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Posts by Jane Friedman
Author Melissa Fraterrigo designed and hosted a free memoir-writing workshop for anyone who purchased her forthcoming book, and discovered that many readers were eager for an insider’s perspective on how to draft a memoir.
Here's how she did it: janefriedman.com/teach-your-b...
"Still pretty hot" - I like that!
"I’d be lying if I said my first 3-star review didn’t give me pause. ... What could I have done differently? But the longer I sat with it, the more I understood what it really was: not rejection, but neutrality."
@lindaksienkiewicz.com discusses—w/admirable & rare rationality—the three-star review.
Extensive interviewing is not unusual in memoir work and produces a stronger memoir. It adds depth and structure, fills in gaps, and jogs memory.
Jacqui Salmon offers examples, plus talks about additional necessities for memoir writers: a theme and a story that's bigger than you.
Over the past 18 years as a developmental editor and writing coach, @sarahchauncey.com has noticed certain patterns among her clients with ADHD, and why neurotypical writing advice doesn’t always land for ADHDers.
"Some writers are motivated by a desire to 'show them' or make someone truly understand how they’ve hurt us. Spite helps motivate us to finish drafts but revenge doesn’t make good books."
@allisonkwilliams.bsky.social discusses why family might not be supportive (especially online) re: your memoir.
Earlier this month, I attended a panel featuring bookstores discussing how they decide what to stock. One explained what a good comp title is.
Turns out that publishers & their sales reps don't always talk about comps in a way that's useful. Requirements for authors are far more onerous and strict!
One author discovered that when the words don’t come and the rejections pile up, permission to pause becomes crucial for progress.
Here's Ann McCallum Staats on how taking a break led to a book deal.
After years of reporting on AI, I've put together this FAQ to answer questions of fact regarding AI and copyright. No opinions, no advocacy, just information about where we stand today.
These issues are not straightforward and even I have trouble keeping it all straight.
Next month, free to all: Join me and three career novelists & editors for an "ask me anything" lunchtime session on fiction writing.
Featuring: @tiffanyyatesmartin.bsky.social, @jessicastrawser.bsky.social & Steven James.
Yes
Just about everyone I know has jumped on Substack or otherwise started a newsletter.
Most efforts don't amount to anything. It's not wasted time, but the newsletter is probably not achieving the writers' goals either.
If you want to be strategic (you don't have to be!), here's my advice.
The success of a retreat depends on two things:
1. The experience participants have when they attend.
2. The number of people who want to come.
That #2 factor is driven by students who follow a particular teacher, says @allisonkwilliams.bsky.social, who speaks from long experience.
I recently wrote about the downfalls of obsessing too much over your genre. That has sparked author Andromeda Romano-Lax to argue for how genre can inspire and instruct rather than limit.
The short version: I feel conflicted about certifications that a work is human authored. It's not something I'd obtain for my own work.
Very excited to be doing my first virtual event with the Australian Society of Authors. Later this year I'll be in Australia in person, too, teaching about the business of writing and publishing. 😍🦘
Thank you for coming!
Terrific - see you there. 🤓
I was told it was open to everyone and you don't have to be a student. Trouble registering?
Join me!
Every time you make a jump in the story without building a bridge, you’re spending down your earned "reader capital."
Author Seth Harwood describes how to build three types of transition: spatial, temporal, point of view,
Hilarious
"The comment section in HuffPo is notoriously harsh, and conventional wisdom says to avoid reading it. I write to understand, but I publish to be part of a larger conversation. Therefore, I want to listen—mostly—to what readers say. And, wow, did these readers have some choice words for me."
It's so egregious I don't even know where to begin.
Therapist and nonfiction author @oonametz.bsky.social was a guest on over 50 podcasts prior to her book's launch. Here's what she learned.
Try searching for “how to structure a story” and you'll get a panoply of instructions for the “right” way to structure a story:
Hero’s Journey
Three-act structure
Save the Cat
Snowflake method
Freytag’s Pyramid
Fichtean Curve
What do you do with them? @tiffanyyatesmartin.bsky.social advises.
This case study in hiring a book publicity firm is both laugh-out-loud funny and highly informative. Few people share these poor experiences due to shame and embarrassment.
If you're thinking of hiring *anyone* to help you with book publicity, this is a must-read.