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Posts by Zentrum für Netzkunst Berlin

Error 406 [Netstalgia] Not Acceptable | Netstalgia Not Acceptable Essay Essay on the topic of the open call Error 406 Netstalgia Not Acceptable.

"forgetting is also a form of care"

Netstalgia Not Acceptable – The Internet We Want
~ an essay by Noemi Garay Murcia

error417.expectation.fail/406/netstalg...

Netstalgia is not a harmless longing for a better internet, it is the cultural symptom of platform capitalism in crisis.

1 week ago 1 1 0 0

Akribie und Obsession; Anneliese Ostertag, Tabea Rossol (Herausgeber), Spector Books

Autor*innen: Alexander Amberger, Wolfgang Ernst, Maroš Krivý, Katharina Loeber, Birgit Schneider, Oliver Sukrow, Michaela Wünsch

www.lehmanns.de/shop/kunst-m...

120 Seiten, Designer: Anna-Luise Lorenz

3 weeks ago 3 0 0 0
Audience members converse between sessions in a blue-seated auditorium during a digital art symposium. In the foreground, two people face each other in conversation, one with bright red braided hair and a pale scarf, the other wearing a yellow striped shirt and glasses while holding a drink. Around them, people sit scattered across the rows, chatting, checking phones, or watching the room. The image captures an informal social moment during the event.

Audience members converse between sessions in a blue-seated auditorium during a digital art symposium. In the foreground, two people face each other in conversation, one with bright red braided hair and a pale scarf, the other wearing a yellow striped shirt and glasses while holding a drink. Around them, people sit scattered across the rows, chatting, checking phones, or watching the room. The image captures an informal social moment during the event.

A panel discussion on stage at “Transformation Digital Art 2026,” viewed from the audience. Five speakers sit in bright red chairs beneath a large projected program slide that reads “Collaborative preservation in Technical Environments.” Rows of blue auditorium seats fill the lower half of the image, with audience members watching the discussion. The setting is a contemporary screening room or lecture theater with a digital arts conference feel.

A panel discussion on stage at “Transformation Digital Art 2026,” viewed from the audience. Five speakers sit in bright red chairs beneath a large projected program slide that reads “Collaborative preservation in Technical Environments.” Rows of blue auditorium seats fill the lower half of the image, with audience members watching the discussion. The setting is a contemporary screening room or lecture theater with a digital arts conference feel.

A crowded auditorium scene at the “Transformation Digital Art 2026” symposium. Dozens of people stand together at the front of the cinema-style room beneath a large projection screen displaying the event title and pastel abstract graphic shapes. Blue theater seats fill the foreground, while the stage floor features a bold black-and-white geometric pattern. The atmosphere feels lively and communal, like a group gathering at the close of a session or event.

A crowded auditorium scene at the “Transformation Digital Art 2026” symposium. Dozens of people stand together at the front of the cinema-style room beneath a large projection screen displaying the event title and pastel abstract graphic shapes. Blue theater seats fill the foreground, while the stage floor features a bold black-and-white geometric pattern. The atmosphere feels lively and communal, like a group gathering at the close of a session or event.

A woman stands on stage with a microphone and a sheet of paper, speaking in front of a large projection screen at “Transformation Digital Art 2026.” Behind her, part of a slide is visible with the name “Annet Dekker” and the phrase “Framing: Collaboration and Trust.” Two bright red chairs sit empty on the patterned black-and-white stage floor, one with a microphone resting on it. The scene suggests an introduction or moderation before a panel discussion.

A woman stands on stage with a microphone and a sheet of paper, speaking in front of a large projection screen at “Transformation Digital Art 2026.” Behind her, part of a slide is visible with the name “Annet Dekker” and the phrase “Framing: Collaboration and Trust.” Two bright red chairs sit empty on the patterned black-and-white stage floor, one with a microphone resting on it. The scene suggests an introduction or moderation before a panel discussion.

Transformation Digital Art 2026 – @li-ma-media-art.bsky.social symposium on the preservation of digital art, Amsterdam, 26–27 Mar 2026
li-ma.nl/article/tran...

