Posts by alex lei
not much, just hangin out
good
online now: my roundup from the 27th Maryland Film Festival filmmakermagazine.com/133637-maryl...
for the 20th anniversary of Aaron Katz’s DANCE PARTY, USA premiering at SXSW, i took a look back at the scrappy legacy that gave the festival and Austin the DIY clout it rests on today www.avclub.com/sxsw-mumblec...
“About a mile up the road in a strip mall was where the cinema was happening…”
@alexlei.bsky.social reports on Sundance’s final outing to Park City
oh i’m sure
this is just like Twitter. incredible
wrote a few weeks ago about what i think is Robert Duvall’s finest film www.splicetoday.com/moving-pictu...
“I believe in resuscitation” might as well be a manifesto for the troupe itself.
@alexlei.bsky.social reports on CIMINO’S DEFEAT, the latest production from the vital Brooklyn-based theater company Adult Film
as the Sundance dust starts to settle, The Lake has emerged as one of my favorites—for Doc Mag, i talked to Abby Ellis about her thrilling, apocalyptic and skeptically optimistic film about the efforts to save the Great Salt Lake documentary.org/online-featu...
went long on Magellan, and how it stands less as a new leap in his cinema and instead is a part of his longterm project excising the ghosts of Filipino history www.avclub.com/lav-diaz-mag...
wrote about how James Cameron used the tropes & imagery Western in the Avatar films and how his adaptation of the genre reduces it of its complexity www.avclub.com/james-camero...
“Ahead of its latest installment playing at New/Next, I kept asking around about what the hell Reveries actually was. ‘It’s hard to describe.’ ‘You just have to see it.’ ‘It’s, like, two guys riffing. But trippy.’”
@alexlei.bsky.social interviews the trio behind the REVERIES series
had a great chat with Elena Oxman on her stunning debut OUTERLANDS, which effortlessly bounces between a first-person realism and a surprising poetic inflection filmmakermagazine.com/132649-inter...
they blew up the pigeon population in Mumbai last night
i’ll circle back on this around 2am
let me hit the casino and get back to you
re: WB-Netflix
physical media is more important than ever and it should be accessible to people everywhere. Baltimore has had a nonprofit video store for year’s now, and one of its co-founders @ericallenhatch.bsky.social wrote about how it can be replicated www.patreon.com/posts/24007106
i see a number of you talking about the “Train Dreams Wars” which is quaint and all but i’m not sure you realize how in the trenches it got
had a great talk with my old professor, Tenzin Phuntsog, about making films that are important to you and his debut NEXT LIFE filmmakermagazine.com/132497-inter...
bro last night was an american canto
film criticism may be dying, but The A.V. Club let me write about Bazin’s ontology of the image, and that’s not for nothing