I also go over how to approach effective studies, reference tools I use, and I go over creating a final story moment illustration from thumbnail to finish, keeping it as flexible as possible for production needs and leadership notes.
What do I go over? Basically everything I know about how to make story moments for film.
Making sense of value, color, and materials. How to think in terms of conveying a story with those elements, as well as consideration for the camera.
I finally finished my class on Fundamentals of Storytelling Imagery for Schoolism! If you’re on IG, you can get on the waitlist there.
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Also, never used this but always heard about it, Famous Artists Course. I think you can get it free as a pdf. Theres a section on folds/drapery that looks good. It’s from the 40s-60s.
She was an amazing illustrator. The art school I went to had its curriculum based around this book. She taught there for years.
I swear by this book
I’ll miss Saturdays watching old cartoons with you.
Geo Nodes are super intimidating. This is just shader work (w/ displacement modifier) cobbled together from a couple YouTube videos.
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Yep. “The Darkest of Gods”
Careful…. I might just take you up on that😀
thanks for asking, but no, I just keep them too myself. I’m not a modeler by trade, so these probably aren’t the best for animation anyway. Robo is 800k and terminator is about 1M
They called the figure “Endocop”. In the comics it was just an army with no name
The strokes are animating. I used BrushFlow by Tradigital3D (Alan Wyatt)
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Thanks!!
On Instagram 😀