Project: Gone Too Far
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Modale Antique (Formagari)
Graphic Design: Théo Miller
Photographs: Atef Talbi
Edition: Atef Talb (self-published)
Project: Lange Nacht der Museen 2026 (Stuttgart)
Typefaces: Tifo (Romain Tronchin, 205TF); Agrandir (Pangram Pangram)
Graphic Design: Malena Kronschnabl, Studio Kronschnabl
www.205.tf/tifo
Project: Lange Nacht der Museen 2026 (Stuttgart)
Typefaces: Tifo (Romain Tronchin, 205TF); Agrandir (Pangram Pangram)
Graphic Design: Malena Kronschnabl, Studio Kronschnabl
www.205.tf/tifo
Project: Farol: Music by Carlos Azevedo
Typeface: Plaax (Damien Gautier, 205TF)
Graphic Design: Studio Dobra
Photography: Raio Verde
www.205.tf/plaax
Project: Nico’s Cocktail Book
Typefaces: Louize (Matthieu Cortat, 205TF); Neuf (Ornamental Title Type)
Graphic Design: Marie Rud Bjørndal
Recipes and notes: Nicolas Yanze Kontchou
Photos: Kika Brockstedt
Printer: Actum Design & Tryk
Project: Traduire Hans Scharoun
Typefaces: Milling (Tanguy Vanlaeys, 205TF); Suisse Int’l (Swiss Typefaces)
Graphic Design: Studio Hudson Catty
Authors: Jean-Philippe Doré, Emmanuel Cros
Printer: ICB Imprimerie
www.205.tf/milling
Inspired by lettering by Percy J. Delf Smith for 55 Broadway in London, Petit Serif draws on monumental Roman capitals with classical proportions and subtle serif details. Intended for titles and shopfronts, it is now available in a broader and more flexible form.
Petit Serif, updated!
Designed by Matthieu Cortat and first released in 2012 as a single Regular weight, Petit Serif now includes Light and Bold.
This new release also features an extended character set, refined Cyrillic support, and a variable font.
www.205.tf/petit-serif
Project: GRUPO MONTELOMAR
Typeface: Cardone (Fátima Lázaro, 205TF)
Graphic Design: Mirats Estudio
www.205.tf/cardone
Project: Murailles Music
Typefaces: Plaax (Damien Gautier, 205TF); Vermeille (Brest Brest Brest)
Graphic Design: Brest Brest Brest
www.205.tf/plaax
Irregular Five is out!
Find it at the Éditions 205 stand during Exemplaires, on Saturday, March 28 in Metz.
10AM–6PM, galerie de l’ÉSAL Metz, free admission
Come by and browse the new issue — and catch up on previous ones too.
You can also find Irregular on our website:205.tf/irregular
Project: Temporary Acts: Public Art in Toronto’s Don River Valley
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); National Park (Andrea Herstowski, Ben Hoepner, and Jeremy Shellhorn)
Graphic Design: Pete Florentini – Meat Studio
Design Support: April Dang, Akbar Khatir
www.205.tf/immortel
Project: METEOR - Festival for contemporary theatre and performing arts
Typeface: Bertin (Roman Seban, 205TF)
Graphic Design: PART Design
www.205.tf/bertin
Project: METEOR - Festival for contemporary theatre and performing arts
Typeface: Bertin (Roman Seban, 205TF)
Graphic Design: PART Design
www.205.tf/bertin
Project: Literaturpause Nr. 63 / published by null41 Kulturmagazin
Typefaces: Milling (Tanguy Vanlaeys, 205TF); ABCDiatype, ABCDiatype Mono (Dinamo)
Graphic Design: Carla Crameri
Editor: Robyn Muffler
www.205.tf/milling
Project: Hernando “Momo” del Villar. Geometrías en el Caribe. Ediciones Gamma, Colombia, 2025
Typeface: Indiana (Malou Verlomme, 205TF)
Graphic Design: Nicolás Consuegra / postscript
www.205.tf/indiana
Project: Foo Ferments Label Design
Typefaces: Exposure (Federico Parra, 205TF); Roboto
Graphic Design: Monoholo
www.205.tf/exposure
Project: Arbre, Bruit, Cabane… Abécédaire affectueux de la ruralité
Typefaces: Plaak, Plaax (Damien Gautier, 205TF); Thelo (Tassiana Nuñez Costa, 205TF)
Graphic Design: Éditions 205
www.205.tf
Project: Sabotage Identity
Typefaces: Le Beaune (Damien Gautier, 205TF); Overused Grotesk (RandomMaerks)
Graphic Design: N.O.V.A LAB
www.205.tf/le-beaune
New article: “The Art of Pairing Typefaces” is now live on 205.tf.
www.205.tf/articles/the...
New article: “The Art of Pairing Typefaces” is now live on 205.tf
www.205.tf/articles/the...
Project: Humanise Wall, Songhyeon Green Plaza, Seoul
Typefaces: Plaak (Damien Gautier, 205TF);
Graphic Design: Morse Studio
Photography: Yongjoon Choi
www.205.tf/plaak
Project: Cultures du design numérique. Histoire des idées et enjeux contemporains, Nolwenn Maudet
Typefaces: Cosimo, Yorick (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf
Project: Cultures du design numérique. Histoire des idées et enjeux contemporains, Nolwenn Maudet
Typefaces: Cosimo, Yorick (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf
Project: Interdisciplinary Engineering Building, University of Washington
Typeface: Maax Mono (Damien Gautier, 205TF)
Graphic Design: Studio Matthews — Kristine Matthews, Marta Bernstein, Jessica Cooper, Meg Graham
Architect: KieranTimberlake
Photography: Natalie O’Rourke
www.205.tf/maax-mono
Augure Stereo brings together the principles of the Mono and Duo versions within a single variable font. The second width becomes adjustable, ranging from the minimum value defined by Mono to the maximum value defined by Duo.
This second width interacts with the first through a proportional increase of one third. The resulting capital forms produce a clear alignment effect both horizontally and vertically. The visual rhythm remains governed by the same regulating metric system.
Augure Duo introduces a second, increased width for capitals, figures, and certain naturally broader lowercase letters such as m and w, providing them with additional space.
This added width makes it possible to recover a degree of roundness that the constraint of a single width significantly compresses in some capital letters, notably O, C, and E.
The original Augure design has been adapted to this constraint while maintaining legibility and formal idiosyncrasy.