@ezka-ter.bsky.social & Sakrowski spoke about Inserting Net Art; how early internet artworks can be preserved without losing their context.

3 weeks ago 5 0 0 0

Transformation Digital Art 2026 — LI-MA's 10th anniversary international symposium on the preservation of digital art, 26–27 March 2026
li-ma.nl/article/tran...

– Tereza Havlíková @ezka-ter.bsky.social & Sakrowski

3 weeks ago 3 0 0 0

This Thursday and Friday – welcome to Amsterdam!

li-ma.nl/article/tran...

Transformation Digital Art 2026 — @li-ma-media-art.bsky.social's 10th anniversary international symposium on the preservation of digital art, 26–27 March 2026

4 weeks ago 7 2 0 0
Poster with a light grey background filled with abstract, organic, puzzle-like shapes in neon yellow and pale purple, outlined in dark lines. Centered in bold, rounded dark purple lettering is the title “Transformotion Digital.” Below and around it, the shapes repeat in varying sizes, creating a dynamic, flowing pattern. On the left, the date reads “26 & 27 March 2026.” On the right, smaller text states: “Annual international symposium on digital art preservation.” At the bottom left, the location is listed: “LI-MA, Arie Biemondstraat 111, Amsterdam.” The overall design is modern and playful, with high contrast between the dark text and bright accent colors.

Poster with a light grey background filled with abstract, organic, puzzle-like shapes in neon yellow and pale purple, outlined in dark lines. Centered in bold, rounded dark purple lettering is the title “Transformotion Digital.” Below and around it, the shapes repeat in varying sizes, creating a dynamic, flowing pattern. On the left, the date reads “26 & 27 March 2026.” On the right, smaller text states: “Annual international symposium on digital art preservation.” At the bottom left, the location is listed: “LI-MA, Arie Biemondstraat 111, Amsterdam.” The overall design is modern and playful, with high contrast between the dark text and bright accent colors.

Transformation Digital Art 2026 – @li-ma-media-art.bsky.social's 10th anniversary international symposium on the preservation of digital art, 26-27 March 2026

li-ma.nl/article/tran...

Tereza Havlíková @ezka-ter.bsky.social and Sakrowski speak on Day 1, on THU, 26 March, about "Inserting Net Art".

1 month ago 5 1 0 1
Making sure you're not a bot!

No, it won't be easy.
We're mainly focused on our Netart Repository, which we're building entirely without AI:
netart.wikibase.cloud/wiki/Netart_...

1 month ago 1 0 0 1
A woman stands at the front of a conference room giving a presentation to a seated audience. She faces a projected slide on a screen that reads “Zentrum für Netzkunst (DE)” with the “ZfN” logo. The audience, seen mostly from behind, sits in rows of wooden desks with laptops, notebooks, and drinks on the tables. A lectern with a laptop stands beside the presenter, and a ceiling projector displays the slide. The room is bright and modern, with white walls and overhead lighting, suggesting a formal meeting or workshop setting.

A woman stands at the front of a conference room giving a presentation to a seated audience. She faces a projected slide on a screen that reads “Zentrum für Netzkunst (DE)” with the “ZfN” logo. The audience, seen mostly from behind, sits in rows of wooden desks with laptops, notebooks, and drinks on the tables. A lectern with a laptop stands beside the presenter, and a ceiling projector displays the slide. The room is bright and modern, with white walls and overhead lighting, suggesting a formal meeting or workshop setting.

Tereza Havlíková @ezka-ter.bsky.social presenting Zentrum für Netzkunst Berlin at the Echolot Project meeting in Bilbao, March 2026, as part of the Case Study Group "Connecting Media Art Archives".

www.tib.eu/en/research-...

— @echoes-eu.bsky.social

echoes-eccch.eu/echolot

1 month ago 3 0 0 1

Netart repository – Wikibase entries in progress:
netart.wikibase.cloud/wiki/Wikibas...
[03/03/2026]

netart repository is an online knowledge and data base of Zentrum für Netzkunst in Berlin. The initiative explores the possibilities of archiving, contextualising and mediating net art.

