on hearing the dead

alice notley @theparisreivew.bsky.social

Infinity Net By Jaye Kranz It’s a new year and my friends are snowing in.   It’s a new year and my friends are swimming out.   It’s a new year and I meant to be still. I meant to slip betwee…

"It’s a new year and it’s not like we thought it wasn’t going to hurt."-- @jayekranz.bsky.social, "Infinity Net," Winter Online Issue.
newohioreview.org/2025/12/03/i...

Our newest online issue is now available to read at newohiorevew.org!

Honoured to have a (new year) poem ‘Infinity Net’ up in @newohioreview.bsky.social latest online exclusive.

With thanks to the editors including Dave Wanczyk--and to my fellow poets for the company of your work!

You can read the whole issue 👉 newohioreview.org

This is beautiful @toddedillard.bsky.social 💛

… what would the world be with us fully in it, what about the 900 petroglyphs of our embraces.

— Dionne Brand

A necessary reminder:

Friends, I wrote a piece on poet Laura Gilpin, who died of glioblastoma in 2006.

She is best known for “The Two-Headed Calf.”

With gratitude to the Poetry Foundation for allowing me to try to restore this remarkable healthcare practitioner/poet’s legacy.

www.poetryfoundation.org/articles/170...

There's lots to enjoy about our latest issue, including this lovely poem by @jayekranz.bsky.social 😍🌱💜

🙏♥️🙏

Thank you to @foglifterpress.bsky.social for publishing this poem ‘Life, Still’, written by way of the works of Pierre Bonnard @ngvmelbourne.bsky.social in their latest issue — and for always uplifting LGBTQ+ & disabled writers & creators & for generally being belovedly queer!

Victoria Chang reads her poem ‘The Swan, No. 9 (Hilma af Klint)’ @victoriachang.bsky.social

💀From Poetry Ireland Review Issue 145
✏️Edited by Victoria Kennefick

🔔 Don’t forget! We are launching #PIR145 at the Kerry Writers Museum this Saturday 31st May as part of Listowel Writers' Week.

I've created a start pack of Aus Poets I've found so far.

Please let me know if you'd like to be added or can suggest some poets
go.bsky.app/RoeuVZ6

Thanks for this!

Video: "Your Inbox Is Too Much With Us—a correspondence," by Jaye Kranz Jaye Kranz shares this haunting excerpt of her poem, that takes us on journeys through email exchanges and ASCII landscapes that feel both déjà vu-like and oddly tranquil.

Love this by @jayekranz.bsky.social in @cincinnatireview.bsky.social !

www.cincinnatireview.com/contributor/...

Oh, thanks so much for sharing this poetry/video adventure, @melissafitz.bsky.social 🙏

"Your Inbox Is Too Much With Us—a correspondence" by Jaye Kranz (To use the PDF embedder to see all pages of the poem, use the arrows on the bottom left-hand side.) Text: Can I please be added to this group? I’m looking to relocate Ten Bristlebirds. I’...

To accompany the poem, I made this video for their website, replete with sound design and ASCII landscapes. Thanks for being open to this adventure ! @cincinnatireview.bsky.social ! Sound UP > > 📢🦻✨🏔️ www.cincinnatireview.com/contributor/...

"Your Inbox Is Too Much With Us—a correspondence" by Jaye Kranz (To use the PDF embedder to see all pages of the poem, use the arrows on the bottom left-hand side.) Text: Can I please be added to this group? I’m looking to relocate Ten Bristlebirds. I’...

Thank you @cincinnatireview.bsky.social editors & @ericadawsonpoet.bsky.social for publishing my long poem ‘Your Inbox Is Too Much With Us’, an imagined email correspondence with my non-personal inbox. Full poem in their latest print issue & online. Congrats on a stunning issue! tinyurl.com/4cd6susk

Today on the site, 22.1 contributor @jayekranz.bsky.social , a documentary filmmaker, shares a video that takes us on journeys through email exchanges and ASCII landscapes that feel both déjà vu-like and oddly tranquil. buff.ly/NqeQT2q

Fraught. Currently changing my pen-grip which has changed my handwriting entirely and identity crisis !

Congrats to all the longlist and shortlistees. I look forward to holding and reading all the poems when the Anthology is published later in the year.

I have shared Diaz’s comments here, along with the poem.

My immense gratitude to Natalie Diaz and to the Plaza Prize for the encouragement of this — and for all you do for poetry.

If you haven’t read Diaz’s ‘Postcolonial Love Poem’ or ‘My Brother Was An Aztec’ I recommend them to you highly!

I’m overjoyed & honoured to have won the Plaza Prize for Poetry judged by Pulitzer Prize-winning poet Natalie Diaz —whose work I adore & admire immensely. To have one’s poems read at all, let alone by one of your poet-heroes & to have them reflect so generously on the poem is a gift beyond measure.

😢

Who | Jorie Graham can still speak from their cage? It’s been quiet for a while now.A wind came through &drowned out the last of thechatter. It was a terrible

Beautiful issue of @nybooks.com —thank you for including this.

(turn phone sideways)

www.nybooks.com/articles/202...

Wish I was right there with you! ✨

These gems from @majalukic.bsky.social in @newenglandreview.bsky.social ✨✨✨

Grateful & honoured to have a poem in the latest issue of the @theflreview.bsky.social Thank you to editor @djpoissant.bsky.social for selecting ‘Afterwords’ & to the team there for all you do. Congrats & with thanks to all the wonderful contributors in this issue.

One for the ancestors…

5 days left. Deadline is final. One book prize. One poem prize. Many Verse Daily features. And you support the greatest online daily feature and archive. ‘Nuff said. www.versedaily.org/bookprize.sh...

Can’t wait to listen !