
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Filmmaker Matthew Shear shares how Amanda Peet came to join his movie Fantasy Life- a key moment in bringing the project to life. He discusses casting process & how her performance shaped the emotional core of this indie about anxiety & modern relationships
@Greenwich_Films
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Matthew Shear, writer, director, and star of Fantasy Life, joins us to discuss his deeply personal debut film — and how he brought anxiety and depression to the screen with honesty and humor #FANTASYLIFE @Greenwich_Films @42WestNY @insidethearthouse.com
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What happens when a film opens the door to personal history? PALESTINE '36 Oscar Shortlisted Director Annemarie Jacir shares how audiences of Palestine 36 have responded—many moved to finally speak about their own experiences. #PALESTINE36
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In this clip from INSIDE THE ARTHOUSE, director Christian Petzold discusses his latest film Miroirs No. 3 and what continues to drive his work as one of the most important voices in contemporary cinema. #janusFilms #asideshowfilm #MIROIRSNO3
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Acclaimed filmmaker Annemarie Jacir discusses her new film PALESTINE 36 to discuss her powerful historical drama that revisits the years leading up to the creation of the State of Israel and offers a perspective rarely explored #PALESTINE36 #watermellonPictures
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Geeta Gandbhir, director of the Oscar-nominated documentary The Perfect Neighbor discusses the powerful story behind the film and the deeper questions it raises about justice, accountability, community & the human consequences of violence. @netflix.com #THEPERFECTNEIGHBOR
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Geeta Gandbhir, director of the Oscar-nominated documentary The Perfect Neighbor discusses the powerful story behind the film and the deeper questions it raises about justice, accountability, community & the human consequences of violence. @netflix.com #THEPERFECTNEIGHBOR
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The director of COME SEE ME IN THE GOOD LIGHT, the Academy Award–nominated documentary for Best Documentary Feature, reflects on what it feels like to be a first-time Oscar nominee @AppleTVPlus @AppleTV
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Oscar-nominated director of THE PERFECT NEIGHBOR discusses the devastating moment when fear, suspicion, and easy access to a gun collide. The film examines a real-life confrontation between neighbors that spirals into tragedy @netflix.com #theperfectNeighbor
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Director Libby Ewing talks candidly about the realities of being a woman behind the camera and what it took to bring her award-winning film CharlieBird to life. @freestyleDigitalMedia
@LibbyEwing
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Oscar nominated director of THE PERFECT NEIGHBOR highlights how a film, once hoped to become irrelevant, is now even more pertinent, especially concerning the requirement for police bodycam footage. Nominated for the Best Documentary Feature. @netflix.com
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The filmmakers behind the Oscar-nominated documentary MR. NOBODY AGAINST PUTIN reveal a powerful insight from the making of the film. They discuss the question at the heart of the story— the answer that changed everything. #MrNobodyAgainstPutin #OscarNominee
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In this clip from INSIDE THE ARTHOUSE, Florence Almozini, Vice President of Programming at Film at Lincoln Center & director of Rendez-Vous with French Cinema, explains why festivals are such a powerful launchpad for filmmakers/ independent films.
@filmlinc.bsky.social
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CHARLIEBIRD, winner of the Best U.S. Narrative Feature at the 2025 Tribeca Film Festival! We sit down with director Libby Ewing to talk about her feature debut & the journey of bringing this intimate independent drama from script to screen
@LibbyEwing
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We sit down with Florence Almozini, Vice President of Programming at Film at Lincoln Center and discuss the realities of the festival ecosystem & what it truly takes for emerging filmmakers to get noticed
@filmlinc.bsky.social @insidethearthouse.com
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RENDEZ-VOUS WITH FRENCH CINEMA gathers a new constellation of films, stories shaped by the tensions, desires, politics, moving through France right now. For decades, it has offered American audiences an early glimpse of that evolving landscape. @filmlinc.bsky.social
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Director of Oscar-nominated documentary COME SEE ME IN THE GOOD LIGHT discusses standout scene featuring a candid conversation about lesbian kissing and sexual health. Captured through cinéma vérité techniques, the moment becomes an act of vulnerability youtube.com/shorts/lib1t...
BAFTA Winner & Oscar Nominee
What is happening inside Putin’s Russia?
MR. NOBODY AGAINST PUTIN is exposing how propaganda is reshaping Russian schools during the war in Ukraine, a shocking inside look at Putin’s propaganda machine.
@KinoLorber
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In this Oscar Spotlight episode, director Ryan White joins us for an in-depth conversation about the making of the film, the trust built with Gibson and poet Megan Falley, and how humor becomes a lifeline in the face of mortality #comeSeeMeInTheGoodLight
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