📣 #JobAlert Research Associate/Fellow in Digital Curation and Analysis (Part-time, Fixed term)
@uniofnottingham.bsky.social
Join Prof Alex Mullen’s AHRC-funded project on Voices of Britain under and after Rome. 🏺#digitalhumanities 1/2
Deadline 14 April 2026
jobs.nottingham.ac.uk/vacancy.aspx...
Posts by Anna Willi
Digital Classicist London 2026 call for papers. Papers on any aspect of the ancient or pre-colonial worlds *and* that address innovative digital approaches. Deadline Monday 16th March 2026. blog.stoa.org/archives/4370
Please support the petition against the planned #closure of #Archaeology at the Humboldt-Universität zu Berlin.
Archaeology has been a part of Humboldt-Universität academic tradition for almost 200 years, so closing it would break a long-standing research tradition
weact.campact.de/petitions/sc...
Bronze drain strainer, circular disc, displayed on a museum stand against a light beige background with subtle shadows. The strainer features intricate radial patterns of small perforations forming concentric circles and mesh-like sections around a central open hole.
Have you ever seen a Roman plumbing device that is both genius and gorgeous? Just look at this bronze drain strainer, found in the Roman baths at Weißenburg, Germany, dating2nd/3rd century AD!
📷 me
🏺 #archaeology #findsfriday
Oh I see, this is more than a millennium out of my expertise so that’s really interesting to me! I assumed the shape of the fragment might have influenced its positioning as well.
I can also see traces of 2-3 letters above ‘my sighs’, but they don’t seem to be part of a fully inscribed line.
The text was not important in this context of a wall, so it didn’t matter which way around?
Is the first word 'Pitied'?
A giant wall, navy blue in colour. An image of a gladiator helmet is on the right and the title “Gladiators and Roman Carlisle” is on the left in white.
Had a wonderful evening at @tulliecarlisle.bsky.social yesterday for the Private View of the final leg of the touring Gladiators exhibition! Not only that, but you can enjoy two Roman exhibitions in one with the fantastic “Uncovering Roman Carlisle” alongside. Highly recommend!
Photo from behind the glass case of the Venus of Willendorf display at the Vienna Natural History Museum. The stone figurine sits on a thin black stand and faces a red wall with two display panels in German and English. She is, as always, implacable.
Another entry in my occasional series ‘What does the artefact see?’
Today I’m visiting Vienna’s Natural History Museum, home of the ca. 30,000 year old Willendorf figurine. This is what the Palaeolithic Venus sees day in, day out, in her own special display room.
(plus tourists like me) 🏺🧪🎨
Delighted that from January 2026 all research articles published in the Journal of Roman Archaeology @cambup-archaeology.cambridge.org will be Open Access
view.updates.cambridge.org?qs=85c24bbd7...
Two sets of dome-shaped game pieces are displayed on a gray surface, with each set containing 10 pieces. The arrangement of the pieces is loose.
Some 1,500 years ago, a child was buried with a set of game pieces made of animal bones.
Single game pieces are frequently found in early medieval graves in south-west Germany, but complete sets are rare.
Found in Herbolzheim, 500-550 AD.
📷 Landesmuseum Württemberg
🏺 #archaeology
A tile with well-preserved surface impressions: three distinct outline of shoes with hobnail patterns in the center, a animal paw prints nearby, and a rectangular maker's stamp with worn lettering and an imprint of a foot. And finger lines. The tile surface shows additional small impressions and chips.
Like a time capsule: a #Roman tile marked with #finger lines, hobnail #shoe prints, #dog's paw prints, and a #stamp of the LEG(io) XIIII G(emina). Tiles with imprints are very common, since tiles were laid out to dry in the open air ahead of firing, where...🧵1/2
#TilesOnTuesday 🏺
This is coming up soon! Free lecture and reception, on Friday 10th October. There are still places left - please come along and/or pass onto your networks
Come work with us!🏺
Together with my brilliant colleague Georgia Barker we are looking for a project curator to research how childhood is represented in the collections of our two departments at the British Museum, Egypt & Sudan and Greece & Rome. 👇👇👇
bmrecruit.ciphr-irecruit.com//templates/C...
