Tonight at Waterstones Liverpool! Last few tickets at the link: www.waterstones.com/events/saul-...
Posts by David Hering
Liverpool people! I’ll be in conversation with Saul Leslie next Tuesday 21st April about his fantastic debut novel at Waterstones Liverpool. Tickets on sale now at the link. All welcome!
www.waterstones.com/events/saul-...
FFS
Wrote on an underseen classic, Robert Altman’s California Split (1974): open.substack.com/pub/davidher...
The new issue of Death Kit features an extract, "Skull", from a novel I'm currently working on.
Death Kit have done such a phenomenal job on this - the whole issue looks fantastic. You can get it at https:// deathkitcom.wordpress.com/86-2/ where you can subscribe (1 year/4 issue £10/£7.50)
Thanks Keith!
Wrote on the complicated legacies of Silence of the Lambs at 35: davidhering.substack.com/p/the-silenc...
Absolutely loved 28YL: The Bone Temple. Thought it was more focused and intelligent than its predecessor- not afraid to breathe and let the viewer think. Preferred the stillness of this to Boyle’s manic style. And there’s a proper hootin’ and hollerin’-worthy set piece late on
Smooth Talk (1985): Thought this was excellent. A remarkable evocation of teenage life that turns abruptly into something much darker. Laura Dern has been great since day one
Later this month, I’ll be writing about my films of 2025. But first, the arguably more important first annual Notes from the End of Cinema Movie Awards (or NECMAs), which are very serious and not in any way an opportunity for cheap laughs and jibes:
davidhering.substack.com/p/the-first-...
For Reverse Shot I reviewed the deeply frustrating Hamnet, a film simultaneously overawed by Shakespeare and totally uninterested in him: reverseshot.org/reviews/entry/3399/hamnet
A Halloween special post from Notes From The End Of Cinema about the time me and my friends made a horror film. You can read the post, and watch the film, at the link. Happy Halloween! open.substack.com/pub/davidher...
A Halloween special from Notes from the End of Cinema - 10 Horror films you might not know
open.substack.com/pub/davidher...
I wrote on One Battle After Another, Thomas Pynchon and Paul Thomas Anderson’s California
open.substack.com/pub/davidher...
I wrote on Eddington, and what happens when you try to mix the internet with a Western open.substack.com/pub/davidher...
60s Scott Walker:
Baby take it easy now/I miss your sweet caress and how!
70s Scott Walker:
The boulevards are rushing by, mon frere/With ennui and some despair
00s Scott Walker: Locust/Locust/Disease [sound of Mickey Mouse being tortured in a Bolivian jail]
Delighted that this article has been picked up by @criterion.bsky.social for The Daily www.criterion.com/current/post...
I wrote about my complex feelings on Zach Creggar's unusual horror film Weapons, in a review which ended up also taking in John Carpenter, Kiyoshi Kurosawa, David Lynch and Theodor Adorno t.co/WUST5jpXQT
I wrote about my complex feelings on Zach Creggar's unusual horror film Weapons, in a review which ended up also taking in John Carpenter, Kiyoshi Kurosawa, David Lynch and Theodor Adorno t.co/WUST5jpXQT
Enjoy this Rohmer talk and this picture of a Rohmer-esque lighthouse
The editing in the film is frequently bizarre and choppy. It amazes me how the opening fight is so poorly edited that we get an intercut shot of DDL hacking off Liam Neeson’s arm when he’s nowhere near him (3:01 here): youtu.be/zJjEakixDtU?...
I wrote about 28 Years Later, a film which I struggled with but nevertheless found fascinating in its vision of contemporary Britain davidhering.substack.com/p/isles-of-w...
Thank you!
I have a very short story out today in @xraylitmag.bsky.social and you can read it here: xraylitmag.com/another-word...
I wrote about Mission Impossible and Tom Cruise’s increasingly deranged career
davidhering.substack.com/p/tom-cruise...
Correction: 7:45pm now!