Finished.

Teaching drawing again means I draw now.

One last @framebridge.bsky.social collab. Thanks for visiting!

A black and white photograph of a man wearing glasses, in a black hat and plaid shirt, displaying a peace sign with his hand. He has “bear smirk” and is looking slightly off camera.

40 today, but not feeling a day over 25.

Also in my ASMR era, thanks to Framebridge.

In his collab era.

Okay but I’m almost 40.

Dave, dressed in a black T-shirt, black apron and black beanie, scribes a pencil across a gray surface of matte mylar on top of an inky surface, creating a trace monoprint, in an academic printmaking studio.

Dave, dresser in a black T-shirt and black apron stands behind two wooden tables sorting a pile of handmade prints, printed in a variety of yellows, oranges and reds. His hands sort prints from left to right according to their quality and completion. Behind him to the left is a wire drying rack.

Still alive. Still printin’.

Truly one of the strangest experiences of my life was her set at Asbury Lanes last night.

Ooof. This 1000%.

A photograph of a printed sheet of paper on a wire drying rack. In red and blue ink, on white paper, the text reads “The system isn’t broken, it was built this way”.

Last year’s pochoir print demo is perennially pertinent.

A photograph of a gallery featuring works hung salon-style. The view is similar to the one experienced by viewers entering the gallery space. Featuring chessboard floors, deep pink ceilings and gray walls, the Seigal Gallery presented the ‘Bon à Tirer’ exhibition, a juried open call exhibition of more than 45 artists from across the US.

A photograph of a gallery featuring works hung salon-style. The photograph features the works of many artists including three colorful relief print by Travis Porter (in the foreground). Featuring chessboard floors, deep pink ceilings and gray walls, the Seigal Gallery presented the ‘Bon à Tirer’ exhibition, a juried open call exhibition of more than 45 artists from across the US.

A photograph of the atrium staircase gallery wall, as you enter the Seigal Gallery. Against a rich lime green wall, large wallpaper relief prints, cast woodcuts and lithographs by Dr. Eric Avery, hang alongside letterpress prints by Kyle Blute. This atrium gallery wall features windows that allow peeks into the gallery spaces from the exterior of the building, the Seigal Gallery (and this auxiliary space) presented the ‘Bon à Tirer’ exhibition, a juried open call exhibition of more than 45 artists from across the US.

A photograph of a gallery featuring works hung salon-style. The view is similar to the one experienced by viewers entering the theater space at the north end of the gallery. Featuring hardwood floors, deep pink and soft green walls, the Seigal Gallery presented the ‘Bon à Tirer’ exhibition, a juried open call exhibition of more than 45 artists from across the US. This images features the works by Jill Spiro, Maria Pisano, Michael Dal Cerro and Sarah Matthews.

Celebrating the art of printmaking by co-curating 3 exhibitions at Arts Council of Princeton with @lizmassa.bsky.social. ‘Bon à Tirer: the Pulse of Contemporary Print’ a juried open call exhibition featuring the work of more than 45 artists. More info on my IG @9inhandpress. Nov 10- Dec 15, 2025.

An interior exhibition gallery space, with black benches anchoring the room. To the right, a table of artist books, zines and ephemera. On the walls, a selection of printmaking works. The gallery features wooden floors, gray walls and track lighting. An installation shot from ‘The Pull’ exhibition at the Arts Council of Princeton.

An interior exhibition gallery space, photographed from a raised staircase. To the right, a table of artist books, zines and ephemera. On the walls, a selection of printmaking works, including a monitor showing a looping animation. The gallery features wooden floors, gray walls and track lighting. An installation shot from ‘The Pull’ exhibition at the Arts Council of Princeton.

An interior exhibition gallery space, showing the back walls of the gallery space. On the walls, a selection of printmaking works, including an installation of screenprinted acrylic whitefish and a Les Levine “We Are Not Afraid” offset print. The gallery features wooden floors, gray walls and track lighting. An installation shot from ‘The Pull’ exhibition at the Arts Council of Princeton.

An interior exhibition gallery space, showing the entrance doors to the gallery, as well as the large windows spilling sunlight into the space. On the walls, a selection of printmaking works including collage prints by Brett Lysne and lithographs by Brian Wagner; a binder reading ‘The Pull’ sits atop black leather viewing benches. The gallery features wooden floors, gray walls and track lighting. An installation shot from ‘The Pull’ exhibition at the Arts Council of Princeton.

Celebrating the art of printmaking by co-curating three exhibitions at Arts Council of Princeton with @lizmassa.bsky.social. ‘The Pull: the Past, Present, and Future of Printmaking’ as told by 25 artists in the feature gallery space. More info on my IG @9inhandpress. Nov 10- Dec 15, 2025.

niche skeet but i'm rooting for alyssa edwards & dusty ray bottoms on this season of survivor

So there’s just a few of these left up for grabs if you want one. $35 + shipping, shipped on 10/20; 6ft long, 12 4” skulls in acid orange, Frankenstein green and white. Screenprinted in an edition of just 15 garlands! Message me if you’re interested.

A garland banner of 9 linocut skulls printed in black, orange and green hanging in a swag shape against a white wall.

I can’t believe @peteramartino.bsky.social is convincing me to make these to sell. Anyone here interested? Check out my IG stories @9inhandpress for all the info!

Students didn’t appreciate it enough, so I brought it home and now it’ll live here forever.

One block, countless possibilities. Happy spoopy season.

A selfie of a very tired 39 year old in a black T-shirt, resting his sleepy face on the palm of his hand. On the right side of the image, white text on a red rectangle reads “Send caffeine.”

First month of the new job down, so many more to go.

Originally printed in 2020, to fundraise for No Kid Hungry, these linocuts are printed in one-color on BFK Rives.

We’re doing it again! For pre-sale only, I’m re-editioning these 8x10” ‘Eat the Rich’ prints to raise funds for World Central Kitchen and ACLU Nationwide! $20 + $5 USA s/h or $10 international s/h. Pre-sale ends on 9/30, and prints will ship in early October. Venmo, PayPal, Zelle on request!

Signs of life from the first week of the new job!

Taking on a new full-time job starting tomorrow. For some reason, they’re trusting me with keys.

when the AI bubble finally collapses and everyone who spent a year smugly hyping it suddenly has to come crawling back with their tail between their legs, i just want to say i am not going to be the bigger person about it. i am going to be meaner than you can even believe

She’s been reading me for weeks.

the way we went from everyone stand 6 feet apart to immersive theatre everywhere

💥Doing a print clearance over on my IG stories (@9inhandpress). 🚨Pay-what-you-can, I-just-want-them-gone prices. 🚨 Some sample images below, more over on IG.

A shitty bunch of Home Depot extruded foam filigree spray painted with gold paint and fake leaf.

This just unlocked some seriously hibernating childhood memories.

A concert photograph shows the singer Kesha holding a mannequin head styled to look like her own. The singer is dressed in a white corset and wrapped in white fabric. She is framed by backlit silhouettes of hands in the foreground.

Honestly, maybe one of the best concerts I’ve ever been to.