Saturday thread of stuff I've published so far this year! For your reading pleasure (or displeasure if you do not like it):
First up: a creepy story in @vol1brooklyn.bsky.social about how you can't go home again
Posts by Vol. 1 Brooklyn
"She looks up from her phone smiling. But it seems like a grimace. She uses her left hand to massage the right shoulder. She rolls it in the socket." www.vol1brooklyn.com/2026/04/19/s...
Weekend Bites: Nora Lange’s Latest, Time Loop Fiction, Revisiting Spacemen 3, and More
www.vol1brooklyn.com/2026/04/18/w...
“A Curated Gallery of Ghosts”: On Colm Toibin’s “The News From Dublin” www.vol1brooklyn.com/2026/04/16/a...
"Making comics, for me, wasn’t a pastime. It was a religious calling." www.vol1brooklyn.com/2026/04/09/h...
Scenes From Portland Life: On Willy Vlautin’s “The Left and the Lucky”
www.vol1brooklyn.com/2026/04/08/s...
Presenting the Cover of Mathieu Bablet’s Graphic Novel “Silent Jenny”
www.vol1brooklyn.com/2026/04/06/p...
I interviewed the incomparable poet Elizabeth Hazen @vol1brooklyn.bsky.social on what’s it like to write through memories you’re stuck with…
How do you write through memories you’re stuck with???
www.vol1brooklyn.com/2026/04/03/t...
The Sky is an Illusion, After All: A Conversation with Elizabeth Hazen www.vol1brooklyn.com/2026/04/03/t...
"Their work is prenatal with meaning and subtext. That’s something that makes them worthy of critical analysis. You want to write about these films because they are positively heaving with symbolism." www.vol1brooklyn.com/2026/04/02/c...
Afternoon Bites: Constance Debré’s Latest, Sara Levine on Writing, William Lessard on Poetry, and More
www.vol1brooklyn.com/2026/04/01/a...
"The flesh and fabric fought against each other, and my hands hurt, by the time I pulled it into place." www.vol1brooklyn.com/2026/03/29/s...
Weekend Bites: Nancy Lemann Interviewed, NBCC Award Winners, Revisiting Robert Coover, and More
www.vol1brooklyn.com/2026/03/28/w...
"This book is divided into three parts; you can read it as a story collection, but there’s a shared atmosphere throughout the book that lends itself well to the argument that this is actually an unconventionally-structured novel." www.vol1brooklyn.com/2026/03/25/f...
"You would have both recognized him and also not. You know the front door to our warehouse—our family’s biggest warehouse!—how it creaks." www.vol1brooklyn.com/2026/03/22/s...
No Self and Other but Only Oneness: A Review of Marc Vincenz’s “No More Animal Poems” www.vol1brooklyn.com/2026/03/19/n...
"She gave me a one-hundred-dollar bill that night. Somehow, I did not question the authenticity of the bill at the time and was glad it turned out to be real." www.vol1brooklyn.com/2026/03/15/s...
"...I’ve always been interested in experimental/innovative literature, and I like genre literature best when it does something that violates typical narratives." www.vol1brooklyn.com/2026/03/10/s...
Morning Bites: Shabaka Returns, Sarah Sherman on Comedy, Revisiting Abel Ferrera, and More www.vol1brooklyn.com/2026/03/10/m...
"We do have morning yoga. Zebra prison is ironically, pretty humane. Well, for me especially, because the guards are on the take." www.vol1brooklyn.com/2026/03/09/s...
"I faced the full length mirror propped up against the closet door. I wore a black spandex mini dress. I turned and looked at myself from every angle. I fluffed my hair and made sure there was no lipstick on my teeth." www.vol1brooklyn.com/2026/03/08/s...