When Madonna came out with her hit "Vogue" you knew it was over. She'd taken a very specifically queer, transgender, Latino and African-American phenomenon and totally erased that context with lyrics about how "It makes no difference if you're black or white, if you're a boy or a girl." Madonna was taking in tons of money, while the Queen who actually taught her how to vogue was sitting on a table in front of me, broke. So if anybody requested "Vogue" or any other Madonna track, I just told them, "No, this is a Madonna-free zone! And as long as I'm DJ-ing, you will not be allowed to vogue to the decontextualized, reified, corporatized, liberalized, neutralized, asexualized, re-genderized pop reflection of this dance floor's reality!"
People are talking about Madonna. I feel like Terre Thaemlitz's words on the track Ball’r (Madonna-Free Zone) are important to hear as a critique of Madonna's appropriation of Ballroom culture
