Did the young Robert Krasker spend time at the Art Gallery of New South Wales when he was living here in the late 1920s? Undoubtedly!:
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Please don't forget I for intersex people, the I in LGBTQIA+. An intersex person (a Democrat) took part in the Stonewall protest. Please don't forget us as everyone else seems to do.
Did acclaimed Australian DoP Robert Krasker’s Oscar-winning cinematography for Carol Reed’s ‘The Third Man’ influence the look of the ‘Star Wars’ movies? – Madeline Ostdick of 'The Spread' thinks so:
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Was this the location of acclaimed Australian cinematographer Robert Krasker’s family’s French luxury goods store in the Strand Arcade, Sydney, during the late 1920s?:
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Mental giants one and all.
The Robert Krasker Project documentary: shenmintao’s V-Log Alchemy project enables Fujifilm colour in Panasonic cameras including the Lumix GH7:
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Henry V (1944), cinematography by the great but sadly almost forgotten great Australian Director of Photography Robert Krasker, BSC. After Henry V, Krasker became known as "The Man for Colour" due to its Technicolor brilliance, and his work for The Third Man (1949) cemented his reputation for B&W.
On my reading list: ‘The Dark Valley: A Panorama of the 1930s’ by Piers Brendon, 2001:
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The Robert Krasker Project documentary: The CFexpress Type B cards we are using for our Panasonic Lumix DC-GH7 hybrid cinema camera:
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The Robert Krasker Project documentary: Screenshot from Panasonic Lumix GH7 Open Gate video made using Leica Monochrome Photo Style, downsized:
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Walking like a ghost through Sydney streets that Robert Krasker, BSC knew in the 1920s and 1950s:
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Photograph of the Best Cinematography (Black and White) Oscar statuette awarded to Australian DoP Robert Krasker, BSC in 1951 for his work on ‘The Third Man’ (1949):
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The Robert Krasker Project’s Panasonic Lumix GH7 Micro Four Thirds stills/video hybrid cinema camera so far:
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Robert Krasker, BSC: Following and photographing his trail around Sydney during the late 1920s and early 1950s when he lived and worked in the city and Manly as a teenager:
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"I love a man in uniform!"
Test photographs and video screenshots for The Robert Krasker Project documentary, made on Panasonic Lumix GH7 with the camera's Leica Monochrome photo style. Some stories beg to be photographed in monochrome:
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I have been updating TRKP’s The Documentary: Hardware page while researching with what cameras, lenses, accessories and so on to make a documentary, short movies and educational material about Robert Krasker, BSC.
robertkraskerproject.wordpress.com/the-document...
‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future
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Perth Film Studios will be fully open later this year, 2026:
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On My Reading List: ‘Illuminating Cinema: The Art of Cinematic Lighting and Visual Style, Lessons from Rembrandt, Caravaggio, and Beyond’, by Robert Draper, ACS:
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Robert Krasker, BSC in LoveFilmNoir: The Third Man (1949) – 20 Dark Facts you Didn’t Know!, 29 January 2026 – Don't know who Robert Krasker was or the filmic masterpiece that won him an Oscar for his work on it? Watch this!:
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After researching Australian cinematographer Robert Krasker, BSC I have begun researching how to make short films, educational material and a documentary about him:
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Golly gosh who'd a-thought?
... via exclusion from hate, vilification and genocide law reforms. Please do not exclude us as Minns has singled out and excluded us.
... Please remember that the ongoing longtime persecution of I for intersex is based on eugenics and amounts to genocide as defined by the Lemkin Institute and others.
Please do not do what so many other political parties do and single out I for intersex for "special treatment" ... 2/3
David, the Greens wrote that “protections from hate and vilification should not exclude gender, the LGBTQIA+ or disability communities. The Greens will push for these protections to be extended as part of our negotiations with Labor over this Bill." ... 1/3
The Robert Krasker Project documentary: Is Panasonic’s Lumix GH7 with DMW-XLR2 a decent digital alternative to 16mm analog cameras for immersive documentaries?:
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‘Film and Digital Times: Art, Technique and Technology in Motion Picture Production Worldwide’ by Jon Fauer, ASC is a must-read and so is this special report on Fujifilm Group’s Fujifilm GFX Eterna 55 “larger format” cinema camera, January 2026:
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Streets full of giant black or red lacquer-coloured SUV truck-cars, giant houses with little to no insulation, mercifully this house was recently built with as much insulation as could be packed into it but the builders refused to insulate the garage. A folk belief that garages must be hell-hot?
Thanks! Hoping the article might of use to you. I have now updated it with info on the repair I did to the bundled shock mount's shoe mount, with comments about a second quick and dirty test that produced impressive results. More to come as relief hopefully comes from this 42-degree heatwave.