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Finneas, Lee Sung Jin and Charles Melton discuss the Letterboxd mention in Beef season 2 and their star rating system✨

Beef season 2 is now streaming on @netflix.com

With John Boorman’s singular prison break picture Point Blank finally getting its due courtesy of Criterion, Gayle Sequeira unpacks the deep impact of an outlier: from Memento to John Wick and everything inbetween.

Read the full story on Journal: https://boxd.it/360

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Screenshot from the Zoom recording. Alonso is giving everyone else the business.

ICYMI!

This week, our journey through the *entire* feature filmography of ROBERT ALTMAN continued, with @markerryan625.bsky.social & @mangiotto.bsky.social placing picks 28 to 22 on the list, while guest co-commish @aduralde.bsky.social watched in horror!

podcasts.apple.com/us/podcast/s...

I have some huge news! I am making my debut on a Criterion disc for their stunning 4k restoration of Neil Jordan's THE CRYING GAME. I wrote an essay for the booklet and I'm very excited for everyone to check it out.

www.criterion.com/films/33812-...

big day on the big screen!

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thinking about ann reinking in all that jazz 🌟

With Blue Heron now in theaters, writer-director Sophy Romvari tells Isaac Feldberg about the making of her emotionally autobiographical debut feature, the compositional gift of long lens zooms and the cinematic longing to communicate. https://boxd.it/35Q

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“I don’t think a story actually needs to find a conclusion or to force an answer. Any filmmaker who thinks that needs to happen is full of themselves, to even think that they can present an answer.” —⁠ Kiyoshi Kurosawa

A joy to speak with this master filmmaker for
@letterboxd.social.

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With his deeply unsettling short film Chime playing in theaters alongside a new 4K restoration of his 1998 revenge thriller Serpent’s Path, visionary filmmaker Kiyoshi Kurosawa tells Isaac Feldberg about experimenting within genre constraints and believing in ambiguity. boxd.it/35m

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Four Favorites with Michaela Coel ❤️

The Christophers is now playing in NY and LA and expands across the US on April 17 via NEON. Mother Mary, also starring Coel, is in theaters April 17 via A24.

As You, Me & Tuscany whisks us off on a Black-led, big-screen escapade, Lyvie Scott highlights twenty Black romantic comedies that are both genuinely swoonworthy and laugh-out-loud funny. https://boxd.it/352

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Would be curious for your thoughts on it!

Drive My Car
Nope
Cloud
Challengers
Here

How Ian McKellen Became The Secret Weapon To Steven Soderbergh's Surprising New Heist Movie Ian McKellen and Michaela Coel talk art, fame, and working with Steven Soderbergh on 'The Christophers.'

“They fall in love really, I think.”

I interviewed Ian McKellen (who was lovely!!) and Michaela Coel for THE CHRISTOPHERS! www.inverse.com/entertainmen...

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Had the theater completely to myself while watching this gem on the big screen. What a lovely Sunday afternoon.