The best album of the 1990s was released thirty years ago today.

You first.

Working-class creatives don’t stand a chance in UK today, leading artists warn Exclusive: Analysis by the Guardian shows a third of major arts leaders were educated privately

www.theguardian.com/culture/2025...

AMPS has announced DUNE: PART TWO as the winner of the 2025 AMPS Excellence in Sound for a Feature Film award.🎬
Congratulations to Gareth John AMPS, Tom Harrison AMPS, Martin Kwok, Richard King AMPS, Ron Bartlett, and Doug Hemphill for their outstanding achievement in cinematic sound #AMPSAwards2025

www.instagram.com/reel/DF-Bary...

An oral history of Twin Peaks by its unforgettable stars Mystery, magic and mayhem reigned behind the scenes as well as on screen. Mädchen Amick, Joan Chen, Dana Ashbrook and others recall the making of the beloved TV series – and the genius of David Lynch

An oral history of Twin Peaks by its unforgettable stars

Just had a flick through Dec 24 @televisualmedia.bsky.social and there’s a bit of a Venn diagram between facilities in their “Top 50 UK Post Houses” and those referenced in the below report. If only folk listened to the people who actually do the work

Ep 40- 2025 AWARDS SPECIAL - 12th Annual AMPS Film Awards Discussion In this episode, the AMPS Podcast delves into the 12th annual AMPS Film Awards for Excellence in Sound in a Feature Film. Hosted by Martin Harris, the episode features an engaging panel discussion wit

on.soundcloud.com/rcZWKmneBYX2...

Exploitation in Post Production: The Human Cost - Televisual Zeb Chadfield, Founder of post house The Finish Line, talks about the systemic failures that lead to exploitative practices in the UK's post sector.

www.televisual.com/news/exploit...

UK’s TV workers exposed to ‘illegal or barely legal’ conditions and traumatic content Report cites low pay and overwork, and employees complain of receiving no warning before working on disturbing scenes

www.theguardian.com/media/2025/j...

For those working in UK post, a new report has been released highlighting the conditions we often find ourselves working in. Hopefully the broadcasters and commissioners will now be more aware of what goes on behind the scenes.

@bectu.bsky.social

www.tvhumanrights.org/research-pos...

Congratulations to you and the team, very well deserved!

Have deactivated both personal and business X/Twitter accounts, the reasons for which should be obvious. Will be here from now on. Don’t worry, sweariness will continue.

PRO Q 4 ?!

Hmm .. will investigate ….

Next job is to figure out a way of incorporating the new transcription feature into ADR cueing script….

I have no problem with the cost of SF. It more than pays for itself in the time you save mousing around and doing repetitive tasks. If you pay for an annual sub, it’s even better. It’s incredibly powerful, esp if you get into the coding side. I’ve barely scratched the surface.

I have a list of common reason notes lined up in KM. Hit enter and done.

Select your line in the DX, guide track, AAF - anywhere in timeline - hit a shortcut, enter a number related to the character, and it creates a clip on the character’s ADR cue track, populates it with EdiCue syntax leaving it ready for you to just enter the dialogue text and any reason notes.

Streamlined my ADR cueing, also using Keyboard Maestro for adding common / repetitive notes.

Carl Sagan. 1995.

‘I fell asleep driving around London’: TV workers on fear, danger and fatalities in an industry in crisis Accidents on set and road collisions suffered by exhausted crew are on the rise. But the demand for great shows continues. Are broadcasters pushing staff too far?

If you enjoy watching TV, please do read this. And this piece only really reflects what’s happening with production crew, not post-production……

www.theguardian.com/tv-and-radio...

James Graham calls for more working-class people in TV industry He says class should be considered as a diversity metric as much as other forms of representation.

James Graham calls for more working-class people in TV industry