Today on Patreon: Watch out for that train and stock up on stimulants because we're talking FACES OF DEATH (2026).
Join us as we try to figure out why this admittedly well-made film doesn't fully work for us.
Plus: Charli XCX, strong queer representation and a very impressive mid-movie oner.
EXCLUSIVE: High octane action-horror bloodbath THEY WILL KILL YOU starring Zazie Beetz is coming home to Digital on April 28.
The film hits physical media on June 30.
Watch an exclusive featurette clip that dives into the film's old school practical gore gags.
Tomorrow on Patreon: we’re channeling Patrick Bateman and recreating snuff films with our discussion of the 2026 “remake” of #facesofdeath
I don’t think it’s the clusterfuck its reputation would have you believe. It’s just sooooo passionless.
Your weekend homework: check out Cam and How To Blow Up A Pipeline pair Isa Mazzei and Daniel Goldhaber's latest, Faces of Death. We're discussing the kinda/sorta remake Tuesday on Patreon
Today on Patreon: Get running because we are checking out Tom Cruise in Alex Kurtzman's Dark Universe kick-off, THE MUMMY (2017).
Prepare for a lot of sighs and "It's fine" in this commentary as we bemoan the script changes made to accommodate Cruise, as well as Jake Johnson's terrible role
So in!
If she were in it more, it would be a much better movie!
A film that answers the question: what if you tried to launch the Dark Universe, but Tom Cruise turned it into a vanity project?
Tomorrow on Patreon: with the arrival of LEE CRONIN’S THE MUMMY, we're looking back on the most recent interpretation of the character from 2017, when it was all about Tom Cruise!
Plus: hating on David Manners' Frank; comparisons to Stephen Sommers and Tom Cruise's remakes; Karloff's painful (but great) make-up effects; and a queer reading about hiding who you are to pass in society.
Continuing the tradition of Universal Monster films, this Boris Karloff chiller is short and sweet, but we think it has one of the best female characters in Zita Johann's Helen/Princess Anck-es-en-Amon.
Don't open that sarcophagus and prepare the fainting couch because we're discussing Karl Freund's #TheMummy (1932).
What a great time to be alive!
Tomorrow on the Main Feed: our week of Mummy texts begins as we check out Boris Karloff’s turn as the original 1932 Universal monster
Today on Patreon: Resurrect your dead body and pop on that pig's head because we're discussing Kirill Sokolov's English-language debut THEY WILL KILL YOU!
Join us as we debate whether this film succeeds as an "eat the rich" text, all the while reveling in its glorious hyper-stylized gory violence.
Huh…
A Black woman in a blood stained white shirt, holding a flaming axe in a blue hotel hallway lined with large portraits
Tomorrow on Patreon: It's Zazie vs a whole hotel of guests in the manic, Looney Tunes-style action horror film THEY WILL KILL YOU
We sat down for a spoiler-y interview with director/co-writer Daniel Goldhaber and co-writer Isa Mazzei about their long-delayed reboot #FacesofDeath (2026), the importance of queer representation in horror and lamenting all things censorship.
Watch the video on YouTube 👇
A black woman with her hair wrapped in a towel holds a lighter up to a vent in front of her face
Your weekend homework: Beware when checking into the Virgil because there’s plenty of surprises behind the walls.
We’re talking #theywillkillyou Tuesday on Patreon
If you’re keeping track, that’s 9.5 hours alone on just this show (nearly as long as the series’ runtime).
Pretty good value for money of you were thinking of signing up!
Be prepared to get "digested" in the Red Room cause we're talking the divisive finale of THE HAUNTING OF HILL HOUSE. Is it too saccharine and drawn out? We have thoughts!
Plus: Samantha Sloyan's shitty monologue (iykyk), time shenanigans, and wondering if Hill House really is evil....or just lonely
We saw! Exciting!
Wait…we just talked about this on last month’s Patreon audio commentary!!!
The people have spoken and they have good taste.
Tomorrow on Patreon: after 10 weeks, our deep dive into the world of Mike Flanagan’s THE HAUNTING OF HILL HOUSE comes to an end as we tackle the divisive finale, “Silence Lay Steadily”
Subscribe via the link in our bio to listen to coverage of the whole series
Fuck. Yes.
SLITHER still works for me (even if its politics are…uncertain?)
Truly feel like this has cross-over appeal to non-horror folks provided they can get past the icky, goopy FX.
