Pinewood Post Production's Jasper Thorn on why the Amethyst Hall preset in Cinematic Rooms Professional has become a dependable first call.
Learn more at at.liquidsonics.com/wnugUu
#PinewoodStudio #CinematicRooms #AudioPost
Jasper Thorn and Fergus Pateman from Pinewood Post Production on how LiquidSonics presets deliver great results fast, with the tweakability to go deeper when needed.
Learn more at at.liquidsonics.com/ysYmYD
In our latest article, Grammy & Emmy award-winning Greg Hayes shares how Seventh Heaven Professional became instrumental to his process when recording and mixing Terence Blanchard’s jazz ensemble score remotely for HBO’s Perry Mason during lockdown...
🔗 at.liquidsonics.com/XUuAh6
Fergus Pateman and Jasper Thorn from Pinewood Post Production on why software reverbs are essential for speed, recallability, and flexibility in modern post production.
🔗 Learn more at at.liquidsonics.com/dUgPGh
LiquidSonics recently visited Pinewood Post Production's newly refurbished Pressburger Theatre to talk reverb in modern film and TV post production with re-recording mixer Jasper Thorn and senior mix technician Fergus Pateman.
Video interview and article at at.liquidsonics.com/qN5Yaz
In the summer of ‘25, power metal icons Blind Guardian wrapped their tour with a show at the Palladium in Cologne, Germany. We talked to front-of-house engineer James Dunkley about his high fidelity heavy metal mixing approach.
Watch the interview & read the article here: at.liquidsonics.com/uqRVcd
7x Grammy-winner Dave Clauss (Shakira, Carlos Vives, Maná) on his Atmos workflow:
"I use Seventh Heaven Professional constantly. The rooms and halls are simply unmatched. Both Seventh Heaven and Cinematic Rooms are essential for preserving the original vibe while expanding into immersive."
Latin Grammy-nominated producer Fab Dupont (Residente, David Crosby, Bad Bunny) on Cinematic Rooms Professional:
"I love the true 7.1.4 sound of Cinematic Rooms Professional. It makes for a more realistic spatialization of mono and stereo sources."
Grammy-winning engineer Angelo Carretta (Shakira, Bad Bunny, Selena Gomez) on Seventh Heaven Professional:
"Super lush and rich reverb, and the presets are otherworldly."
#SeventhHeavenProfessional #ReverbPlugin
Live FOH engineer Ken Freeman (Toto) on Seventh Heaven Professional:
"The Bricasti M7 has always been a favorite for its natural sound and Seventh Heaven is the closest emulation I've found as a plugin."
#Toto #LiveSound #SeventhHeaven #ReverbPlugin
We caught up with Oscar & two-time Grammy-winning producer and engineer Robert L. Smith about his on-location traditional Irish session at Cold Comfort Farm. When detailed edits sidelined the room mic recordings, LiquidSonics reverbs helped achieve a cohesive, authentic sounding live venue space.
Grammy-nominated producer Dimitri Tikovoï (Ghost, Charli XCX, The Libertines):
"Seventh Heaven delivers an incredibly lush, natural-sounding reverb that sits beautifully in the mix. It's intuitive, musical, and has become a go-to in my workflow."
Learn more here: at.liquidsonics.com/TKtll7
Our latest interview deep-dive with Hans-Martin showcases his unique approach to reverb and room recording for his Grammy-nominated Tearjerkers album and Peter Gabriel’s Grammy-winning i/o (In-Side Mix) with audio demos and actionable tips.
#Tearjerkers #HansMartinBuff #LiquidSonics #GRAMMYS
LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor Gearlounge, connecting once again with the local audio community at one of the region’s most engaging music-technology events.
#ImstaFestaSeoul #LiquidSonics #Gearlounge
Why pro mixers keep using the same reverb.
It is not about sounding bigger.
It is about emotion, depth & intention.
Our good friend & mentor Matt Weiss breaks down @LiquidSonics Cinematic Rooms
www.youtube.com/watch?v=uaRF...
#Mixing #Reverb #MusicProduction
This is very cool. Thank you for your support 🙏
AR Rahman (A.K.A. ARR) uses Cinematic Rooms Professional on the Fourier Audio transform platform for his 2025 Wonderment Tour in this brand new article on Mix Magazine.
#arr #fourieraudio #ARRahman #cinematicrooms
Swedish mix engineer Stefan Boman has mixed metal productions for bands like Opeth, Ghost, and Graveyard. LiquidSonics’ Seventh Heaven Professional is one of his go-to choices for reverb for Dolby Atmos
Visit the link in part two to learn more!
#SeventhHeaven #MixingMetal #Opeth #LiquidSonics
How do you create spatial depth without adding reverb?
Mark Gittins (Judas Priest, Dream Theater Atmos mixes) uses Liquidsonics’ Seventh Heaven Professional as a spatialiser, favouring early reflections over late tail.
🔗 Full interview: at.liquidsonics.com/lz0mT7
IMSTA FESTA Seoul 2025, organised by @gearlounge, will take place on November 16th at Record Factory, bringing together world-renowned music software brands. Join IMSTA FESTA Seoul 2025 and don’t miss this opportunity to network, connect, and learn from industry experts and fellow music creators.
Mixer/engineer Thomas Warren (Sabrina Carpenter, Sam Smith):
“Seventh Heaven Professional really captures the dimensional depth of the classic Bricasti spaces. The modulation, early reflections, and tail density all feel organic, it just falls into a mix effortlessly without creating muddiness.”
Grammy-winning engineer Steve Genewick (Elton John, Diana Krall, Quincy Jones) on his go-to reverbs:
"Seventh Heaven Professional is on every mix I do. 99% of the time it's my main vocal reverb. By far one of the best reverbs available."
#LiquidSonics #SeventhHeaven #ReverbPlugin