1 month ago 6 3 0 0
A nighttime indoor scene showing a small media setup on a table in front of large glass patio doors. In the foreground, an open laptop displays a solid bright blue screen. To its right sits a second open laptop (partially visible), a black external hard drive with a glowing blue indicator light, a power adapter, a white power strip, and a clear drinking glass with water. In the background, a flat-screen TV placed on a transparent tabletop supported by red trestle legs also shows the same blue screen. Reflections of streetlights and nearby buildings are visible through the window panes behind the TV. The room lighting casts warm pinkish tones on the walls, contrasting with the cool blue screens.

A nighttime indoor scene showing a small media setup on a table in front of large glass patio doors. In the foreground, an open laptop displays a solid bright blue screen. To its right sits a second open laptop (partially visible), a black external hard drive with a glowing blue indicator light, a power adapter, a white power strip, and a clear drinking glass with water. In the background, a flat-screen TV placed on a transparent tabletop supported by red trestle legs also shows the same blue screen. Reflections of streetlights and nearby buildings are visible through the window panes behind the TV. The room lighting casts warm pinkish tones on the walls, contrasting with the cool blue screens.

Zentrum für Netzkunst (Center for Net Art) reconstructs, maintains and preserves net art and net culture. The initiative researches archiving and contextualization of net art.

netzkunst.berlin

1 month ago 5 0 0 0
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Do you know what @zfn.bsky.social is currently working on?
In addition to the digital art exhibitions they curate, they also manage an impressive net‑art repository.
You should take a look, it’s definitely worth exploring!

2 months ago 4 2 0 0
Book cover on a white background. At the top, black uppercase text reads “CHIARA PASSA.” Below it, the title “IDEASONAIR” appears in large bold letters: “IDEAS” in red, “ON” in green, and “AIR” in yellow. Under the title, black text reads “Blogging as an Open Art Project.” The illustration is a minimalist black line drawing of a person sitting at a desk, working on a computer inside an open room. A potted plant stands nearby, and shelves on the right hold small bottles with green, yellow, and red labels. Above the room, a cloud-like line suspends bottle-shaped objects, suggesting ideas floating down. Near the bottom, black text reads: “Finally, ideas have found a place!” At the very bottom is “SilvanaEditoriale.”

Book cover on a white background. At the top, black uppercase text reads “CHIARA PASSA.” Below it, the title “IDEASONAIR” appears in large bold letters: “IDEAS” in red, “ON” in green, and “AIR” in yellow. Under the title, black text reads “Blogging as an Open Art Project.” The illustration is a minimalist black line drawing of a person sitting at a desk, working on a computer inside an open room. A potted plant stands nearby, and shelves on the right hold small bottles with green, yellow, and red labels. Above the room, a cloud-like line suspends bottle-shaped objects, suggesting ideas floating down. Near the bottom, black text reads: “Finally, ideas have found a place!” At the very bottom is “SilvanaEditoriale.”

Join us for today's Data Entry Session with @chiarapassa.bsky.social: IDEASONAIR

en.silvanaeditoriale.it/libro/978883...

🗓️ Tuesday, 10 February 2026, starting at 7 PM

📍 /rosa, Zentrum für Netzkunst (Heidelberger Str. 28, 12059 Berlin, Alt-Treptow/Neukölln)

+ vorspiel.berlin/events/still...

2 months ago 3 1 0 0

Open today and tomorrow, 9 & 10 FEB, 3–7 PM. Welcome!

2 months ago 3 1 0 0
Preview
Chiara Passa Due to the incessant and fast-paced upgrades internet is subject to, many web-based art projects risk digital oblivion. Ideasonair by Chiara Passa sets out to be a restoration project of a net art wor...

Join us for the Data Entry Session with @chiarapassa.bsky.social: Ideasonair
🗓️ TUE, 10 FEB, 7 PM
📍 /rosa

en.silvanaeditoriale.it/libro/978883...

+
Final two days of the exhibition: 9–10 FEB, 3–7 PM

Chiara Passa & Mikuláš Mahr: stillllllife
vorspiel.berlin/events/still...
Vorspiel 2026

Welcome!

2 months ago 3 1 0 1

Zentrum für Netzkunst #Berlin @zfn.bsky.social
presented as part of Vorspiel at /rosa
stillllllife #exhibition
A sneak-peek from the show: youtube.com/shorts/yNML-...

#digitalart #virtualart #augmentedreality #virtualreality

2 months ago 6 3 0 0
Preview
LI-MA - Living Media Art | Transformation Digital Art 2026 LI-MA’s 10th anniversary international symposium on the preservation of digital art

Transformation Digital Art 2026 – @li-ma-media-art.bsky.social's 10th anniversary international symposium on the preservation of digital art, 26-27 March 2026

li-ma.nl/article/tran...

LI-MA, Arie Biemondstraat 111, 1054 PD Amsterdam

2 months ago 5 3 0 0
An exhibition space with people viewing digital works. In the foreground, printed images or artworks are laid out on a table. In the background, visitors sit on simple cube stools and stand near a window, looking at a laptop placed on a narrow table.

An exhibition space with people viewing digital works. In the foreground, printed images or artworks are laid out on a table. In the background, visitors sit on simple cube stools and stand near a window, looking at a laptop placed on a narrow table.

A person sits at a wooden table reading a folded exhibition leaflet. Two open laptops are on the table in front of them, showing folders and digital images on their screens. A white coffee cup stands nearby, and an exhibition poster with artists’ names and dates lies on the table.

A person sits at a wooden table reading a folded exhibition leaflet. Two open laptops are on the table in front of them, showing folders and digital images on their screens. A white coffee cup stands nearby, and an exhibition poster with artists’ names and dates lies on the table.

Two people sit on a brown leather sofa wearing VR headsets and holding handheld controllers. They smile and turn slightly toward each other, appearing engaged and amused. Behind them is a white brick wall decorated with dried flower arrangements.

Two people sit on a brown leather sofa wearing VR headsets and holding handheld controllers. They smile and turn slightly toward each other, appearing engaged and amused. Behind them is a white brick wall decorated with dried flower arrangements.

A crowded gallery opening with people standing close together and talking. In the foreground, two people in winter jackets and beanies face each other in conversation, one holding an empty glass. Behind them, more visitors fill the room, with a doorway glowing with warm light and a poster on the wall.

A crowded gallery opening with people standing close together and talking. In the foreground, two people in winter jackets and beanies face each other in conversation, one holding an empty glass. Behind them, more visitors fill the room, with a doorway glowing with warm light and a poster on the wall.

Thank you to everyone who joined us for the opening, and to both artists, @chiarapassa.bsky.social & Mikuláš Mahr!
#fullhouse
The energy was incredible, the place was packed, and the art absolutely delivered.

📍 /rosa
🗓️ Open: 1–3 & 9–10 February, 3–7 PM

stillllllife
vorspiel.berlin/events/still...

2 months ago 4 3 0 0

➠ @chiarapassa.bsky.social & Mikuláš Mahr: stillllllife
vorspiel.berlin/events/still...

Vorspiel 2026
📍 /rosa, Berlin
🗓️ opening reception: SAT 31 JAN, 6 PM

In their works, the artists engage with the often-forgotten genre of still life, a tradition shaped and transformed over time.

2 months ago 3 1 0 0
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Looking forward to meeting you in #Berlin at the opening of #stilllife #vr #ar show on 31st Jan. at Zentrum für Netzkunst in #Rosa vorspiel.berlin/events/still... @zfn.bsky.social

#VirtualReality #AugmentedReality #Metaverse #digitalart #virtualart #GOLD

2 months ago 6 2 0 0
A digital collage on a white background showing fragmented product-style images arranged in a loose grid. Objects include a silver five-arm candelabrum with white candles, a clear glass goblet, a human skull viewed from the side, a brown leather-bound book, several walnuts, and three black feathers. Each object appears sliced into rectangular tiles, slightly misaligned. File-name fragments in black text are visible around the objects, such as “orechy_1.jpg,” “brk_1,” “brk_2,” “brk_3,” and partial words like “sv” and “svi,” giving the image a technical, archival feel.

