The excellent Cocaine & Rhinestones podcast used this as the theme music. Extremely up your alley.
Posts by Jeremy Erwin
I’m curious to see what the full Tiberi set will include. Rumor is that Impulse holds 118 hours of tapes - based on the quality of this sampler, maybe they’re fixin’ to release it all?
It’s a new creative direction
Cool band but not sure I’m looking forward to the microtonal wave
Outstanding record. Anyone know of a US distributor?
I love how European artists proudly display their Philicordas. They look amazing, sound great, and are pretty unattainable here in the US.
Lugging it out to a field for a press photo is boss level. 💪
Yeah, Spotlight Kid and Clear Spot are goldmines
Deep into a Beefheart bender and obsessed with brief moments like this one ~3:30 into Kandy Korn.
The band seemed intent on avoiding a groove but when they settled into one it could be transcendent.
Hopefully the dog house is part of the preservation effort.
John McLaughlin, Tony Williams and Stanley Clarke, 1972
Full frame photo confirms it. Get your affairs in order.
John McLaughlin dressed like a golf pro in 1972.
If you roll up to the jazz trio gig and the guitarist looks like this, you’re about to die in the pit.
🚨 WE HAVE FOOTAGE OF TRANE WITH THE PUPPY 🚨
Great find. Looks like it’s on YT. I’ll research and report back.
Bit of a drag how a UA interface is required to purchase those Neve plugins. Unless there’s a workaround I’m not aware of?
Not to make light of this passage from @andybeta.bsky.social’s phenomenal Alice Coltrane bio, but I’d REALLY like to know the name of the Coltrane family dog.
Scrolling over in his grave
Owsley Stanley in the Smithsonian! In celebration of 100 years of Miles Davis, with the full support of the Miles Davis Estate and in coordination with Reservoir Media, Devon Turnbull, and the Cooper Hewitt Smithsonian Design Museum, on April 14 from 1-4 pm, we will be presenting Bear's unreleased recording of Miles Davis performing at the Fillmore West on April 12, 1970. We fervently believe that the 4 nights when Miles met the Grateful Dead changed the course of modern American music. Bear recorded nearly all of these four shows and every note by both bands on April 12, the final night of this historic run. This is perhaps the most historically significant recording in Bear's vault. When: April 14, 2026 at 1 pm Where: HiFi Pursuit Listening Room Dream No. 3, which is part of the Art of Noise Exhibition in the Cooper Hewitt Smithsonian Design Museum, 2 East 91st Street, NY, NY What: Bear's unreleased recording of Miles Davis at the Fillmore West on April 12, 1970
More info from the Owsley Stanley Foundation, plus a ticket link!
www.cooperhewitt.org/event/live-o...
A combo of official (Black Beauty) and unofficial tapes of the full run do circulate but the fidelity of the latter are a bit dodgy. An officially released Owsley tape of the final night would be monumental shit.
Photo of a studio control room with the following text overlayed: ON TUESDAY, APRIL 14 2026, THE OWSLEY STANLEY FOUNDATION WILL BE DEBUTING THE UNRELEASED RECORDING OF THE APRIL 12, 1970 MILES DAVIS SET RECORDED BY BEAR (THE GRATEFUL DEAD'S SOUND ENGINEER) AT THE HIFI PURSUIT LISTENING ROOM AT THE COOPER HEWITT
Talk about burying the lede…
The official Miles IG account announces the first(?!) public listening session for Bear’s fabled 4/12/70 Fillmore West recording, though it’s buried 7 images deep and no further info is given.
MVP 🙏
Where’s this Beatles discourse?
All I’m seeing is discourse about the discourse.
This performance of the closing track is incredible.
Recorded this day, 1973: Miles' post-𝘖𝘯 𝘛𝘩𝘦 𝘊𝘰𝘳𝘯𝘦𝘳 band play their first date with a new guitarist, Pete Cosey. Also, the first known performance of the tune Zimbabwe (although it cuts before the end).
#jazz #jazzsky #milesdavis
The best sounding stereo + mono versions my ears have witnessed, plus a mess of alt mixes and a resurrected ‘67 live set from the Houston Music Theater. 🐇
The fabled ”dual drum machine show”. Great tape out there somewhere. Helluva chomper situation.
2025 view of Red Rocks from row 50-ish
Criminal how much of that sandstone backdrop is obscured by the current stage.
Farewell to the great James Gadson. Often imitated, never duplicated.
Punched out legendary grooves like an assembly line.
Exceptional record. Was not expecting these two dudes to get together and make a Dungen album, but I’m here for it. 🍄
They see me trottin’, they hatin’