Posts by Marisa Mercurio
Victorian Egyptomania! Gender-fluid bugs! Cults! And… lots and lots of transportation.
Not usually one for promoting donating to alma maters, but I genuinely had a wonderful experience with the faculty. They advocate for their grad students more than I experienced anywhere else. Support the English dept. here if you can.
tol-edo.org/english
ICYMI: Marisa Mercurio of HOWEVER IMPROBABLE (@marmercurio.bsky.social) joins to discuss Richard Marsh's THE BEETLE, a melodramatic Gothic horror about shape-shifting cultists and imperial anxieties that reads a bit like DRACULA's louder sibling!
ancillaryreviewofbooks.org/2026/01/12/a...
Victorian Egyptomania! Gender-fluid bugs! Cults! And… lots and lots of transportation.
For the first 2026 episode of @mealofthorns.bsky.social, @marmercurio.bsky.social is our guest and guide for Richard Marsh's THE BEETLE, a melodramatic Gothic horror-mystery with a lot going on under the carapace:
If you read Dracula & thought “I like the ancient shapeshifting nemesis & the homoerotic subtext, but I don’t like how subtle the sexual & national anxieties are,” you’re in luck! Editor, reviewer, & scholar @marmercurio.bsky.social talks us through Richard Marsh's THE BEETLE:
😱 NEW CRITICAL FRIENDS 😱
📚 With @marmercurio.bsky.social and Shannon Fay, on the flat affect of cosy horror.
🎢 "Horror is a series of, like, stasis, stasis, stasis, spike, right? And if it's not being delivered, then that becomes a generic problem for the novel."
🎧 Also out with this week’s issue of @strangehorizons.bsky.social:🚨the latest episode of the Critical Friends podcast.🚨
This time I’m joined by @marmercurio.bsky.social and Shannon Fay to discuss horror, the gothic, and coziness: what can, should and do reviewers look for in these texts? And why?
Left cover of Slashed Beauties by A. Rushby featuring a female doll in 18th century dress sitting in a birdcage. Right REVIEWS Quote "Notably, during these years contestations of the nature of womanhood bubbled up to the surface of cultural discourse; Rushby’s intent on writing a feminist interpretation of mid-century life—and how it haunts us today—is therefore apt." reviewer: Marisa Mercurio 15 December 2025 Strange Horizons
The reviews are in!
Slashed Beauties by A. Rushby
reviewed by Marisa Mercurio
Link ⬇️
strangehorizons.com/wordpress/no...
#speculativefiction #specfic #sff #bookreviews
Splendid review to start the week at SH today - @marmercurio.bsky.social on the curious Neo-Gothic of Slashed Beauties by A. Rushby (@berkleypub.bsky.social).
“A novel filled with such potential should be a pleasure to untangle.”
Ypsilanti, Michigan has officially decided to fight against the construction of a 'high-performance computing facility' that would service a nuclear weapons laboratory 1,500 miles away.
"When we embrace genAI without examining the domino effect it will have on library workers and users, we fail to do our jobs." @marmercurio.bsky.social networks.h-net.org/group/discus...
"When we embrace genAI without examining the domino effect it will have on library workers and users, we fail to do our jobs," writes @marmercurio.bsky.social for #FeedingTheElephant. How has the embrace of AI affect publishing, research, and teaching. Find out!
➡️ networks.h-net.org/group/discus...
My article with @crimereads.bsky.social on one of the best, longest-running, and somehow overlooked Holmes adaptations.
crimereads.com/elementary-i...
Exclusive: Harvard publisher cancels entire journal issue on Palestine shortly before publication.
My latest.
www.theguardian.com/education/20...
Let's get vegetable Gothic going as a subgenre. Bunnicula takes first spot.
Wednesday's review is the excellent @marmercurio.bsky.social on Margie Sarsfield's Beta Vulgaris. She goes in excited to discover the vegetable gothic, and finds surprises: "readers of Strange Horizons should know that Beta Vulgaris might not fulfill your expectations of a horror novel."
They're trying to kill Rumeysa Ozturk for writing a fucking op ed
Today at @strangehorizons.bsky.social, @marmercurio.bsky.social on Marx and horror in the Pacific Northwest.
“Carson Winter shapes his horror novella around the friction between the bourgeoisie and proletariat.”
Thanks, Dan! (And sorry for the super late reply. Always appreciated!)