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Posts by Otto Dix

The Resurrection

The Resurrection

The Resurrection https://www.wikiart.org/en/otto-dix/the-resurrection

2 weeks ago 1 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Crater Field near Dontrien, Lit by Flares (Trichterfeld bei Dontrien, von Leuchtkugeln erhellt) from The War (Der Krieg) http://www.moma.org/collection/works/63266

2 weeks ago 1 0 0 0
Curt Valentin Fund

Curt Valentin Fund

Maud Arizona (Suleika, The Tattooed Wonder) [Maud Arizona (Suleika, das tätowierte Wunder)] from the portfolio Circus (Zirkus) http://www.moma.org/collection/works/74951

2 weeks ago 1 0 0 0
head and torso of man with large wounds on head on PR side, PR eye, chin, PR side of neck, chest and PR hand and arm

head and torso of man with large wounds on head on PR side, PR eye, chin, PR side of neck, chest and PR hand and arm

Sterbender Soldat (Dying Soldier), plate 26 from Der Krieg (The War) https://collections.artsmia.org/art/96559/

2 weeks ago 3 0 0 0
two men in foreground crawl with buckets carried in their mouths; brilliant sun lights up battlefield with skeletons

two men in foreground crawl with buckets carried in their mouths; brilliant sun lights up battlefield with skeletons

Essenholer bei Pilkem (Food Reconnoiterer near Pilkem), plate 43 from Der Krieg (The War) https://collections.artsmia.org/art/96583/

2 weeks ago 3 0 0 0
Half-Nude

Half-Nude

Half-Nude https://www.wikiart.org/en/otto-dix/half-nude

2 weeks ago 1 0 0 0
The Associates Fund

The Associates Fund

Sailor and Girl (Matrose und Mädchen) http://www.moma.org/collection/works/125110

2 weeks ago 3 0 0 1
dark abstracted image of line of soldiers in foreground and L edge, some wearing gas masks

dark abstracted image of line of soldiers in foreground and L edge, some wearing gas masks

Die II Kompanie wird heute Nacht abgelöst (The Second Company Will Be Relieved Tonight), plate 20 from Der Krieg (The War) https://collections.artsmia.org/art/96553/

2 weeks ago 3 0 0 0
Gertrud A. Mellon Fund

Gertrud A. Mellon Fund

Portrait of Otto Klemperer (Bildnis Otto Klemperer) http://www.moma.org/collection/works/65899

2 weeks ago 1 0 0 0
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The Nun

The Nun

The Nun https://www.wikiart.org/en/otto-dix/the-nun

2 weeks ago 2 0 0 0
Given anonymously

Given anonymously

Scherzo from the portfolio Nine Woodcuts (Neun Holzschnitte) http://www.moma.org/collection/works/70379

2 weeks ago 1 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Visit to Madame Germaine's in Méricourt (Besuch bei Madame Germaine in Méricourt) from The War (Der Krieg) http://www.moma.org/collection/works/63264

2 weeks ago 1 0 0 0
Plague German

Plague German

Plague German https://www.wikiart.org/en/otto-dix/plague-german

2 weeks ago 0 0 0 0
Longing, Self-Portrait

Longing, Self-Portrait

Longing, Self-Portrait www.wikiart.org/en/otto-dix/longing-self...

2 weeks ago 0 0 0 0
Dream of the sadist

Dream of the sadist

Dream of the sadist https://www.wikiart.org/en/otto-dix/dream-of-the-sadist

2 weeks ago 2 0 0 0
two bodies hanging out of a hole blown in the corner of a brick building; woman's body with the body of a baby on top of it, LLC; legs at ULC
Published in Berlin in 1924 on the occasion of the tenth anniversary of the mobilization of German forces during the First World War (1914-18), Otto Dix's celebrated print cycle Der Krieg presents the ugly realities of modern warfare in horrific detail. The portfolio features 50 intaglio plates, whose subjects arose from Dix's own wartime experiences and memories of the ravages of combat and its aftermath. Dix had enthusiastically volunteered for service in the German army in 1915 and had fought in an artillery regiment and as a machine gunner on the Western front, including the infamous Battle of the Somme, where Allied and German forces suffered more than one million causalities. Wounded several times himself, Dix was deeply traumatized by his experiences and suffered recurring nightmares for the rest of his life. At the same time, Dix was fascinated by the experience of war, especially the psychological truths of human conflict. He explores these truths through the morbid realism of his depictions. Dix consciously modeled Der Krieg on Francisco Goya's equally famous print cycle Los Desastres de la Guerra (The Disasters of War), which recounted the travesties of Napoleon's invasion of Spain during the Peninsular War of 1808 to 1814. Like Goya, Dix produced his images in intaglio, a medium perfectly suited for the lush textures and meticulous detail he sought to create. As a result, despite their horrific content, the prints possess an aesthetic quality that Dix exploited through his skillful use of etching, drypoint and aquatint techniques. Dix, who in the years following the First World War became one of the preeminent proponents of the social realist movement Neue Sachlicgkeit (New Objectivity), was relentless in exposing life's absurdities and contradictions. One of the great masterpieces of twentieth century art, Der Krieg is a fundamental examination of humanity's capacity for brutality, and remains one of the most powerful anti-war statements ever made.

