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Posts by phoebe hedges

A screenshot of the draft of an essay positing the nature of the internet and how we interact with it; the author reviews a quote by theorist Nathan Jurgenson about the change from "irl" to "afk" to describe going offline, but disagrees with Jurgenson about the nature of on- and off- line behaviour. Whilst Jurgenson claims anything online is inherently separate, this author believes the two are overlapping expressions of the same traits, curated for the respective platforms.

The author also posits we can no longer control whether we are 'offline'; and that this change in the nature of the interntet is tied to the evolution and infectious nature of capitalism into social structures and our lives and livelihoods.

A screenshot of the draft of an essay positing the nature of the internet and how we interact with it; the author reviews a quote by theorist Nathan Jurgenson about the change from "irl" to "afk" to describe going offline, but disagrees with Jurgenson about the nature of on- and off- line behaviour. Whilst Jurgenson claims anything online is inherently separate, this author believes the two are overlapping expressions of the same traits, curated for the respective platforms. The author also posits we can no longer control whether we are 'offline'; and that this change in the nature of the interntet is tied to the evolution and infectious nature of capitalism into social structures and our lives and livelihoods.

uh oh guys I be writing

1 day ago 1 1 0 0
A screenshot of the draft of an essay positing the nature of the internet and how we interact with it; the author reviews a quote by theorist Nathan Jurgenson about the change from "irl" to "afk" to describe going offline, but disagrees with Jurgenson about the nature of on- and off- line behaviour. Whilst Jurgenson claims anything online is inherently separate, this author believes the two are overlapping expressions of the same traits, curated for the respective platforms.

The author also posits we can no longer control whether we are 'offline'; and that this change in the nature of the interntet is tied to the evolution and infectious nature of capitalism into social structures and our lives and livelihoods.

A screenshot of the draft of an essay positing the nature of the internet and how we interact with it; the author reviews a quote by theorist Nathan Jurgenson about the change from "irl" to "afk" to describe going offline, but disagrees with Jurgenson about the nature of on- and off- line behaviour. Whilst Jurgenson claims anything online is inherently separate, this author believes the two are overlapping expressions of the same traits, curated for the respective platforms. The author also posits we can no longer control whether we are 'offline'; and that this change in the nature of the interntet is tied to the evolution and infectious nature of capitalism into social structures and our lives and livelihoods.

uh oh guys I be writing

1 day ago 1 1 0 0

oh my god, is this the year I finally try to understand the "dot com bubble" ?

(researching the evolution and changing nature of the internet's place in our lives due to - amongst other things - capitalism, and I'm not entirely sure what's relevant, this feels like it might be, though?)

1 day ago 0 0 0 0

Gonna ignore the previous events of the night, and believe maybe the universe wanted me to get home safe and told me so with a fox waiting at the mouth of the dark alley leading to my flat. Sweet thing literally walked me to my door and watched me go inside.

3 days ago 4 0 0 0

The outline for this so far (before even getting tooooooo deep into reading) has 30-ish talking points and concepts. I really hope I’m able to stick this one through to the end, it’s got me motivated to finally get over my shame and pay off my library fines so I can research easier šŸ˜…

4 days ago 1 0 0 0

What do you do if - as an adult - you just write an entire dissertation even though you don’t run in academic circles and haven’t done so since uni? Because I fear I may end this year with potentially 10-25000 words about the internet and I am not sure what to do with it if I finish

6 days ago 3 1 3 1

Like, for context, the last time I had a fixation this strong I wrote hundreds of thousands of words of fanfiction and then I plotted out and wrote & commuter to self publishing a 5-issue comic series.

But that is not a course of action this time around

6 days ago 1 0 0 0

What do you do if - as an adult - you just write an entire dissertation even though you don’t run in academic circles and haven’t done so since uni? Because I fear I may end this year with potentially 10-25000 words about the internet and I am not sure what to do with it if I finish

6 days ago 3 1 3 1

I’m not denying this is a somewhat feral 01:30 showing from me, but i stand by it and I think I see my first comic-adjacent newsletter post percolating…

1 week ago 2 1 0 0
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Sitting here wondering ā€œwhat would it sound like if Example did the soundtrack for Tron: Legacy instead of the Glitch Mobā€?

The answer is Total Recall of the Heart, that’s what it would sound like

1 week ago 2 1 1 1
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Close Enemies

You can just hear this playing over some kind of driving montage in issue 4 or 5 (there is no driving in issue 4 or 5; Em and Skunk live in a cyberpunk London, who needs a car*??)

