#博麗霊夢 #東方project
春巫女

i know some people are really tired of seeing like 100 ppl at most say this constantly but: i will never not be bitter about cohost facing demise and people vilifying it under the pretense that this was a valid (if not "better") alternative to the twitter exodus of the time

using caelus as a damsel mannequin with no lines basically just existing as a toy object plot excuse for the silverfly fight instead of stelle because stelle wouldve played with them

J'ajouterai, fatalement, qu'il y a une exonération très facile des acteurs de la tragédie, que n'osent pas d'autres titres similaires (que ce soit les Fatal Frame eux-mêmes, mais aussi Silent Hill f, Paranormasight, etc.). D'une certaine manière, il y a une dépolitisation du sujet même.

Une revisite particulièrement solide du second meilleur opus de la licence Fatal Frame ; bien meilleur que le remake Wii à l'époque, dont les fins additionnelles et rajouts étaient pour ainsi dire complètement hors propos.
Il reste, ceci dit, une relecture moderne assez décevante / facile de la fin.

another bombshell: Xenosaga Pied Piper's coming to G-MODE Archives! https://store.steampowered.com/app/4532150/GMODE/

this'll be the first Bandai-Namco game to hit G-MODE Archives proper—Bannam's promised it'll be the first of many, and was made possible in part due to sustained fan demand

On va continuer à se demander pourquoi les gens se radicalisent et pourquoi de plus en plus de personnes sont fascinées par l'idée de violence politique, sans jamais se poser de questions sur le fait que toutes les formes d'action politique non violente sont systématiquement dévalorisées.

#umineko
#art

This cruise thing is kind of making me realise that I'm happy not watching NL anymore. 🫣

Well you can't get it with replies off so you'll have to accept a qrt

mareeta

Kaine🎨 #NieR

Ça faisait un moment que je ne vous avais rien partagé. Voici Drylvar, une ville de l'empire sous-marin des Zurithors, dans Aëdemphia. On se rapproche de la sortie, j'ai fini ma partie de test jusqu'à la fin du jeu avec 80h de temps de jeu.

ロゼッタ姫〜 #絵

Recent non-fiction reviewed in the ARB asianreviewofbooks.com/category/rev...

おめかしユニコルトちゃんﾌｧﾝｱｰﾄ

Also, now that I think about it, that's clearly for the admittedly very funny idea of having a dump literally next to the Imperial Palace.

春例大祭の新刊に入るえーりん先生

#八意永琳

A map of Hibiya-kōen in 1907.

Hibiya-kōen is hardly the biggest park in Tokyo, but that's still 16 hectares...

Eiko Maruko Siniawer, Waste: Consuming Postwar Japan, 2018 Ide Toshihiko was one such unusual voice, who served four terms as an assemblyman and five years as the mayor of Numazu city, in Shizuoka prefecture, and was a widely recognized innovator in garbage separation. Interviewed in the late 1980s about his thoughts on garbage disposal, Ide was quite active then in citizens’ movements as the director of a consumer cooperative (Seikatsu Kurabu Seikyō) and a representative of the Citizens’ Association for Thinking about Garbage (Haikibutsu o Kangaeru Shimin no Kai). Ide did not shy away from bold and implausible ideas, like turning a central park in large cities, such as Hibiya Park in Tokyo, into a dump so as to force people to experience firsthand the pain of garbage management. He also made no bones about the economic costs of reducing garbage. So entwined were sys- tems of production and garbage disposal, and so great the dependency on mass production and mass consumption, that sincere efforts to reduce garbage would require slimming down production and lifestyles. If things were valued and kept for a long time, if disposability tapered, and if garbage were thus reduced, there would be, in Ide’s blunt estimation, a sharp drop in GDP.51 Such a view, expressed so unapologetically, was an aberration in this decade. Much more typical was the assumption that affluence and daily lives were not to be jeopardized, which encouraged the tendency to define the challenges posed by garbage in terms of sanitation management.

Checking again Eiko Maruko Siniawer's book on waste management in Japan (Waste: Consuming Postwar Japan, 2018), and this little passage will never cease to amuse me...

‘If they pollute our rivers, what will become of us?’: the town divided between hope and fear in Brazil’s Amazon oil rush As a state-controlled company explores for oil in the fragile Equatorial Margin the government struggles to balance its ecological promises with fossil fuel expansion. In Oiapoque, the stakes could not be higher

‘If they pollute our rivers, what will become of us?’: the town divided between hope and fear in Brazil’s Amazon oil rush

AT THE TRIANGLE INTERSECTION | tokyofilmgoer.com Seven years after the Tohoku Earthquake and the Fukushima nuclear disaster, a family from Namie, which remains heavily contaminated and restricted even today, struggles to rebuild their lives in this ...

Seven years after the Tohoku earthquake, a family from Namie struggles to rebuild. At the Triangle Intersection, which premiered at last year’s Yamagata International Documentary Film Festival, is now screening at select theaters in Japan with English subtitles.

Learn more at: shorturl.at/DELKC

Le concours général avait été une chouette expérience, mais on se fiche vraiment de la tête du monde, vu l'état de l'école aujourd'hui.

C'était très drôle de voir la liste des lauréats (parisiens), connus par ailleurs depuis les autres concours/olympiades...

SSBU Zelda

Sphene

Dawn Trail

˚✧₊⁎⁺˳✧༚

■■緊急地震速報(最終報)■■ 茨城県南部で地震 最大震度 5弱(推定) [詳細] 2026/04/01 10:06:17発生 M5.1 深さ60km #earthquake #緊急地震速報