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Posts by Faith Everard

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If I Had Legs I’d Kick You review: Rose Byrne delivers a tour de force of matriarchal fury in a mothering rollercoaster Mary Bronstein goes full Safdies in an intense and blackly funny look at being a mum

Run, don’t walk to see Rose Byrne lose her shit spectacularly in Mary Bronstein’s bracingly brilliant If I Had Legs I’d Kick You bit.ly/435lnHi

5 months ago 6 1 1 1
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Gate of Flesh – Senses of Cinema

Read our annotation by Faith Everard on GATE OF FLESH (1964) in @sensesofcinema.bsky.social www.sensesofcinema.com/2025/cteq/ga...

9 months ago 2 1 1 0

Thinking about the time I was privileged to witness his Welcome to Country speech at MIFF. An absolute legend. I miss him.

8 months ago 3 0 1 0
THE MELBOURNE CINÉMATHÈQUE | Dedicated to screening rare & important films in their original format. The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society. We hold screenings at The Australia Centre for the Moving image every Wednesday night for most of the year. Admission is by ...

The Melbourne Cinémathèque 2025 program is now online. Pulled together with a whole lot of effort by me & a group of very hard working volunteers, this moment is a privilege & a wonder every year. Take a look & come along if you're a local - print program out v soon! www.melbournecinematheque.org

1 year ago 9 2 0 2
Four stills from four films in a collage. From top-left clockwise: THE SUBSTANCE, THE ZONE OF INTEREST, ANATOMY OF A FALL and LOVE LIES BLEEDING.

Four stills from four films in a collage. From top-left clockwise: THE SUBSTANCE, THE ZONE OF INTEREST, ANATOMY OF A FALL and LOVE LIES BLEEDING.

My favourite four of 2024. To the next year of cinema and beyond. Love to all on this old, dark night. 🖤

And thank you to @sensesofcinema.bsky.social for publishing six annotations by me this year. I look forward to more xx

1 year ago 4 0 1 0
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May 2024 writing dump: I explored the Italian prison pseudo-documentary CAESAR MUST DIE (2012), and the bewitching thriller THE SECRET (1979) for CTEQ annotations for Senses of Cinema. Hope you enjoy ☺️

www.sensesofcinema.com/2024/cteq/ca...

www.sensesofcinema.com/2024/cteq/th...

1 year ago 4 0 0 0
Two women smile lovingly at one another, one brunette and one strawberry blonde.

Two women smile lovingly at one another, one brunette and one strawberry blonde.

I wrote something about my beloved Agnès Varda and her pro-abortion film, ONE SINGS, THE OTHER DOESN’T. Read here: www.sensesofcinema.com/2024/cteq/on...

@sensesofcinema.bsky.social

2 years ago 10 3 0 0

the musical snobbery is unreal

2 years ago 0 0 0 0
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Between ANATOMY OF A FALL and THE ZONE OF INTEREST I’m so happy to see Sandra Hüller finally getting the international recognition she deserves.

2 years ago 0 0 0 0

Aftersun was unreal

2 years ago 1 0 0 0

Alex you never stop. Incredible lady <3

2 years ago 0 0 0 0
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I talked about campy, queer, retro Australian comedy WHILE THE MEN ARE AWAY in the latest Big Issue. Aussies, grab a copy now to support your local vendors :)

2 years ago 2 0 0 0
Two men in are caught mid-turmoil in a falling window-washing lift, in monochrome Czechoslovak film ‘Heave-Ho’.

Two men in are caught mid-turmoil in a falling window-washing lift, in monochrome Czechoslovak film ‘Heave-Ho’.

Nearly forgot to mention that I wrote this commie, fun piece for Senses of Cinema via the Melbourne Cinémathèque annotations. Read on a classic comedy and therein Czech politics here: www.sensesofcinema.com/2023/cteq/he...

2 years ago 2 0 0 0

Watson - come here - I need you

2 years ago 4 0 0 0