(*I had forgotten em has a motorbike)

open.spotify.com/track/2AEATP...

1 week ago 0 0 0 0
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Changed The Way You Kiss Me - Radio Edit

You tell me this song ISN’T Em having a menty B about realising Skunk is down bad?

open.spotify.com/track/5on3Xi...

1 week ago 0 0 1 0
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Sitting here wondering ā€œwhat would it sound like if Example did the soundtrack for Tron: Legacy instead of the Glitch Mobā€?

The answer is Total Recall of the Heart, that’s what it would sound like

1 week ago 2 1 1 1

Are we still doing hot takes on main? Cause it’s about time I admit that I hate it when a book has its award noms/wins in a flash printed into the cover. Do people actually read books BECAUSE they’re award-adjacent/winners?

1 week ago 3 0 0 0
The cover to Worst Man. A handsome, skinny white guy with red hair, wearing a red suit, black shirt and orange tie is front and centre, toasting the camera. He's clearly been caught by a burly guy with olive skin and black curly hair, who's wearing a purple suit jacket, white shirt and purple tie. The burly guy is sat in a gigantic wedding cake, with the implication being he fell backwards into it catching the skinny guy. As a result the cake is collapsing around them, but the skinny guy's foot is holding up the cake topper, which is cartoony representations of a bride and groom.

The cover to Worst Man. A handsome, skinny white guy with red hair, wearing a red suit, black shirt and orange tie is front and centre, toasting the camera. He's clearly been caught by a burly guy with olive skin and black curly hair, who's wearing a purple suit jacket, white shirt and purple tie. The burly guy is sat in a gigantic wedding cake, with the implication being he fell backwards into it catching the skinny guy. As a result the cake is collapsing around them, but the skinny guy's foot is holding up the cake topper, which is cartoony representations of a bride and groom.

A comic page, with 5 panels. 4 panels are arranged in a stack down the left side, the fifth is a splash panel.

Banner at top of page: Saturday. Wedding in T-00h59m

PANEL 1: 

A close-in profile shot of a handsome, red-headed guy; he has a black eye and a thin trickle of blood running from his nose. He’s looking up, and mildly grinning.

GUY: I hate to be a bother, I do, but there’s an itch on my nose.

GUY: Hardly the end of the world, but would you mind?

PANEL 2:

A close shot behind the guy; we can see his hands, handcuffed behind the steel folding chair he’s sat on.

GUY: I’d do something about it myself, but my hands appear to be caught on something.

INTERROGATOR (OFF-PANEL): Is playing games something you really want to be doing right now?

PANEL 3:

The guy is cheekily flirting with the interrogator, who’s walking behind him.

GUY: You’re the one who put me in handcuffs…

INTERROGATOR: Come on, man…

PANEL 4:

The guy is rolling his eyes.

GUY: Fine. What do you want to know?

SPLASH PANEL:

Looking over the interrogator’s shoulder, as the guy is looking up at him, with a cheeky grin.

INTERROGATOR: What exactly have you been doing here? And why the fuck are you doing it?

GUY: Oh, you actually want my story? Colour me surprised.

A comic page, with 5 panels. 4 panels are arranged in a stack down the left side, the fifth is a splash panel. Banner at top of page: Saturday. Wedding in T-00h59m PANEL 1: A close-in profile shot of a handsome, red-headed guy; he has a black eye and a thin trickle of blood running from his nose. He’s looking up, and mildly grinning. GUY: I hate to be a bother, I do, but there’s an itch on my nose. GUY: Hardly the end of the world, but would you mind? PANEL 2: A close shot behind the guy; we can see his hands, handcuffed behind the steel folding chair he’s sat on. GUY: I’d do something about it myself, but my hands appear to be caught on something. INTERROGATOR (OFF-PANEL): Is playing games something you really want to be doing right now? PANEL 3: The guy is cheekily flirting with the interrogator, who’s walking behind him. GUY: You’re the one who put me in handcuffs… INTERROGATOR: Come on, man… PANEL 4: The guy is rolling his eyes. GUY: Fine. What do you want to know? SPLASH PANEL: Looking over the interrogator’s shoulder, as the guy is looking up at him, with a cheeky grin. INTERROGATOR: What exactly have you been doing here? And why the fuck are you doing it? GUY: Oh, you actually want my story? Colour me surprised.

