A hand-drawn six-panel comic in black, pink, orange, and white titled “Punk Bread,” by Bianca Xunise. The first panel says the artist is familiar with the stereotype that punks just want to “live fast and die young,” and shows two punk characters sticking out their tongues. The second panel counters that stereotype, saying Chicago punks have been at the forefront of resistance in a more flamboyant way, with a punk speaking beside a “Free Soup” table in front of a crowd. The third panel says the narrator has felt intense anxiety as police, ICE, and the National Guard tear the city apart, but finds refuge in DIY spaces like The Orphanage; the art contrasts a line of armed officers with a punk figure running. The fourth panel explains that, thanks to punks like Citlally Fabela, The Orphanage doubled as an organizing space and migrant worker residence, hosting anarchist skillshares, ICE watch trainings, free meals, clothing, childcare, documentary screenings, incarcerated book drives, fundraiser raves, and matchmaking events. A portrait of Fabela includes a speech bubble saying the comedor comunitario was the main project there. The fifth panel says The Orphanage later became another victim of strategic gentrification after repeated pushback, with a “Go away scum!” sign and Fabela saying the eviction letter was an obvious xenophobic move. The final panel says The Orphanage officially closed in June 2025 after a three-day celebration of music, food, and workshops, but the underground scene will keep growing in unexpected places; the image shows a bottle, a boot, and flowers.
The system will never pull the plug on the underground.
Bianca Xunise pays homage to Chicago DIY space, The Orphanage.
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