If you’d told me five years ago that Beckett would have this kind of presence in Arabic, I wouldn’t have believed it. Last year I found all his works translated, and now even James Knowlson’s authorized biography Damned to Fame. Beckett’s really thriving in Arabic.

Between Solitude and Connection: Yuta Hagiwara on Theatre After Disaster بين العزلة والاتصال: يوتا هاجيورا والمسرح بعد الكارثة Detail: Femmes a la source (1899) by Paul Sérusier In this conversation, Japanese theatre director Yuta Hagiwara opens up about what’s shaped h…

Fantastic interview of theatre director Yuta Hagiwara about his telephone play Breath <Message Dial ver.> after #Beckett's Breath. Interview led by @alshalanamjad.bsky.social & published on her blog dedicated to #Saudi and #world #literatures.

5atrah.wordpress.com/2025/07/24/b...

Between Solitude and Connection: Yuta Hagiwara on Theatre After Disaster بين العزلة والاتصال: يوتا هاجيورا والمسرح بعد الكارثة Detail: Femmes a la source (1899) by Paul Sérusier In this conversation, Japanese theatre director Yuta Hagiwara opens up about what’s shaped h…

New blog post: Interview with Yuta Hagiwara (🇯🇵) on his Beckett-inspired Breath.
Full text (EN/JP) + Arabic ترجمة كاملة
رابط المقابلة: wp.me/pfWscd-4m
#مسرح #IFTR2025 #Beckett

A personal tradition of mine: picking up a secondhand book in every city I visit.
This time I found this unique edition of Waiting for Godot.
Minimal. Fragile. Almost reaching.
Just like the play. #samuelbeckett