A digital collage on a white background showing fragmented product-style images arranged in a loose grid. Objects include a silver five-arm candelabrum with white candles, a clear glass goblet, a human skull viewed from the side, a brown leather-bound book, several walnuts, and three black feathers. Each object appears sliced into rectangular tiles, slightly misaligned. File-name fragments in black text are visible around the objects, such as “orechy_1.jpg,” “brk_1,” “brk_2,” “brk_3,” and partial words like “sv” and “svi,” giving the image a technical, archival feel.

A surreal, computer-generated scene viewed from a low angle. In the center stands a large, abstract, dark humanoid sculpture with raised arms, its surface glossy and organic, sitting or emerging from the ground. The background is a chaotic, colorful digital landscape with patches of bright blue sky, saturated rainbow colors, distorted trees, and floating fragments. Diagonal white lines and glitch-like textures cut across parts of the image. In the foreground, a faceted, purple, low-poly object partially blocks the view, reinforcing the virtual, artificial environment.

A surreal, computer-generated scene viewed from a low angle. In the center stands a large, abstract, dark humanoid sculpture with raised arms, its surface glossy and organic, sitting or emerging from the ground. The background is a chaotic, colorful digital landscape with patches of bright blue sky, saturated rainbow colors, distorted trees, and floating fragments. Diagonal white lines and glitch-like textures cut across parts of the image. In the foreground, a faceted, purple, low-poly object partially blocks the view, reinforcing the virtual, artificial environment.

M. Mahr: "Here, the still-life form is democratized, stripped of physicality, and anchored within the flat space of a software interface"
www.umprum.cz/cs/web/kated...

↓
@chiarapassa.bsky.social & Mikuláš Mahr
vorspiel.berlin/events/still...
📍 /rosa, Heidelberger Str. 28, Berlin
🗓️ SAT 31 JAN, 6 PM

2 months ago 7 1 0 1
An immersive, abstract digital scene with fragmented, colorful surfaces resembling walls and a floor. Bright blocks of blue, green, yellow, red, and purple mix with distorted landscape textures and broken image pieces. Two white, human-like virtual hands appear in the foreground, as if the viewer is inside a glitchy, computer-generated space.

An immersive, abstract digital scene with fragmented, colorful surfaces resembling walls and a floor. Bright blocks of blue, green, yellow, red, and purple mix with distorted landscape textures and broken image pieces. Two white, human-like virtual hands appear in the foreground, as if the viewer is inside a glitchy, computer-generated space.

A digital collage on a white background showing cut-out images of a dark glass wine bottle, empty wine glasses, olives with olive branches, oysters, a lobster, and a metal serving tray. The objects overlap and float without a clear surface, with visible file-name fragments beneath them, giving the image an unfinished, layered still-life look.

A digital collage on a white background showing cut-out images of a dark glass wine bottle, empty wine glasses, olives with olive branches, oysters, a lobster, and a metal serving tray. The objects overlap and float without a clear surface, with visible file-name fragments beneath them, giving the image an unfinished, layered still-life look.

➠ @chiarapassa.bsky.social and Mikuláš Mahr: stillllllife
vorspiel.berlin/events/still...
part of Vorspiel 2026

📍 /rosa, Zentrum für Netzkunst, Heidelberger Str. 28, 12059 Berlin, Alt-Treptow/Neukölln

🗓️ opening reception: Saturday, 31 January 2026 at 18:00

🗓️ open: 1–3 & 9–10 FEB, 3–7 PM

Welcome!

2 months ago 4 2 0 0
A group of people sit closely together on wooden benches in a gallery space, facing a large screen on a stand. The screen shows a software interface with an image framed in gold. A laptop on the table is connected to the screen. The room has wooden floors, white walls, and large grid windows, with nighttime street reflections visible outside. Everyone is focused on the presentation.

A group of people sit closely together on wooden benches in a gallery space, facing a large screen on a stand. The screen shows a software interface with an image framed in gold. A laptop on the table is connected to the screen. The room has wooden floors, white walls, and large grid windows, with nighttime street reflections visible outside. Everyone is focused on the presentation.

A group of people seen from a wider angle inside the gallery. Several people sit around a simple wooden table with laptops, glasses, and a bottle on it, all facing a large screen displaying a digital image and editing software. The space has wooden floors, white walls, and glass doors and windows, creating a workshop or discussion atmosphere during an indoor presentation.