If you'd like to find out about the Classical Collections Network here is our website. It's free to join and open to anyone who cares for/about classical collections in UK museums
classicalcollectionsnetwork.co.uk
The photo shows four images of the same Roman iron stylus pen, one below the other. The knib to the left. It has an inscription which runs along its length on four sides. The four images show the four lines of inscribed text which read: ‘ab urbe v[e]n[i] munus tibi gratum adf(e)ro acul[eat]um ut habe[a]s memor[ia]m nostra(m) rogo si fortuna dar[e]t quo possem largius ut longa via ceu sacculus est (v)acuus’ ‘I have come from the City. I bring you a welcome gift with a sharp point that you may remember me. I ask, if fortune allowed, that I might be able (to give) as generously as the way is long (and) as my purse is empty.’ The pen was used to write on wax-filled wooden writing tablets. Found in London (Roman ‘Londinium’) by MOLA. Photo by Juan Jose Fuldain/MOLA
Timeless humour!
A 2,000 year-old Roman souvenir pen with a joke inscription roughly equivalent to:
“I went to Rome and all I got you was this cheap pen!" 😂
Dated circa 70 AD, this iron stylus pen was recovered in London during excavations by MOLA.
📷 Juan Jose Fuldain/MOLA
#Archaeology
Book cover. The background in sepia tones Showa man dictating to scribes. A cream box in the center has light brown writing that contains the title (Writing, Enslavement, and Power in the Roman Mediterranean) and the words "Edited by Jeremiah Coogan, Candid R. Moss, and Jospeh A. Howley.
Excited to announce that after a lot of editorial work our volume "Writing, Enslavement, and Power in the Roman Mediterranean, 100 BCE - 300 CE" is out now. @jeremiahcoogan.bsky.social @illdottore.bsky.social
academic.oup.com/book/60683
Are you interested in writing and its visual appearance and/or visibility? If so, please consider sending an abstract for our conference! CFP deadline 5th September 2025, dates of conference 26th-29th March 2026.
viewsproject.wordpress.com/writing-as-v...
📌
I‘m so pleased to hear you found the book useful, thank you for letting me know!
Huge thanks to the Kantonsarchäologie Aargau and the Vindonissa Museum for hosting us, and to the @gerda-henkel-stiftung.de for supporting my work and giving it such a great platform!
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We visited one of the most important sites for stylus tablet finds in the northwestern Roman provinces, Vindonissa, where hundreds of tablets were preserved in a rubbish dump outside the legionary fortress.
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Last year I ended my project about Roman stylus tablets, which was funded by the @gerda-henkel-stiftung.de, early – for my dream job. But before I did, we filmed a series of short videos about the project, and the first episode is now live. (English Version available) ⬇️⬇️⬇️
#ancientbluesky🏺
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Dorset Museum @dorsetmuseum.bsky.social is fundraising to acquire, conserve and display the Bronze Age *Crichel Hoard*
www.bbc.co.uk/news/article...
which includes a twisted gold ribbon torc
Fundraising details here:
www.dorsetmuseum.org/the-crichel-...
CfP: The Ancient Mediterranean and the British Museum: Pasts and Futures
A conference exploring the past impact and future potential of the Museum’s ancient Mediterranean collections, in-person in Senate House 25 - 27 Feb 2026. Abstracts (300 words max) due Mon 16 Jun 2025.
https://bit.ly/4lCkltp
Apply for our Alexander the Great AHRC PhD opportunity with The British Museum: "Disruption and Diversity: Understanding the Impact of Alexander the Great Through the Material Culture of the Hellenistic World."
Application Deadline: 17:00 (UK time) 15 May 2025
phd.leeds.ac.uk/project/2239...
Delighted that the volume ‘Empire and Excavation: Critical perspectives on archaeology in British-period Cyprus, 1878–1960’, edited by Thomas Kiely, Lindy Crewe, and me, is now available open access. Huge thanks to all our contributors: www.sidestone.com/books/empire...
Flyer publicizing two forthcoming Handbooks on Material Text Culture from De Gruyter: Handbook of Medieval Book Ornament [ISBN 978-3-11-141107-1] and Handbook of Epigraphic Cultures (3 volumes) [ISBN 978-3-11-124094-7]
Monumental three-volume Handbook of Epigraphic Cultures to be published by De Gruyter, early next year hopefully. Open Access eBook! Includes chapters on Khitan and Tangut epigraphy.
Final hours of install before press descend on #GladiatorsOfBritain @dorsetmuseum.bsky.social One of the amazing BM objects is this #Roman lamp with a personalised name written into the wet clay - Gaius Maximus. A rare instance of a named #gladiator, or perhaps a fan of this retiarius? #FindsFriday