I don't want to shoot videos
I don't want to post tutorials
I don't want to show my process
I don't want to pour varnish
I don't want to turn my canvas
I don't want to record my screen
I don't want to cultivate parasocial relationships
I just want to make pictures and shitpost
Posts by Peter Morey
A great line, was in my head just now when i woke up from a nap. Spooky
m.youtube.com/watch?v=qRqW...
POLARITIES = PARADOXES
How do you BEAR stress?
You can’t go over it
You can’t go under it
You must go through it
(Or words to that effect…)
A motion graphics experiment based on an old piece of work, using Procreate Dreams:
Gonna be back tabling at @thoughtbubbleuk.bsky.social this year!! 🫨 see you there?
Ha! Yes well I used a dust sheet for the emulsion layer (dulux ‘first dawn’ I also used to paint the bathroom) then the rest is poscas… which are easier to manage
[MURAL PRACTICE!]
Calling this one:
GATEWAY TO THE SOUTHEAST
(Say it/think it in that Peter Sellers voice from the old old sketch… the one my dad still quotes all the time)
Should I add that as text or leave it, do you think?
(It would be in classic railway sans serif all caps font)
Lmk…
Cover art for “Beetle Moses: a Comics Menagerie”, the debut comic collection from beetle moses.
My debut book of comics is officially LIVE for PREORDER!
KAPOW! Gimme Reviews pls, if you’ve ever worked with me as a live illustration specialist, or bought my comics:
g.page/r/CVILMjGWhT...
I’ve been learning simple motion graphics/animation in Procreate Dreams, & just added a google reviews widget to my site
Help me fill it up! Also please be kind
ONE PUNCH PENGUIN! An animation I made for my website contact page as a call to action: JOIN MY MAILING LIST(pls)! I promise to post infrequently and with interesting art practice updates and news about my comics petermorey.com/contact
ONE PUNCH PENGUIN! An animation I made for my website contact page as a call to action: JOIN MY MAILING LIST(pls)! I promise to post infrequently and with interesting art practice updates and news about my comics petermorey.com/contact
KAPOW! Gimme Reviews pls, if you’ve ever worked with me as a live illustration specialist, or bought my comics:
g.page/r/CVILMjGWhT...
I’ve been learning simple motion graphics/animation in Procreate Dreams, & just added a google reviews widget to my site
Help me fill it up! Also please be kind
Three panel comic. Panel 1: baby monkeys in overalls jumping on a bed, having fun. Panel 2: one of the monkeys falls over the edge of the bed, reaching out as he falls. Panel 3: one of the other monkeys, now looking super buff and badass, grabs him by the arm to save him heroically. “Monkey Stronger Together.”
Review! Aristotle’s Cuttlefish – Matthew Dooley’s Tale of an Unlikely Friendship in a Lost Property Office is Another Beautifully Observed Story of Human Foibles and Eccentricities. @jonathancape.bsky.social www.brokenfrontier.com/aristotles-c...
Mr Clippy asking you if you’d like help with some work and giving no option other than ‘no’ or ‘no!’
Recent addition to the studio wall:
Fuck the Artists
recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best. It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence relies on our ignorance of the work and skill required to do everything we don't.
it’s come to my attention that my tumblr post has been crossposted to bluesky, so I’m posting it on my account here #AntiAI #GenAI
Merriam-Webster’s human editors have chosen ‘slop’ as the 2025 Word of the Year.
Stamps featuring Kate Beaton, Jimmy Beaulieu, Guy Delisle, Julie Doucet, Bryan Lee O’Malley and Michael Nicoll Yahgulanaas
Canada is releasing a set of stamps celebrating the nation's graphic novelists.
These stamps feature Kate Beaton, Jimmy Beaulieu, Guy Delisle, Julie Doucet, Bryan Lee O’Malley and Michael Nicoll Yahgulanaas, alongside some of their famous works.
We’ll get Josh to build that for his next Megaphone Comics thing 🤣
The kids’ll love it
WHAT HAVE YOU GOT IN HERE, BRICKS??!!
@rebeccakjones1.bsky.social Colossive Cartographies work remains my series fav. It connected with me so closely in that post lockdown. So definitely looking for this new one at @thoughtbubbleuk.bsky.social
Suppose I'll have to look at @petermorey.bsky.social book as well - to avoid a domestic! 😆
😅
FYI @rebeccakjones1.bsky.social has kindly given me a space on her table to sell 1 THING @thoughtbubbleuk.bsky.social -I chose these fun adventure books ANIMAL SPIRITS over the soul-baring ENDSWELL to contrast both with Rebecca’s poignant slice-of-life work and the raucous (non dog related)CAT DISCO
THOUGHT BUBBLE MONTH review! Seasons – Moments of Love, Loss and Quiet Change by Rebecca K Jones. @rebeccakjones1.bsky.social. @thoughtbubbleuk.bsky.social #ThoughtBubbleatBF25 www.brokenfrontier.com/seasons-mome... Review by @lydiaturner97.bsky.social
Also featuring:
* Sofie Dodgson
@sofiedodgson.bsky.social
* Matthew Dooley
* Rebecca K Jones
@rebeccakjones1.bsky.social
* Anna Trench
* Dan Berry
@thingsbydan.co.uk
* Tor Freeman
* Beatrijs Brouwer
@beastlyworlds.bsky.social
* Mereida Fajardo
@mereida.bsky.social
Stack of giant 50p coins painted onto a wall , 3m x 2m, with trees and iconic Croydon buildings on each layer - 5 layers
And finished!
Stack of giant 50p coins painted onto a wall , 3m x 2m, with trees and iconic Croydon buildings on each layer - 5 layers
And finished!
Progress!
Continued! Completed the lighter layers today and started inking on the black line work like it’s a comic book page: