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Posts by MMiller

SLOD-Ne Laži Mi Zvezda 1986 Slovenia (Female Darkwave/Grind/Noisecore/ Experimental)
SLOD-Ne Laži Mi Zvezda 1986 Slovenia (Female Darkwave/Grind/Noisecore/ Experimental) YouTube video by Dronemf S.

www.youtube.com/watch?v=j3lY...

10 hours ago 0 0 0 0
An emaciated man dressed only in a white cloth around his hips lying on his back in an image proportioned like what we'd see if the side was taken off a coffin. He has a wound in his side and in his hands and feet. His face is a ghastly gray in death. His eyes and mouth hang open. A very human body after execution.

An emaciated man dressed only in a white cloth around his hips lying on his back in an image proportioned like what we'd see if the side was taken off a coffin. He has a wound in his side and in his hands and feet. His face is a ghastly gray in death. His eyes and mouth hang open. A very human body after execution.

The Body of the Dead Christ in the Tomb — Hans Holbein, ca. 1521
oil on panel
200 x 30.5 cm (79 x 12 in.)

2 weeks ago 57 11 5 5
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The Ten Commandments, 1923
Director - Cecil B. DeMille
Writer - Jeanie Macpherson

www.imdb.com/title/tt0014...

1 day ago 0 0 0 0
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Jonas, by Supreme Echo 10 track album

Bandas que conheci e revisitei hoje:
#Jonas:
supremeecho.bandcamp.com/album/jonas
#Sumac:
sumac.bandcamp.com/album/the-he...
#Khanate:
khanate.bandcamp.com/album/to-be-...
#Disgrace:
www.youtube.com/watch?v=RTms...
#ObsidianTongue:
www.youtube.com/watch?v=UzB3...

4 days ago 0 0 0 0

He looks like Superman as drawn by Curt Swan

4 days ago 1 0 0 0
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WITCH BOATS & EGG SHELLS According to A Discoverie of Witchcraft 1584, witches like to 'saile in an egge shell, a cockle or muscle shell, through the tempestuous seas'. It was traditional to crush the broken egg shells so they were not stolen by witches 🎨Charles Turner 1807

3 weeks ago 25 3 2 1

What are those gems on Namor's forehead?

5 days ago 0 0 0 0
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#coincidência ou #algorítmo do #BlueSky ?
#Coincidence or #algorithm of #BlueSky?

5 days ago 0 0 0 0
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The Great Lozenge Maker
~ John Leech (1858)

2 weeks ago 28 6 1 0
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In memory of Clem Burke, Blondie's longtime drummer, who passed away a year ago at the age of 70 after his battle with cancer.

Photo by Robert Matheu

#punk #punkdrummer #clemburke #blondie #punkrockhistory

2 weeks ago 2076 211 40 12
American artist Norman Rockwell painted this image in 1918, when he was only in his early twenties and the First World War was still reshaping everyday life. Rather than showing soldiers overseas, he turned to the emotional labor of the home front like waiting, reading, hoping, and fearing. 

On a sandy bluff above a dark blue shoreline, four young white women gather in a mood of waiting rather than leisure. One sits front and center in a rose-and-rust patterned dress, elbows on knees, her chin pressed into both hands, staring out with tired, worried eyes. Beside and behind her, a woman in blue folds inward toward the sea. Another in a mustard-brown dress and broad hat sits in profile. A fourth stands in a pale blue-gray dress with a deep red sash, her arms lifted over her head against a sky crowded with swelling clouds. At their feet lie a small basket and a letter marked by wartime censorship. Far below, tiny figures dot the beach, but their distance only deepens the feeling of separation. The women’s bodies feel suspended between stillness and strain, as if time itself has slowed.

The picture so effective because its drama is quiet. The sea becomes both literal horizon and symbolic barrier, the place where loved ones have vanished from sight. The censored letter matters because it stands for contact that is partial, delayed, and controlled by war. Even good news arrives wounded. Painted in oil on canvas and then published as the cover of Life on August 15, 1918, the painting turns magazine illustration into shared national feeling. Rockwell gives each woman a different posture of anxiety, so the scene is like a study of longing: exhaustion, vigilance, resignation, and stubborn hope. It is sentimental, yes, but not shallow. The artist asks us to remember that war is endured not only in battlefields, but also in the aching intervals between letters, on porches, in parlors, and here, on a bluff above the sea, “till the boys come home.”

American artist Norman Rockwell painted this image in 1918, when he was only in his early twenties and the First World War was still reshaping everyday life. Rather than showing soldiers overseas, he turned to the emotional labor of the home front like waiting, reading, hoping, and fearing. On a sandy bluff above a dark blue shoreline, four young white women gather in a mood of waiting rather than leisure. One sits front and center in a rose-and-rust patterned dress, elbows on knees, her chin pressed into both hands, staring out with tired, worried eyes. Beside and behind her, a woman in blue folds inward toward the sea. Another in a mustard-brown dress and broad hat sits in profile. A fourth stands in a pale blue-gray dress with a deep red sash, her arms lifted over her head against a sky crowded with swelling clouds. At their feet lie a small basket and a letter marked by wartime censorship. Far below, tiny figures dot the beach, but their distance only deepens the feeling of separation. The women’s bodies feel suspended between stillness and strain, as if time itself has slowed. The picture so effective because its drama is quiet. The sea becomes both literal horizon and symbolic barrier, the place where loved ones have vanished from sight. The censored letter matters because it stands for contact that is partial, delayed, and controlled by war. Even good news arrives wounded. Painted in oil on canvas and then published as the cover of Life on August 15, 1918, the painting turns magazine illustration into shared national feeling. Rockwell gives each woman a different posture of anxiety, so the scene is like a study of longing: exhaustion, vigilance, resignation, and stubborn hope. It is sentimental, yes, but not shallow. The artist asks us to remember that war is endured not only in battlefields, but also in the aching intervals between letters, on porches, in parlors, and here, on a bluff above the sea, “till the boys come home.”

“Till The Boys Come Home” by Norman Rockwell (American) - Oil on canvas / 1918 - Ashley Gibson Barnett Museum of Art (Lakeland, Florida) #WomenInArt #NormanRockwell #Rockwell #AGBMuseum #AmericanArt #art #artText #WWIArt #AmericanArtist #BlueskyArt #arte #AmericanIllustration #1910sArt #WarArt

2 weeks ago 82 13 2 1
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This looks like Eddie from Iron Maiden (Powerslave / 1984)

2 weeks ago 1 0 0 0

This beautiful coverart has an author and title:
Antoni Estruch (1872-1957) "Guerra dels Segadors" 1907

Many bands don't bother to disclose the names and authors of the coverarts, but they do care about using them to beautify their albums.

#AntoniEstruch #GuerraDelsSegadors #Segadors #Painting

2 weeks ago 2 0 0 0
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Nice pic!
A few days ago I traveled through part of northern Argentina, a place where there are many cacti ("cardones").
Most of the cacti had holes, but I wasn't lucky enough to see a bird leaving its own home

3 weeks ago 2 0 0 0
Mental Vacation
Mental Vacation YouTube video by Zerre - Topic

que sonzeira! e com uma capa do Paolo Girardi

#Zerre / Rotting on a Golden Throne (2026) (DE)
#PaoloGirardi

Mas, convenhamos, que nome estranho "Zerre"

www.youtube.com/watch?v=OZHo...

3 weeks ago 1 0 0 0
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Jean Veber
La Hurle ,1910 ( O Grito)
lithograph in colors
45 x 60 cm
www.mutualart.com/Artwork/La-H...

#JeanVeber #Art #litografia #Arte #illustration

3 weeks ago 11 0 0 0
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Charles Landseer (1799-1879)

3 weeks ago 8 1 0 0

posta ai alguma ilustraçao e o nome do artista por favor e parabens pela aquisicao

3 weeks ago 1 0 0 0
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GLADIATOR (ARCADE) Today's game is Allumer and Taito's 1986 arcade adventure  Gladiator , but the title's a little misleading. There's no Colosseum, no sneeri...

#Gladiator #Arcade

esse jogo fez a minha cabeça num #fliperama da Rua Grande em #SãoLeopoldo
Inclusive tenho um desenho que fiz pensando nesse game na mesma época, talvez em 87 ou 88.

retrovania-vgjunk.blogspot.com/2016/04/glad...

1 month ago 1 0 0 0
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RIP to Sam Kieth, one of the greatest comics creators of all time

1 month ago 1 1 0 0

It seems that the armor restricts movement

1 month ago 0 0 0 0
"They're having problems with their economy again."
 1975 cartoon by American artist Ron Cobb.
 THEYRE HAVING
 PROBLEMS WITH
 THEIR ECONOMY
 AGAIN.
 ROBB

"They're having problems with their economy again." 1975 cartoon by American artist Ron Cobb. THEYRE HAVING PROBLEMS WITH THEIR ECONOMY AGAIN. ROBB

We've been here before.

1 month ago 3353 899 50 26
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esse álbum da banda Chilena #Procession é muito bom, inclusive essa capa é uma belíssima ilustração

Doom Decimation de 2013

#Chile #HeavyMetal #EpicDoomMetal

1 month ago 1 0 0 0
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Henri Lievens

1 month ago 3 1 0 0
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Ron Cobb art
#RonCobb #Alien #ConceptArt #Illustration #Art

inspireart.design/collections/...

birthmoviesdeath.com/2019/07/17/e...

1 month ago 6 0 0 0
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#OscarParviainen

1 - Skeleton Men
2 - Danse Macabre
3 - Crypt of the Capuchin Friars

1 - commons.wikimedia.org/wiki/File:Os...
2 - ?
3 - commons.wikimedia.org/wiki/File:Os...

1 month ago 3 0 0 0
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www.comicconnect.com/item/1092894...

Here’s an 11x17” Doctor Strange pen & ink piece I drew last year for the Lake Como Comic Art Festival. The auction over on ComicConnect has about three days to go.

1 month ago 129 13 5 0
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Someone made a post about the game #Solaris for #Atari (but the post disappeared)
Solaris reminded me of another great Atari game: #Moonsweeper

Look this:
www.youtube.com/watch?v=XToG...
Pics from:
www.retroplace.com
www.mobygames.com

1 month ago 1 0 0 0
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Louise for The Canary Murder Mystery (1929). Photo by Eugene Robert Richee.

1 month ago 118 23 2 1