Chapters have been added to yesterdays livestream 👀
Featured in this episode: Affinity, Universal Thirst, DualType, @frerejones.bsky.social, DJR, @dstype.bsky.social, Fontwerk, Fabio Haag, TypeMates, St Bride Library, and @remedy667isdead.bsky.social #typography #fontfeed
New Work: GRADINE, a typeface that combines serenity and foolishness. Because it's on the Next Fonts section, it can be yours for half the price of the future official release. www.dstype.com/next-fonts/g...
This is AI proofing that AI cannot redesign itself, they need a couple of human to do so. Maybe the worst mkt ever for AI.
I'm not sure if I disagree but I think that what stoped scripts (other than Latin), races, genders and everything you mentioned, wasn't the type industry, but the fact that people couldn't find in type a reliable source of income.
Honest question: What do you mean by inclusive?
It's been 30 years since I started designing typefaces. This is one of my first works with one of my '90s fonts, for the Icograda '95 exhibition in Porto, Portugal. I'm getting old as f**k!
New Release: Pulso & Pulso Pro — Durability and consistency for editorial purposes.
Developed to provide durability and consistency. With its 3 weights, 3 grades and 2 sets of italics, Pulso ensures flawless performance, thanks to its generous x-height and open shapes.
Já faltou mais para o famoso "Sempre que ouço falar em cultura, pego no meu revólver"
Somente um pouco de ironia. Por oposição à CN a CS fica sempre nos antípodas aos olhos ocidentais, quando a verdade é bem mais complexa do que parece. Este acto é demonstrativo da facilidade que se caracterizam certos países.
Coreia do Norte, certo?
In the 90’s when I was a graphic designer one of my favorite pairings was FF Meta and Matrix Script.
Nice for a Brand named Kitten.
typeparis.com/summer25
Core team: @jf.porchez.com, Mathieu Réguer, Marc Rouault, Rainer Erich Scheichelbauer, Georg Seifert, Gina Serret, Julie Soudanne, Malou Verlomme.
International type critics: @retypefoundry.bsky.social, Cecilia del Castillo, Diana Ovezea, Albert-Jan Pool.
#typeparis25
2-2
The point position, stroke width, x-height when the values are like 191, 483, or similar. If it doesn’t end with 5 or 0, it always look wrong.
Typefaces indeed smell different, yet those three smell exactly the same: Mold.
Definitely the version with vertical cut in the tail. It makes much more sense in Inter.
Commodore 64
@jf.porchez.com suggested me to register here early in the morning. I did and already find this place much more breathable than X.
Ladislas Mandel?