A group of people seen from a wider angle inside the gallery. Several people sit around a simple wooden table with laptops, glasses, and a bottle on it, all facing a large screen displaying a digital image and editing software. The space has wooden floors, white walls, and glass doors and windows, creating a workshop or discussion atmosphere during an indoor presentation.

Data Entry Session at /rosa ➠ Holger Friese: unprompted

The exhibition is open until 22 January 2026 (3–7 PM).
vorspiel.berlin/events/holge...

📍 /rosa, Zentrum für Netzkunst; part of Vorspiel 2026 (Heidelberger Str. 28, 12059 Berlin, Alt-Treptow/Neukölln)

3 months ago 3 1 0 0

Holger Friese tonight at /rosa ➠ Artist talk & data entry session: MON, 19 JAN, 7 PM.
vorspiel.berlin/events/holge...

To accompany the exhibition "unprompted", Holger Friese will present some of his net artworks. The Zentrum für Netzkunst team will enter selected pieces into the net art repository.

3 months ago 3 0 0 0
Close-up of gray archival boxes arranged on a dark tabletop. A printed document lies beside them, along with a round sticker showing a crossed-out camera symbol indicating no photography. The wooden floor is visible in the background, emphasizing the exhibition setting.

Close-up of gray archival boxes arranged on a dark tabletop. A printed document lies beside them, along with a round sticker showing a crossed-out camera symbol indicating no photography. The wooden floor is visible in the background, emphasizing the exhibition setting.

Wide view of a minimalist gallery room with a white textured wall. Small framed photographs are evenly spaced in a horizontal line. In the center stands a dark rectangular table on red trestle legs, holding several gray archival boxes and printed documents. Simple cardboard cube stools are placed around the table on a wooden floor.

Wide view of a minimalist gallery room with a white textured wall. Small framed photographs are evenly spaced in a horizontal line. In the center stands a dark rectangular table on red trestle legs, holding several gray archival boxes and printed documents. Simple cardboard cube stools are placed around the table on a wooden floor.

View through an open doorway into the gallery space. An arched transom window with frosted glass sits above the door. Inside the room, the same dark table with gray archival boxes is visible, surrounded by cardboard cube stools on a wooden floor. Framed photographs hang in a neat row on the far wall.

View through an open doorway into the gallery space. An arched transom window with frosted glass sits above the door. Inside the room, the same dark table with gray archival boxes is visible, surrounded by cardboard cube stools on a wooden floor. Framed photographs hang in a neat row on the far wall.

A person stands behind the table in the gallery, partially framed by two windows. They wear a light-colored knit beanie, glasses, a dark jacket, and light sweater, gesturing with one hand as if explaining something. In front of them are large gray archival boxes on the table, with cardboard cube stools placed on the wooden floor in the foreground.

A person stands behind the table in the gallery, partially framed by two windows. They wear a light-colored knit beanie, glasses, a dark jacket, and light sweater, gesturing with one hand as if explaining something. In front of them are large gray archival boxes on the table, with cardboard cube stools placed on the wooden floor in the foreground.

Holger Friese: unprompted
vorspiel.berlin/events/holge...

📍 /rosa, Zentrum für Netzkunst; part of Vorspiel 2026 (Heidelberger Str. 28, 12059 Berlin)

Exhibition: 20–22 January 2026, 3–7 PM

Artist talk + data entry session: Monday, 19 January 2026, 7–9 PM
vorspiel.berlin/events/holge...

3 months ago 4 1 0 1
Black-and-white photo of a modern bathroom. On the left is a rectangular white bathtub with a dark faucet and controls, set into dark tiled walls. On the right, a small white sink is mounted into the same dark tile, with a handheld shower hose draped over its edge. Toiletry items, including bottles and a sponge, sit on the sink ledge. The right side of the image fades into a transparent, checkerboard background, suggesting the photo is partially cropped or in the process of editing.

