Posts by Romance Quarterly
Connie L. Scarborough closes the Romance Quarterly 73.1 with a review of Robin M. Bower’s In the Doorway of All Worlds. Gonzalo de Berceo’s Translation of the Saints.
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Ruth Z. Yuste-Alonso (@ruthyuste.bsky.social) reviews Heather Jerónimo’s Performing Parenthood. Non-Normative Fathers and Mothers in Spanish Narrative and Film (2024) in the RQ 73.1.
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Marina Barba Dávalos and Ana Isabel Ballesteros Dorado connect theatre and music with “Entre lo popular vasco y el bel canto: variaciones semánticas de la música incidental compuesta por Carnicer para La batelera de Pasajes, de Manuel Bretón de los Herreros.”
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A disembodied notion of the humanities faces the physical bodies from which they emerge in Katie Vater’s article “Embodying the Humanities in Antonio Orejudo’s Un momento de descanso (2011)”.
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📷 Detail of the cover of Un momento de descanso published by Tusquets.
Eric Salazar reads the generative power of instability in Cristobal Colon’s letters in “Ninguno puede dar razón cierta: incertidumbre, ruina y adversidad en las cartas de Cristobal Colón”.
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📷 Carta a Luis de Santángel (1493)
Jaime Hanneken opens issue 73.1 of the Romance Quarterly with “The roto Unearthed: Chilean Mestizaje and the Technic of Revelation”.
🔗 Link below.
📷 Monument to the Chilean roto, Plaza Yungay, Santiago
Romance Quarterly 73.1 is now available. Visit the link below to read its exciting and varied articles and book reviews.
Mary T. Hartson closes issue 72.4. of the Romance Quarterly reviewing Iker González-Allende’s Masculinidades gays y maricas en la cultura española contemporánea.
🔗 Link below.
Jeffrey K. Coleman reviews Martin Repinecz’s Volatile Whiteness: Race, Cinema, and Europeanization in Spain in the RQ 72.4.
🔗 Link below.
Masculinidades gays y maricas en la cultura española contemporánea: Romance Quarterly: Vol 72 , No 4 - Get Access www.tandfonline.com/doi/full/10....
Mary T. Hartson closes issue 72.4. of the Romance Quarterly reviewing Iker González-Allende’s Masculinidades gays y maricas en la cultura española contemporánea.
🔗 Link below.
Volatile Whiteness: Race, Cinema, and Europeanization in Spain: Romance Quarterly: Vol 72 , No 4 - Get Access www.tandfonline.com/doi/full/10....
Jeffrey K. Coleman reviews Martin Repinecz’s Volatile Whiteness: Race, Cinema, and Europeanization in Spain in the RQ 72.4.
🔗 Link below.
CFP: Estudos galegos en @romancequarterly.bsky.social ❕Rogamos máxima difusión
Dende hai unha década os estudos galegos teñen máis presenza na academia norteamérica. Este número pretende difundir a investigación que xurde dos distintos encontros e redes de galicianistas nestes lares #estudosgalegos
Una mirada al abismo: Espacio espectral y la producción social de violencia de género en la obra de Fernanda Melchor: Romance Quarterly: Vol 72 , No 4 - Get Access www.tandfonline.com/doi/full/10....
Roberto Mendoza-Farías (@rmf.bsky.social) maps spectral spaces in two works of Fernanda Melchor in “Una mirada al abismo: Espacio espectral y la producción social de violencia de género en la obra de Fernanda Melchor.”
Link below.
🎨 Detail from Hurricane Season published by New Directions
Alejandra Rengifo visits the spectrality of La Pampa in Luciana Sousa’s Cuando nadie nos nombre (2022).
Link below.
🎨 Detail of the cover of Cuando nadie nos nombre published by Tusquets
Marita Lopera guides us through what she has named “spectral spaces” (“espacios espectrales”) in Magda Moreno’s Las hijas de Gracia (1951) in her latest article in the Romance Quarterly.
Link below.
📷 Detail of the cover of Las hijas de Gracia published by Editorial Bedout
Alicia V. Ramírez Olivares (dis)orientates the readers of the RQ towards a lesbian occupation of space in two contemporary anthologies in “Espacio de costumbre, desorientación y vulnerabilidad en la espectralidad de la literatura lésbica en México.”
Link below.
Available now: www.tandfonline.com/doi/full/10....
Alicia V. Ramírez Olivares (dis)orientates the readers of the RQ towards a lesbian occupation of space in two contemporary anthologies in “Espacio de costumbre, desorientación y vulnerabilidad en la espectralidad de la literatura lésbica en México.”
Link below.
Marita Lopera guides us through what she has named “spectral spaces” (“espacios espectrales”) in Magda Moreno’s Las hijas de Gracia (1951) in her latest article in the Romance Quarterly.
Link below.
📷 Detail of the cover of Las hijas de Gracia published by Editorial Bedout