There is some lovely puppet-craft in CUMULO, but it's not quite in the service of an engaging whole. @loreningrid.bsky.social reviews.
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Posts by Exeunt NYC
It may not persuade the inveterate CATS-hater, but CATS: THE JELLICLE BALL is an awful lot of fun. @loreningrid.bsky.social reviews.
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A lacerating comedy with a misanthropic heart. @loreningrid.bsky.social reviews BECKY SHAW.
exeuntnyc.com/reviews/revi...
This dance/thriller hybrid builds to a stunning final ten minutes. @loreningrid.bsky.social reviews SCORCHED EARTH.
exeuntnyc.com/reviews/revi...
An ambitious piece of devised theater doesn't quite come together. Catherine Sawoski reviews.
exeuntnyc.com/reviews/revi...
SEAGULL: TRUE STORY captures something quintessentially Chekhovian in its tone, but its messaging is muddier. @loreningrid.bsky.social reviews.
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Can diplomacy become the stuff of theater? Catherine Sawoski reviews PUBLIC CHARGE.
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Mark Rosenblatt’s knotty play about the author Roald Dahl transfers to Broadway with a generational performance by John Lithgow. @lanewilliamson.bsky.social reviews GIANT.
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Anna Ziegler modernizes Sophocles, anchored on an exceptional performance by Susannah Perkins as Antigone.
@loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
BUGHOUSE tries too hard to make Henry Darger's life the reason for his art. @loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
Interesting--I *really* didn't like it.
Something for everyone in COLD WAR CHOIR PRACTICE @loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
An excellent cast makes WHAT WE DID BEFORE OUR MOTH DAYS even more unsettling. @loreningrid.bsky.social reviews.
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Lorin Wertheimer finds NIGHT SIDE SONGS a satisfying collaboration among artists and audience. exeuntnyc.com/reviews/revi...
Carol Rocamora finds MOTHER RUSSIA both hilarious and politically astute.
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A story of tragedy, triumph, music, and New York. @loreningrid.bsky.social reviews SILVER MANHATTAN.
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The human body will betray us all. @loreningrid.bsky.social reviews YOU GOT OLDER.
exeuntnyc.com/reviews/revi...
The great David Greenspan works his magic on another solo play, this one written and expertly directed by Jerry Lieblich. @loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
How does theater grapple with genocide? European auteur Milo Rau brings one answer to St. Ann’s Warehouse. @loreningrid.bsky.social reviews HATE RADIO.
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A new play about a group of women at a recovery meeting is buoyed by six great actresses. @lanewilliamson.bsky.social reviews THE DINOSAURS.
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A new production of CORIOLANUS misses the moment. Patrick Maley reviews. exeuntnyc.com/reviews/revi...
KRAMER/FAUCI is docudrama with an absurdist gloss. @mildlybitter.bsky.social reviews. exeuntnyc.com/reviews/kram...
MIDWEST PORN breaks theatrical conventions—perhaps a few too many of them. Lorin Wertheimer reviews.
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THE FIRST LINE OF DANTE'S INFERNO is a moody, melancholy riff about losing your way and finding yourself. @loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
A delirious cornucopia of a puppet musical. @loreningrid.bsky.social reviews.
exeuntnyc.com/reviews/revi...
A new play about a bookstore that never comes to life off the page. Catherine Sawoski reviews.
exeuntnyc.com/reviews/revi...
A ripped-from-the-headlines drama fails to satisfy. Lorin Wertheimer reviews.
exeuntnyc.com/reviews/revi...
An artist's life lived in an increasingly uncontrollable body. @loreningrid.bsky.social reviews WATCH ME WALK.
exeuntnyc.com/reviews/revi...