âItâs a couple of things that work beautifully in concert. First: no music. Audiences are so sophisticated, but what theyâre not accustomed to is not being told how to feel,â Wyle says. âYou take all that out and it forces a level of engagement where youâre now looking for clues within the frame of the screen, which forces you to look up from your phone. And I think that is extremely engaging, especially to young viewers who arenât accustomed to being asked to participate in a nonpassive way in the viewing experience.
âSecond point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eyeâand only shooting from the point of view of a human being thatâs present in this space. There are no cameras on gurney wheels going in the hallway. Thereâs no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you canât leave, and it becomes an endurance test for you to stay on your feet as long as weâre on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you donât get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, itâs going to pop.â
Wyle makes eye contact for his next point, delivering it with a Robby-esque matter-of-factness. âFourth point: The election went the other way,â he says with a shrug. âWe could have been a really good show with a lot of nice things to say in a perfectly normal Kamala Harris universe. And instead we became almost a beacon of hope and humanity in an alternative universe. But in the midst of that, fifth pointâthis is essentially competence porn. Youâre watching really smart, dedicated people do what only they know how to do at a level that you donât know how to do it, and youâre so fucking glad that theyâre there doing it, and compartmentalizing their own stuff to put your broken pieces back together. Youâre so reassured by knowing that there are people out there that laugh and joke and have the ability to lock in like that.â
this is fucking unreal stuff from Noah Wyle on the magic of The Pitt. www.gq.com/story/noah-w...