something crucial is that the tems song also has the syncopated percussion forming a bed of texture, which you def see in 3step. and it also really emphasizes the beats even at the higher tempo. still remains breezy. the translation to this pop form is cool; “mine” even gets in a 2-stepish zone
thinking about how i personally dance to “big daddy” seems revealing too; so much closer to all the SA 3step. even “young again,” which is def the closest thing, doesn’t seem to emphasize the 3 kicks for me to dance the same way… more like a continuous drifting bobbing as if it were almost 4x4
thx for this. i asked the question about the tems song to dave initially lol. i was aware of some of what’s in your playlist but the non-remix stuff esp feels more removed from 3step than “big daddy,” whose feel and even intention of the beat w/ lyrics is aligned with 3step even if it’s firmly pop
you guys have a really confused understanding of how criticism works if you think higher ups at condé nast are looking for people to pan an emahoy album for “rage discourse”
what the hell are you guys talking about. jeremy (reviews editor) loved souvenirs.
i’m on twitter primarily for dms and group chats…
wouldn’t count on it, the ux here is so bad lol
rare bluesky post 🙂👍
very proud of this old interview i did with everything but the girl, finally published for all the world to see. so much wisdom here. i love everything tracey thorne says about how middle age feels like being a teenager. i love ben’s karaoke story.
toneglow.substack.com/p/tone-glow-...
My esteemed colleague @misterminsoo.bsky.social is too busy getting dragged across X by K-pop enthusiasts to post here so it is incumbent on me to share this sprawling 9K-word interview of the many-ringed and -voiced @doseone.bsky.social. Do enjoy! toneglow.substack.com/p/tone-glow-...
THE TEXAS CHAIN SAW MASSACRE AARON DILLOWAY ANTHOLOGY FILM ARCHIVES 3.14.25 7:30PM
I will be performing a set opening for a 35mm showing of THE TEXAS CHAIN SAW MASSACRE at Anthology Film Archives. @anthologyfilm.bsky.social
Very special thanks to @misterminsoo.bsky.social for organizing this event!!!
oh my bad, misunderstood
Chicago! February 21-23! A 3-day extravaganza of my book, FILM ELEGY & Amy Halpern retrospective! More here: nublockmuseum.blog/2025/01/31/b...
i already interviewed spice 1, was an incredible interview too
I've made an archive of all the interviews I've conducted and published. You can find the list at my website. If I've counted correctly, I'm at 184, which is more than I expected. Got really emotional thinking about the fact that I’ve just done all this. Strange feeling.
joshuaminsoo.kim/interviews
i guess i’ll post some music i like on this site… been listening to this german new age harp album from 1986 that also features tuba
youtu.be/MD7CL8O2VCU?...
obviously that may change with time but this isn’t currently a helpful tool for me. for example, i enjoy searching up what people in south africa are saying about the most popular south african songs rn but there are literally zero posts about that on this site. japanese users not here either
main thing about this app is that i primarily see english-language users, and even within that camp, it’s still mostly people in western countries. a big reason i use twitter is to see what people around the world are saying about music, among other things.
what did they show?
i’m ok with the tenuous nature of it. i’ve had too many hard drives die where at this point im like ok well at least it’s a thing that is maybe searchable in the future. downloaded the archive of my account tho at least
i can’t delete my tweets because i use the account as an archive (i often post things because im too lazy to bookmark them or save them in a google doc or word document; i also post concert videos so i don’t have to save them on my phone lol)
are you no longer on twitter
wow this app is still so clunky… back to twitter i guess
this app is so clunky lol. i am legit impressed that it feels less user friendly than twitter
interview backlog / interview frontlog
