Before you is a woman sitting on a bench, with no clothes on, using her arms to cover her breasts and between her legs; though you see her more from the side than face-on, yours may not be the only eyes here. Nonetheless she sits with one leg crossed over the other; at ease despite her situation. The bench itself is made of wooden slats, with room on either side of her for others to sit. The bench is set before a brick wall, atop blue flooring; so the woman's pale skin is the lightest feature in the scene, and her hair the darkest.

The woman before you is now seated on a different bench, in a different place, though still with no clothes on. Here the environment is rougher and grayer, the wood older, and the wall behind her with vines growing over it and paint stripped away in places. She sits upright, with her hands casually resting in her lap between her thighs, and her breasts no longer covered. She looks askance at something ahead of her, head lowered a little, seemingly wary. As dreary as the scene is, it is oddly brightly lit. Her skin, pale as it is, is vivid against the gray; and features such as her lips and nipples are vivid points of color among it all.

The train may never come, but it may be worth waiting for nonetheless, for whose company might you keep along the way?

Royalty rules by divine right; what is more fitting than to be clad as the gods are?

Telling People You’re a Naturist Without Making It Weird Telling people you're a naturist does not have to feel weird or awkward. Here is our lighthearted approach to naturist disclosure through humor, signs, and little hints.

At some point, most naturists hit the same moment…

How do you tell people without making it weird?

Our newest article is about using humor, little signals, and everyday life to open the door without kicking it off the hinges.

ournaturistlife.com/2026/04/19/t...

#naturism #canada #bodyacceptance

Coral holds appeal as a woman in a similar way that Steg holds appeal as a man. Itches that had too long been left unscratched. There is much to appreciate about both sorts of characters.

There's a term I've heard, "toxic positivity", which sounds like it fits what they're describing. That too is an insecurity and vulnerability that it serves people well to address.

My character Karin Montrose, sitting on an enclosed balcony overlooking the ocean. A description of her clothing would go here, if she was wearing any.

Same Rin, different place.

I was torn between which setting to draw, so I ended up splitting this one off into its own artsy alternative version.

Miss Machiko, my darling....

Surely it is more canonical that her clothes don't grow with her.

One reason of many I've found my contentment practicing nudism in RL only at home, in privacy. I still feel what I need to, and it is on my terms alone.
Although in video games I can share this with others in a relatively safe way, and I greatly enjoy that.
We all negotiate the world in our own way.

A sub's pride has such a distinctive look, doesn't it?

Indeed, and I've already found myself undressing accordingly, when I have opportunity to. I've always liked Autumn but I've come to appreciate warmer weather for that reason.

Am I straight, lesbian, bisexual, asexual? One person may cast different shadows depending on the angle of the light. I identify as bisexual: it's most widely understood, and feels right. I wouldn't want to imply I'm compatible with nobody by identifying as asexual; yet the description often fits.

Being submissive to the opposite sex has an appeal not shared with the same sex. I find I have eyes more for women than men; seeing something of myself in them. I serve men and women alike. I have almost no interest in sex itself; not motivated by orgasm, neither theirs nor mine.

Before you stands a girl, naked except for some bunny costume accessories, which are mostly white with pink accents: a headband with bunny ears sticking up; white cuffs and collar; and carrying a wicker basket with colored eggs. On closer look, the cuffs and collar are metal restraints painted white; a ball gag is fixed into her mouth; her hands are held up at chest level by slender chains connecting her wrist cuffs to the collar. Standing crouched over a little, with hips back and knees bent, gives her a cute animal-like posture, like a dog sitting up and begging. And till the restraints are unlocked, that is the posture she will maintain.

The same girl, but seen now from behind. With her arms kept in front, the back of her body is all the more naked, though now you can see a fluffy white ball of a tail just above her bottom; which on closer look is held there from below by an attachment piece.

It seems each holiday has its own distinctive costume; and even the constraints of nudity need not bar that path. Some accessories from long ago, and poseable restraints, are all I need to mark the occasion: even in motion, where ankles locked tightly together force me to hop along rather than walk.

Let it be half; that gives the most ways it could go. Otherwise, ending with the first one naked may make for a shorter game but the most intense outcome.
Or let there be some penalty beyond nudity (such as bondage), whose first victim ends the game. How many are naked depends how the game goes.

It's been too long since I've seen that movie. Such a fertile field of ideas.

And what answer could make for a nobler portrait?

And, of course, to read both.

A painting of three nude female figures with a low rowboat on a shaded placid stream in the countryside. Two of the women are in the boat, one sitting and the other standing. The third woman is standing in the water behind the boat. Beyond the shady trees on the banks is a sunny clearing.

"Les baigneuses," Victor-Gabriel Gilbert, oil on canvas, 20 x 24", private collection.

Victor-Gabriel Gilbert (1847 - 1933) was a French painter.

#NudeArt #Naturism #NonSexualNudty

She seems troubled by something. Is this the cause of it, or the relief from it?

The censorship doesn't make it appropriate for children; so what purpose could it serve?

I would expect so. The distinction is rarely meaningful to make: it is censored alike, touchable alike, visible alike.

m.

Who is nude prefers a warmer environment than who is clothed. There is only narrow overlap where they may be in each other's presence comfortably; a challenge for a CMNF or similar scene.

But nudity suits subs, and subs may serve by fanning their clothed counterparts, or bringing cold drinks.

The withering body

redhead

A switch may make a delightful partner, and who can do so may find many doors open to them. Who takes that for granted from dommes will find many doors shut to him, even that would've been open otherwise.

I mean that their laws don't allow for things like genitals to be shown openly: they must be censored.

A nation of censorship does not respect the creator's intent.

DOL and Roshutsu have a few elements in common, but they strike very different tones, and one isn't fully a substitute for what the other does. They're complementary in some ways. And it was nonetheless Roshutsu I discovered first, and I'm grateful I did.