two bodies hanging out of a hole blown in the corner of a brick building; woman's body with the body of a baby on top of it, LLC; legs at ULC Published in Berlin in 1924 on the occasion of the tenth anniversary of the mobilization of German forces during the First World War (1914-18), Otto Dix's celebrated print cycle Der Krieg presents the ugly realities of modern warfare in horrific detail. The portfolio features 50 intaglio plates, whose subjects arose from Dix's own wartime experiences and memories of the ravages of combat and its aftermath. Dix had enthusiastically volunteered for service in the German army in 1915 and had fought in an artillery regiment and as a machine gunner on the Western front, including the infamous Battle of the Somme, where Allied and German forces suffered more than one million causalities. Wounded several times himself, Dix was deeply traumatized by his experiences and suffered recurring nightmares for the rest of his life. At the same time, Dix was fascinated by the experience of war, especially the psychological truths of human conflict. He explores these truths through the morbid realism of his depictions. Dix consciously modeled Der Krieg on Francisco Goya's equally famous print cycle Los Desastres de la Guerra (The Disasters of War), which recounted the travesties of Napoleon's invasion of Spain during the Peninsular War of 1808 to 1814. Like Goya, Dix produced his images in intaglio, a medium perfectly suited for the lush textures and meticulous detail he sought to create. As a result, despite their horrific content, the prints possess an aesthetic quality that Dix exploited through his skillful use of etching, drypoint and aquatint techniques. Dix, who in the years following the First World War became one of the preeminent proponents of the social realist movement Neue Sachlicgkeit (New Objectivity), was relentless in exposing life's absurdities and contradictions. One of the great masterpieces of twentieth century art, Der Krieg is a fundamental examination of humanity's capacity for brutality, and remains one of the most powerful anti-war statements ever made.

Durch Fliegerbomben zerstörtes Haus (House Destroyed by Aerial Bombs), plate 39 from Der Krieg (The War) https://collections.artsmia.org/art/96579/

2 weeks ago 3 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Transporting the Wounded in Houthulst Forest (Verwundetentransport im Houthulster Wald) from The War (Der Krieg) http://www.moma.org/collection/works/87759

2 weeks ago 1 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Abandoned Position near Vis-en-Artois (Verlassene Stellung bei Vis-en-Artois) from The War (Der Krieg) http://www.moma.org/collection/works/87733

3 weeks ago 1 0 0 0
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Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Shock Troops Advance under Gas (Sturmtruppe geht unter Gas vor) from The War (Der Krieg) http://www.moma.org/collection/works/63260

3 weeks ago 1 0 0 0
Wounded Soldier

Wounded Soldier

Wounded Soldier https://www.wikiart.org/en/otto-dix/wounded-soldier

3 weeks ago 1 0 0 0
Mother with Child

Mother with Child

Mother with Child www.wikiart.org/en/otto-dix/mother-with-...

3 weeks ago 2 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Dying Soldier (Sterbender Soldat) from The War (Der Krieg) http://www.moma.org/collection/works/87743

3 weeks ago 1 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Roll Call of Returning Troops (Appell der Zurückgekehrten) from The War (Der Krieg) http://www.moma.org/collection/works/63268

3 weeks ago 1 0 0 0
Gift of Samuel A. Berger

Gift of Samuel A. Berger

At the Café (Im Café) http://www.moma.org/collection/works/33053

3 weeks ago 2 0 0 0
Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Skull (Schädel) from The War (Der Krieg) http://www.moma.org/collection/works/63262

3 weeks ago 1 0 0 0
Abby Aldrich Rockefeller Fund

Abby Aldrich Rockefeller Fund

Woman with Heron Feather (Dame mit Reiher) from the portfolio Die Schaffenden, vol. 5, no. 1 http://www.moma.org/collection/works/66988

3 weeks ago 2 1 0 0
Lustmurder

Lustmurder

Lustmurder https://www.wikiart.org/en/otto-dix/lustmurder

3 weeks ago 1 0 0 0
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Gift of Abby Aldrich Rockefeller

Gift of Abby Aldrich Rockefeller

Found While Digging a Trench (Auberive) [Gefunden beim Grabendurchstich (Auberive)] from The War (Der Krieg) http://www.moma.org/collection/works/87746

3 weeks ago 1 0 0 0
seated soldiers in a dark, barren landscape with a black sky

seated soldiers in a dark, barren landscape with a black sky

Runende Kompanie (Resting Company), plate 14 from Der Krieg (The War) https://collections.artsmia.org/art/96547/

3 weeks ago 1 0 0 0
Mrs. Bertram Smith Fund

Mrs. Bertram Smith Fund

Nelly I http://www.moma.org/collection/works/60623

3 weeks ago 1 1 0 0