A comic page of 8 panels.

PANEL 1: a photograph of a group of people disembarking a fancy boat onto a jetty.

GUY (CAPTION): I was contracted to work this wedding, which let me tell you is stressful at short notice.

INTERROGATOR (CAPTION): Contracted?

INTERROGATOR (CAPTION): Who the hell contracted you?

INTERROGATOR (CAPTION): What is it you even do?!

PANEL 2:

A cut-out panel of the guy one arm draped over the back of his chair, the other hand gesturing. He’s grinning charmingly.

GUY: I’m the Worst Man.

INTERROGATOR (OFF PANEL): …the what?

INTERROGATOR (OFF PANEL): And how did you get free?

PANEL 3:

The guy is flashing a grin and showing his hands in a shrug.

GUY: Oh, come on, I talk with my hands.

PANEL 4:

The guy is holding his hand in a ā€œso-soā€ gesture.

GUY: Ok, so.

GUY: Sometimes there’s a couple that are settling, right?

PANEL 5:

The guy is pulling a ā€œyikesā€ expression.

GUY: They’ve convinced they’re happy, they’re forever happy.

PANEL 6:

The guy is looking serious.

GUY: A friend or family member knows they aren’t, but doesn’t want the social fallout of pointing it out.

PANEL 7:

The guy is lazily gesturing to himself.

GUY: So they hire me to reveal the truth in a more subtle way, before they get married.

PANEL 8:

The guy is looking up.

INTERROGATOR (OFF PANEL): So why are you involved here?

GUY: In this case, the story goes back a while.

A comic page of 8 panels. PANEL 1: a photograph of a group of people disembarking a fancy boat onto a jetty. GUY (CAPTION): I was contracted to work this wedding, which let me tell you is stressful at short notice. INTERROGATOR (CAPTION): Contracted? INTERROGATOR (CAPTION): Who the hell contracted you? INTERROGATOR (CAPTION): What is it you even do?! PANEL 2: A cut-out panel of the guy one arm draped over the back of his chair, the other hand gesturing. He’s grinning charmingly. GUY: I’m the Worst Man. INTERROGATOR (OFF PANEL): …the what? INTERROGATOR (OFF PANEL): And how did you get free? PANEL 3: The guy is flashing a grin and showing his hands in a shrug. GUY: Oh, come on, I talk with my hands. PANEL 4: The guy is holding his hand in a ā€œso-soā€ gesture. GUY: Ok, so. GUY: Sometimes there’s a couple that are settling, right? PANEL 5: The guy is pulling a ā€œyikesā€ expression. GUY: They’ve convinced they’re happy, they’re forever happy. PANEL 6: The guy is looking serious. GUY: A friend or family member knows they aren’t, but doesn’t want the social fallout of pointing it out. PANEL 7: The guy is lazily gesturing to himself. GUY: So they hire me to reveal the truth in a more subtle way, before they get married. PANEL 8: The guy is looking up. INTERROGATOR (OFF PANEL): So why are you involved here? GUY: In this case, the story goes back a while.

A comic page with 4 panels.

PANEL 1:

A sprawled dossier showing research on a couple; a cis woman and a trans woman. 

GUY (CAPTION): Several years ago I was contracted to work on Galatea Telford and Merritt McElligott—

INTERROGATOR (CAPTION): That’s the bride’s sister, not the bride.

GUY (CAPTION): Uh, yeah. What’s your point?

INTERROGATOR (CAPTION): So she’s not who I’m asking about.

GUY (CAPTION): Patience. This is background.

PANEL 2:

A shot of the guy talking to Merritt and Galatea around a school teacher’s desk, planning some sort of schedule.

GUY (CAPTION): So I got a temp job at the school where Merritt and Galatea work.

PANEL 3: 

A shot of the three of them in a bar, with some other people. All of them are laughing except the guy, who’s a little more detached.

GUY (CAPTION): Even met some of their friends.

PANEL 4:

A shot of Merritt and Galatea back at the teacher’s desk, flirting. The guy is looking in through the door, a small, sad smile.

GUY (CAPTION): But what I was coming to learn was—

INTERROGATOR (CAPTION): Enough. I’m dying of old age here.

