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Posts by Shatter the Standards
The Cool Kids co-founder’s solo album is a south-suburban hustler’s diary with the names left in. The family stories and robbery narratives pull rank on the brand-name flex every time.
The D.C. duo named their debut after a fake anxiety drug and filled it with songs about losing yourself. The prescription doesn't work, and the album is better for it.
Before discovering Michael in theaters tomorrow (on Wednesday, April 22), Shatter the Standards shares its advance impressions of this highly anticipated biopic.
A debut that names the Harlem Renaissance out loud and writes well enough not to be laughed at for it. Most MCs would not survive the comparison.
The breakup accusations have a defendant and a temperature; the self-directed pep talks describe nobody.
An underground-rap concept record where a dead NWA champion does half the emotional work, and the Belleville MC building around that voice has the ear to match.
Xzibit, B-Real, and Demrick reconvene for their second proper album under Scoop DeVille’s sole production. The mob-code concept holds and is built on Cosa Nostra literalism.
A Bed-Stuy lifer on his tenth producer-paired record reframes the distance between his outside reception and his own account of himself as a working position.
Phases is a memoir about Brandy Norwood. It is also the first document out of her household to return fire at the press record around her mother. Read over at Blackpolitan.
At 37, the Los Angeles rapper stops rehearsing the mythology his 24-year-old self built. His fifth record with Exile writes directly about what a verse can carry on rent, Palestine, prison, and more.
A Bronx originator’s seventh solo LP gets handed one beatmaker, ten tracks, and zero room for excuses, and the moniker shows up doing its own dishes.
6LACK brings 2 Chainz along for a Sunday reset, Queen Naija sings her actual proposal, plus new Teedra Moses, KIRBY and Natanya. Read over at Soulpolitan.
A 49-year-old Brooklyn rapper puts out his own album on his own dime, twenty years after his debut was first scheduled to arrive. The features sit alongside Benny the Butcher, Max B, and more.
An R&B singer keeps dating women he was warned about and sings his admissions like they count as correction. Self-naming is his whole rhetorical move.
The veteran Chicago DJ’s third album hands every lead to a guest and never softens a single beat. It’s the cleanest case she has made for where this music came from and who gets to keep it.
The Queens songwriter’s fourth full-length is a self-produced record of grief. She counts what’s been taken from her and leaves the numbers unrounded.
Three years of patient writing turn into a debut that calls youth something borrowed and grief something you repay by singing it forward.
The 22nd Snoop record rests on the same premise as its sleeve. He bought Death Row, he is from where he is from, and the kids need to know.
As new albums and singles get constantly flooded into our radar, look no further than skimming through the release week of April 17th. We know it can be a task, so let’s help you cut through.
The London singer closes her disco trilogy with immaculate songs to her husband. One of them catches him dancing with someone else.
On the British-Pakistani singer’s fifth solo record, a Carnatic percussion concept does the heritage work. The English lyrics are still the lost-love material he was writing a decade ago.
The first album to prove that a New Orleans rapper could own his masters and still go platinum. Percy Miller bet on distribution, not bars.
After her darkest and most confessional album, Jackson came back grinning, newly single, and talking very specifically about what she wanted done to her body. The pop world didn’t know what to do.
Her fourth tape is the first that the St. Louis rapper has built like a real mixtape, DJ Holiday hosting throughout and the trapper-rapper distinction collapsing on contact.
millkzy writes live chamber rap as short-story scenes. The scene-writing carries his self-coined style better than the defense ever did.
Kumail’s second album is the rare record in Voodoo’s long shadow that shows up with the homework done. Love songs mean the offer; refusal songs mean the door.