伊藤詩織/山崎エマらのBlack Box
Diariesを手放して全肯定する人たちは、表現の名のもとの加害を肯定する暴力賛美者に他ならない。
小さな声の大きな痛みに気づかない。
それを読み解けないメディアリテラシーの持ち主か。映画だけ見ても歪曲された描写には気づかない。
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Oscar Nominee and Sundance: Black Box Diaries — What Went Unreported Outside Japan
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Oscar Nominee and Sundance: Black Box Diaries — What Went Unreported Outside Japan
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Oscar Nominee and Sundance: Black Box Diaries — What Went Unreported Outside Japan
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Oscar Nominee and Sundance: Black Box Diaries — What Went Unreported Outside Japan
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Oscar Nominee and Sundance: Black Box Diaries — What Went Unreported Outside Japan and How Ito Reported It[Part 1] What Media Outlets, Including the NYT and BBC, Knowingly Did Not Report
anonymousviewerofbbd.substack.com/p/oscar-nomi...
Black Box Diaries
伊藤詩織さんや山崎エマさんは、
Final CutだとかPremier Proだとか、
指先ひとつで人のプライバシーや肖像を操作できた絶対的存在
偶発的でなく意図的に晒す決断をした。いち捜査員、タクシー運転手、山口。どれも独裁政府、シンジケート、権力などでなく、伊藤さん個人の関係性にもとづく私的なもの。