A comic page with 4 panels. PANEL 1: A sprawled dossier showing research on a couple; a cis woman and a trans woman. GUY (CAPTION): Several years ago I was contracted to work on Galatea Telford and Merritt McElligott— INTERROGATOR (CAPTION): That’s the bride’s sister, not the bride. GUY (CAPTION): Uh, yeah. What’s your point? INTERROGATOR (CAPTION): So she’s not who I’m asking about. GUY (CAPTION): Patience. This is background. PANEL 2: A shot of the guy talking to Merritt and Galatea around a school teacher’s desk, planning some sort of schedule. GUY (CAPTION): So I got a temp job at the school where Merritt and Galatea work. PANEL 3: A shot of the three of them in a bar, with some other people. All of them are laughing except the guy, who’s a little more detached. GUY (CAPTION): Even met some of their friends. PANEL 4: A shot of Merritt and Galatea back at the teacher’s desk, flirting. The guy is looking in through the door, a small, sad smile. GUY (CAPTION): But what I was coming to learn was— INTERROGATOR (CAPTION): Enough. I’m dying of old age here.

Hey bsky! If you didn’t know already, we’re making a romcom! A heated, queer romcom set at a wedding! If you like romance, comedy, heists, hating billionaires or ridiculous farces, you should check out #WorstManOGN!

Written/drawn by us, logo and lettering by the incredible @gofrankgo.bsky.social!

3 weeks ago 357 146 9 17
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Left my house a full hour and a half later than intended cause I got distracted having a boogie and thinking I look cute, I really am no better then a budgie šŸ–¤

1 week ago 17 2 2 0
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what happened to school discos?

I have a couple playlists which only really get air time when the sun is out, but these are today’s tunes

open.spotify.com/playlist/52w...

1 week ago 0 0 0 0
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Left my house a full hour and a half later than intended cause I got distracted having a boogie and thinking I look cute, I really am no better then a budgie šŸ–¤

1 week ago 17 2 2 0

This was such a lot of fun to record! Thanks @comicbookclub.bsky.social!

2 weeks ago 5 5 0 0
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Hope no ones looking to hear from me for the immediate future because I will be diving headfirst into this new hyper fixation with no plans to return šŸ–¤šŸ’š

2 weeks ago 2 0 0 0

Literally can't overstate how much of a joy it is to hear these two talk about the book; though I've gotten to watch it come together, I truly marvel at the care and effort they put into each panel and page of the book (something you can ABSOLUTELY feel when reading) and it's just... such a joy ā™„ļø

2 weeks ago 0 0 0 0
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Comic Book Club Bonus: Brandt&Stein

The sun is shining, and there’s no better day to listen to @brandtandstein.com on @comicbookclub.bsky.social breaking down the production of my favourite books (and about to be yours too) #WorstManOGN ā™„ļøā™„ļøā™„ļø

open.spotify.com/episode/4mxC...

2 weeks ago 2 3 1 1
An illustration of a unicorn in trans colors; pink, white and blue, surrounded by pink flowers

An illustration of a unicorn in trans colors; pink, white and blue, surrounded by pink flowers

šŸ³ļøā€āš§ļø Happy #InternationalTransDayOfVisibility šŸ³ļøā€āš§ļø

Trans people, please advertise yourself in this thread! Your shops, your commissions, your socmeds - everything! Show your beautiful colors <3

3 weeks ago 1682 716 80 2

Happy ace day! I found out p much the same way, and then felt it very apt that today is the day I start making a dent in finishing my ace-romance šŸ˜…

2 weeks ago 0 1 0 0

If you would like to help increase the Quindrie Comic Fund from its base £3,000 pot, donations are now open!

šŸ’ø quindriepress.com/qcfdonations

2 weeks ago 15 15 0 0

OH and I forgot I had a moodboard!!!

1 year ago 28 4 2 1
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In our cyberpunk comic series Killtopia, a horde of killer mecha has taken over Neo Tokyo (and they’ve infected most humans with a nanomachine plague - yikes!)

Crash is the only mech that knows the cure, triggering a city wide brawl to claim him

Explore the comic at: killtopia.co

Shares welcome ā¤ļø

2 weeks ago 60 20 1 0

Good news guys I used this energy to finally finish issue #4 of Total Recall of the Heart 2 years after I started writing it 🄲

2 weeks ago 8 2 1 0
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Thank goodness I am not my own artist cause I could not have the patience to work out a DPS beyond this (Lizzie is gonna do such a cool job though you just know it)

2 weeks ago 0 1 0 0

petition for men to understand that just because I HAVE a back tattoo, that does not mean they can TOUCH the tattoo 🫠

2 weeks ago 7 1 1 0