Yes, I wondered if the French were even aware of how loathed she's become.
Posts by David Rooney
Hah, good point!
What do we think of this year's official #CannesFilmFestival poster? THELMA & LOUISE, back on the Croisette 35 years after it premiered out of competition on closing night in 1991.
Antoine Fuqua’s MICHAEL inevitably creates a void by ending in the late 80s, years before sexual abuse allegations tarnished Jackson’s legacy. But as a fan-friendly account of his King of Pop zenith, it has more soul than you might expect.
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Lee Cronin’s new spin on THE MUMMY is a demented freakout about the ultimate problem teen, fresh from a ritualistic Ancient Egyptian burial. It’s repulsive and goopy and way too long, but a feast for gorehounds.
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Adrien Brody and Tessa Thompson bring integrity to their Broadway debuts in THE FEAR OF 13, but the real-life Death Row drama is talky and static, with so much direct address it could almost be an audiobook.
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There will no doubt be a worshipful flock out there for MOTHER MARY, David Lowery’s pop psychodrama of creation and exorcism starring Anne Hathaway and Michaela Coel. But count me among the nonbelievers.
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No director continues doing his own thing across multiple genres with such an assuredly light touch as Steven Soderbergh. His latest, THE CHRISTOPHERS, is no exception, a witty art-world caper pairing Ian McKellen and Michaela Coel, now in theaters.
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Temper your expectations, Dan. Similarities are skin deep. But if you're hankering for gator thrills, have you seen the Australian croc-buster, ROGUE, from way back in 2007? It has teeth.
"Mommy's just gotta fight some fucking sharks," Phoebe Dynevor tells her infant son, immediately after giving birth in surging floodwaters teeming with apex predators in Netflix’s gnarly survival thriller THRASH, which is the definition of big dumb fun.
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Loved Joe Mantello's haunting Broadway revival of DEATH OF A SALESMAN, led by a peerless Nathan Lane and Laurie Metcalf. Shattering and sadly ageless in its clear-eyed assessment of the failed American dream. First-rate theater.
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Right? Why don't they just burn money?
Keanu Reeves deserves better than Jonah Hill's smug and painfully unfunny Hollywood satire OUTCOME, another streaming original (Apple TV) likely to have the shelf life of scallops.
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Debuting German director Kai Stänicke's formally austere homecoming drama TRIAL OF HEIN is a piercing contemplation of queerness, identity and belonging that marks the arrival of a promising new talent. This one stayed with me.
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👏👏👏
Continuing the momentum of great Brazilian cinema in the wake of THE SECRET AGENT and I'M STILL HERE, Gabriel Mascaro's magical aquatic road movie, THE BLUE TRAIL, opens in NY and LA Friday ahead of its nationwide release. A trip worth taking.
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Huge congrats, Monica!
I loved it too. At one point it seemed to be the front-runner for cinematography — deservingly so — but I guess it got eclipsed by SINNERS.
😂
Watched the Oscars live in Australia (10am Monday) and while I was crushed there was no surprise win for THE SECRET AGENT, the movie requires no gold statuette to be a triumph. It's been a joy to see cultura brasileira put on the global stage & generate such an amazing swell of national pride 🇧🇷
In our annual THR tradition, my Oscar pundit colleague Scott Feinberg shares his predictions while I weigh in on what deserves to take home the honors Sunday night. Still hoping for an upset or two. Go Brazil! 🇧🇷
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Ryan Gosling and an alien engineer he names Rocky make for an irresistible interplanetary buddy comedy in Phil Lord and Christopher Miller’s epic sci-fi thriller PROECT HAIL MARY, a "fist my bump" crowdpleaser with an infectious sense of wonder.
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The #NYFCC's 2027 awards ceremony has been scheduled for Tuesday, January 5. The esteemed David Rooney is our 2026 chair and will host the night's festivities!
You'll be able to see it on HBO in a few months, I imagine. It's too bad, because I liked Maggie Gyllenhaal's first feature, THE LOST DAUGHTER, a lot. Hopefully she gets another shot at directing, with better material next time.
100%
Sorry, Maggie Gyllenhaal and Jessie Buckley, but I do not promise to have and to hold THE BRIDE! in sickness and in health. This laborious feminist Frankenstein spin is an unholy mess notable more for its ambition than its achievement.
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Like the best of Pixar's recent original stories, LUCA and TURNING RED, HOPPERS is a modest toon compared to the studio's classics, but the nutty action eco-comedy has charm, laughs and plenty of surprises. I had an unexpectedly good time with it.
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Love the retro Saul and Elaine Bass styling of this French marketing for THE SECRET AGENT.
Thank you, John!