Posts by bantiarna
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Consider: KondΕ Isami getting high on 4/20 with Shinsengummies
Rin Tohsaka
omigosh your miis are so cute!!
various busts of ryouma and oryou
doodles
Congratulations to Fate/Stay Night: Realta Nua for its 19th anniversary on April 19!
A collection of traditional Japanese wooden kokeshi dolls arranged in rows on a light surface against a plain background. The dolls vary in size, shape, and design, with rounded heads and cylindrical bodies. They are decorated with hand-painted faces, floral patterns, and colorful garments, ranging from simple minimalist styles to more detailed and ornate designs.
Two Miis standing side by side on a plain background. On the left is a male-presenting character with short brown hair, thick eyebrows, and a neutral expression, wearing a red long-sleeve shirt and dark pants. On the right is a female-presenting character with shoulder-length brown hair, large eyes, and a slight smile, also wearing a red long-sleeve shirt and dark pants.
Considering that a new Tomodachi Life game just released, I'd like to point out that Miis were inspired by Kokeshi - traditional Japanese wooden dolls with a simple cylindrical body and round head that come from Japan's TΕhoku region, and that came about during the Edo period.
mochi ryouma enjoying the sun on a flower bush
goodnight
Kasamatsu ShirΕ (Japanese, 1898β1991)
"Night Rain at Shinobazu Pond", 1938.
Woodblock Print, 38.6 Γ 26.5 cm.
Private Collection.
#art #painting #artist #BlueSkyArt
Made my baby bear (a teddy bear that I had since I was a baby) in tomodachi π₯Ί
Would kill to know who Ryoumaβs EN VA would be
God I wish we got dubbed CMs
A new Korean-dubbed CM has released for Fate/Grand Order's "Ordeal Call III: Neo-Primate Succession War, Archetype Inception" which will release on April 22 for the Korea server.
www.youtube.com/watch?v=-0fO...
hajime chan
we have lived thru several mass disabling events already and climate change is another that will leave a toooon of us worse for wear. that fire in your gut that says change needs 2 happen isnt wrong, but you dont need to save the world. u need to be here tomorrow so we can figure it out together
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This striking 19th-century hikeshi-banten (firemanβs jacket) exemplifies the tradition of functional garments serving as canvases for complex mythological narratives. The interior of the jacket features a bold, hand-painted scene depicting a legendary warrior or deity in a dynamic struggle with a powerful creature, rendered with a dramatic use of color and sweeping lines. These jackets were typically made of heavy, multi-layered cotton through the sashiko (running stitch) technique, which served the dual purpose of strengthening the fabric and retaining water to protect the wearer from the intense heat of a blaze.
In late 19th century Japan, firemen wore a distinctive form of kimono-style jacket. Each was a berspoke creation with a painted design emblazoned on the back. They tended to depict scenes from myths and legends. They are portable artworks. β
Text by Professor Lloyd Llewellyn-Jones
Okay, this is crazy
#tomodachilife
Thatβs exactly what I was thinking!!
This woodblock print by Yoshitoshi Tsukioka illustrates a woman leaning against a door frame, her gaze directed toward the moon in a state of restless anticipation. The scene is inspired by a classical poem by the monk Hyakumon, capturing the emotional weight of a woman who remains awake late into the night while awaiting her lover. She is dressed in a simple, elegant white robe cinched with a deep red sash, her long black hair cascading down her back and onto the floor, which emphasizes the passage of time and her weary vigil.
By artist Yoshitoshi Tsukioka, this is a woodblock print based on the Japanese poem βAre you looking at the moon until you lean late at night on a Yasura sleeperβ by monk Hyakumon. It involves a woman who does cannot sleep while she waits for her lover to come.
Cave bear <3
This 1930 print by artist Ito Shinsui depicts a young woman (bijin) dressed in a summer yukata, a moment of quiet grace captured during the early ShΕwa period. The woman is shown in a thoughtful, slightly averted pose, her delicate features and modern, short hairstyle reflecting the evolving feminine ideal of the era. Her blue yukata is decorated with a bold, white floral pattern, complemented by a pale tan obi featuring small, colorful blossoms and a pair of whimsical green fish motifs.
Bijin in Yukata by artist Ito Shinsui, 1930, Japan