Black-and-white photo of a modern bathroom. On the left is a rectangular white bathtub with a dark faucet and controls, set into dark tiled walls. On the right, a small white sink is mounted into the same dark tile, with a handheld shower hose draped over its edge. Toiletry items, including bottles and a sponge, sit on the sink ledge. The right side of the image fades into a transparent, checkerboard background, suggesting the photo is partially cropped or in the process of editing.

Holger Friese: unprompted
vorspiel.berlin/events/holge...
📍 /rosa, Zentrum für Netzkunst; part of Vorspiel 2026 (Heidelberger Str. 28, 12059 Berlin)

Opening: Saturday, 17 January 2026 at 7 PM
Exhibition: 20–22 January 2026, 3–7 pm
Artist talk + data entry session: Monday, 19 January 2026 at 7–9 PM

3 months ago 3 0 0 0

Here's the link to tonight's live stream:
kick.com/ngbkstream

Tuesday, 13 January 2026 at 7 PM Berlin time

EastUnBloc: Networks of Net Art – Syndicate and Deep Europe
~ with Tereza Havlíková @ezka-ter.bsky.social (art historian and curator) and Andreas Broeckmann (curator and researcher)

3 months ago 7 0 0 0
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Correction:

opening: Saturday, 17 January 2026 at 7 PM
✅ exhibition: 20–22 January 2026, 3–7 pm

✅ Artist talk and data entry session: Monday, 19 January 2026 at 7–9 PM

3 months ago 0 0 0 0
Black-and-white photo of a modern bathroom. On the left is a rectangular white bathtub with a dark faucet and controls, set into dark tiled walls. On the right, a small white sink is mounted into the same dark tile, with a handheld shower hose draped over its edge. Toiletry items, including bottles and a sponge, sit on the sink ledge. The right side of the image fades into a transparent, checkerboard background, suggesting the photo is partially cropped or in the process of editing.

Black-and-white photo of a modern bathroom. On the left is a rectangular white bathtub with a dark faucet and controls, set into dark tiled walls. On the right, a small white sink is mounted into the same dark tile, with a handheld shower hose draped over its edge. Toiletry items, including bottles and a sponge, sit on the sink ledge. The right side of the image fades into a transparent, checkerboard background, suggesting the photo is partially cropped or in the process of editing.

In his latest project, Friese explores the use of generative AI in photography. He took well-known photographs from German media and used AI to regenerate them. The artist cuts the images in half and uses Adobe's Generative Fill feature to calculate the rest of the image without any prompting.

3 months ago 1 0 0 0
The Vorspiel Collection brings together artworks, films, photo-essays, texts, graphs, images, podcasts, sound experiments, and more.

Holger Friese: unprompted

vorspiel.berlin/events/holge...

📍 /rosa, Zentrum für Netzkunst; part of Vorspiel 2026 (Heidelberger Str. 28, 12059 Berlin)

opening: Saturday, 17 JAN 2026 at 7 PM
exhibition: 20 JAN – 22 FEB 2026, 3–7 PM

Artist talk and data entry session: Tuesday, 20 FEB 2026 at 5 PM

3 months ago 2 0 2 0
Side-by-side portrait of two people against a neutral, softly lit background. On the left, a woman with short, curly light-brown hair and glasses looks at the camera with a calm expression, wearing a light blue shirt over a dark top and a pearl necklace. On the right, a man with short gray hair and glasses smiles slightly, wearing a dark, striped button-up shirt, his arms loosely crossed. Both are shown from the chest up.

Side-by-side portrait of two people against a neutral, softly lit background. On the left, a woman with short, curly light-brown hair and glasses looks at the camera with a calm expression, wearing a light blue shirt over a dark top and a pearl necklace. On the right, a man with short gray hair and glasses smiles slightly, wearing a dark, striped button-up shirt, his arms loosely crossed. Both are shown from the chest up.

EastUnBloc: Networks of Net Art – Syndicate and Deep Europe
~ with Tereza Havlíková @ezka-ter.bsky.social (art historian and curator) and Andreas Broeckmann (curator and researcher)

📍 nGbK, TUE, 13 JAN 2026 at 7 PM

ngbk.de/en/programm/...

nGbK, Karl-Liebknecht-Straße 11, 10178 Berlin, 1st floor

3 months ago 7 0 0 1