Unifora Type Specimen ...

Play with it yourself. The interactive specimen lets you explore every axis, toggle every feature, and test Unifora in 22 languages.

codepen.io/yeptype/full...

8/8 — Smart behaviors

The details you don’t expect: the colon auto-centers vertically with figures when you type a time like 9:41. The em dash does the same in ranges. Math symbols and brackets detect equation context and align themselves.

The kind of polish you feel before you notice.

7/8 — Alternates

11 character alternates: G without spur, tailed a, single-storey a, double-storey g, open figures, and more.

Mix and match to dial the personality exactly where you need it. One font family, countless brand voices.

6/8 — Legibility set

Stylistic Set 2 activates the high-legibility set. Disambiguates uppercase I from lowercase l, capital O from zero, and more.

Use it for wayfinding, navigation, data tables, maps—anywhere misreading a character has consequences.

5/8 — Square punctuation

By default, Unifora uses round punctuation. Turn on Stylistic Set 1 and it switches to square.

One toggle, completely different character. Same font.

4/8 — Extended slant axis

Most italics stop at 12°. Unifora goes to 18°—and it goes both ways. Italic and retalic. The slant axis runs from −18° to +18°.

That’s a full 36° of continuous expression from a single variable font.

The corner cuts aren’t just decoration. Uniwidth spacing is tight by nature, so those cuts carve out breathing room where characters would otherwise collide.

3/8 — Visual identity

The design sits on two signature moves: straight segments in round glyphs (O, o) and corner cuts on diagonal terminals (V, v).

The straight segments bring a hint of DIN—but only a hint. Unifora carries engineering DNA without becoming a rigid technical font.

2/8 — Screen optimization

Unifora is built for screens.

Vertical metrics are tuned so text sits perfectly centered on buttons and next to icons. Character heights land on the pixel grid at working sizes. Full hinting is included. If you’re designing UI, this font is ready to ship.

Unifora is uniwidth (aka multiplex or duplexed). Every character keeps the same width across all weights, widths, and slants.

Words, lines, and paragraphs don’t shift. Layout stays rock solid.

1/8 — Uniwidth design

Here’s the problem: you set a button label in Regular. User hovers, it switches to Bold. The text gets wider, the layout jumps.

To everyone who bought Unifora futures early—your investment just paid off.

You got the full family at half price!

Sign in at yeptype.com with your purchase email. Your updated fonts are waiting.

It’s also available as 5 subfamilies, each with 27 static fonts and a 2-axis variable font.

yeptype.com

Unifora ships as one superfamily: 135 static styles + 1 variable font across 3 axes—weight, width, and slant.

I spent 2 years on a single constraint: every weight, every width, every slant—same character widths. Today Unifora is out.

A uniwidth variable sans-serif superfamily. 135 fonts. Industrial edge, architectural precision. Let me walk you through it.

Unifora feels like a natural match for a car brand.

The slanted styles suggest motion, and tabular figures keep live numbers easy to read.

(Sound on)

Currency symbols in Unifora are a bit smaller than the numbers, which helps prices look more balanced.

Finished adding punctuation to Unifora—case-sensitive marks included.

Currency and symbol set coming soon.

The double-storey g is another character alternate available in Unifora.

It adds a more humanist touch to Unifora’s otherwise industrial and brutalist feel.

Unifora includes 2 alternate forms of the glyph ‘a’: ‘a’ with a tail and a single‑storey ‘a.’

Congrats on the great pick!

Hope you enjoy using Innovator!

Thank you! ❤️

In Unifora, accents on capitals are shortened to improve the look and spacing of all-caps multilingual settings.

Pick a paid font if you want your product to stand out.

Most your competitors use free fonts and end up looking the same. Spend a few dollars on type, and even plain black text on white will feel distinct.

Calling sans-serif fonts “inhuman” is what’s actually inhuman.

One step closer: the Eszett aka sharp S aka double S is done. Both uppercase and lowercase took 14 extra masters each to get right.

I love æ and œ, but they gave me a real challenge in Unifora’s uniwidth design 😅

Why fonts look better on macOS than on Windows When art and science render the same word, it doesn’t always look the same.

A type designer’s dream: hi-res screens everywhere. No hinting headaches, clean edges, better readability.
uxdesign.cc/why-fonts-lo...

Innovator Grotesk got a little spotlight in @freshfonts.io 😊