emerging from the cornucopia to thank everyone for another successful cable two day

half an hour everybody !
twitch.tv/cabletwo

Alright

Yes

🕴️White smoke is rising from the House of the Levitating Man. This can only mean one thing.

Stay tuned for the announcement this week as we ring in the Solstice of the Levitating Man. 🌕

twitch alert that reads "follower goal: your followers goal of 1000 was just completed yesterday."

Five years in the making. We did it

graphic poster with a frasurbane textured background. large text at the top reads “work in progress.” beneath it, in script, “mastering the livestream.” at center, a classical marble bust is framed inside a laptop screen, the laptop resting on a stone column like a pedestal. at the bottom, text reads “learn the classic modes of livestreaming and design your own art!” followed by “january 1st, 2026 · 12pm pt on twitch.tv/cabletwo”

work in progress ✶ mastering the livestream

a live, interactive workshop on cable two exploring livestreaming as an art form & idea generation. learn livestream modes, experiment in real time, and design a show that fits you. no experience needed.

📅 jan 1, 2026 · 12pm pt
📡 twitch.tv/cabletwo

Cable to meet you

happy lab accidents is on by the way. if you're not already watching twitch.tv/cabletwo

🤖Tuesday, December 16th
🕚11:00 AM EST / 8:00 AM PST

Enrollment begins for "BIO201 - An Abridged History of Mata-Nui"! Join myself, @y2kcyb.org, and @warp.zone as we explore the island in BIONICLE: The Matan-Nui Online Game"!

▶ skeletom.net/stream
#skeletom #vtuber

we've got shows and shows and shows coming up

sepia-toned still from jerma985’s dollhouse: jerma sits cross-legged on a mattress on the floor of a staged kitchen set. the image appears within a blog post titled “the architecture of digital live media,” with subtitle "they key question to ask here: is narrative the goal or a byproduct?"

:: intertitle is live.

first post “the architecture of digital live media” is up, a first draft toward shared language for livestream form.

this blog is allows me to better articulate what i love. read now & subscribe to the newsletter ✧ intertitle.net

cable two interstitial playing in a dark movie theater

cable two is movie now

considering asking my workplace to let me stay home today so i can watch the new defunctland

HUGE ANNOUNCEMENT!! after many months of downtime and a huge bidding war, Horsle finally has a new home! Much imi"neigh"ted (imitated) but never outdone, this is the ONLY word game on the Internet where the answer is always just the word horse. That's the Horsle guarantee
cabletwo.net/horsle

warp zone is on and I'm eating a baked potato with bacon and cheese from wendy's
twitch.tv/cabletwo

pope leo is blessing the cable renaissance

hi everyone my name is nile jarvis

breaking news: link cable will return in a few weeks

a retro beige computer and monitor sit centered on a white background, the screen displaying a flowing forest river. above the monitor, the words “learn. make. broadcast.” appear in black serif text. below the computer, large bold text reads “Want to stream?” followed by a smaller line, “i want to turn your livestream ideas into action.” additional text describes a call for 3–5 participants for a four-week livestream development bootcamp run by cable two, with details on virtual classes, no show idea required, and instructions to DM @arbyparty or @cabletwo by 11/20.

learn. make. broadcast.
we're running a small livestream development bootcamp this december and looking for 3-5 people who want to build something new.
four weeks. weekly virtual classes to get you ready to launch a show on cable two.
dm us if you want in. deadline 11/20.

a retro beige computer and monitor sit centered on a white background, the screen displaying a flowing forest river. above the monitor, the words “learn. make. broadcast.” appear in black serif text. below the computer, large bold text reads “Want to stream?” followed by a smaller line, “i want to turn your livestream ideas into action.” additional text describes a call for 3–5 participants for a four-week livestream development bootcamp run by cable two, with details on virtual classes, no show idea required, and instructions to DM @arbyparty or @cabletwo by 11/20.

learn. make. broadcast.
we're running a small livestream development bootcamp this december and looking for 3-5 people who want to build something new.
four weeks. weekly virtual classes to get you ready to launch a show on cable two.
dm us if you want in. deadline 11/20.

they're saying that arby is back in a big way

a young boy in a white shirt stands in front of a wall-mounted tv, watching nullcasting from warp zone on cable two. beneath the tv is a xbox kinect sensor

👋 hey there! it's been a while.
📺 here's our current active & recurring shows
⏰ all times central

🗝️ tues 5pm | FORBIDDEN MYSTERY VAULT
🧪 sat 3pm | HAPPY LAB ACCIDENTS
🌀 sun 5pm | WARP ZONE

🌈 live only on / always on
twitch.tv/cabletwo

hey

the image is still on screen.
the questions repeat.
the line is open.
what do you want to say?

cabletwo.net

what happens when you not design not to watch, but to live through? how do you structure something that must be unstructured to live? what happens when you set objects up in order to let them play out?

more importantly, what happens when you stop waiting and decide to make your art now?

rewatching the false scent now, i feel like i’m not witnessing the event, but the trace it left behind. i piece together evidence by reliving sense memory like a witness recounting a crime. where did i last see her?

it becomes an inbetween state resulting from the afterimage of unrepeatable participation. the experience of rewatching becomes the haunting. it takes on a different form, you still experience the rupture but with increased distance.

as the scale of the audience increases, interactivity tends to flatten. you can’t interact with 10,000 people the same way you can with 10. reactive media becomes the same as when it is recorded, the artifact becomes the ghost of the process. going from participatory to observational.

even when we aren’t directly participating, we experience it by proxy. the very liveness of an unfolding event, its unpredictability and temporality, affects us. to witness something live is to be changed by it, because the outcome is not fixed. it carries risk.