in honor of The Onion officially taking over InfoWars, whatās a conspiracy theory you 100% believe?
Elvis Costello experiences time backward and wrote "watching the detectives" about a partner obsessed with Supernatural
Posts by one island after another
I was kind of into the whole "geese are a psyop" thing until I found out that apparently Geese is the name of a band
Hunter S. Thompson (1937ā2005)
All things are beautiful! All trees! All towers! Beautiful!
youtu.be/m4e1g36zg-Q?...
Text of Black Telephone by Richard Siken, 1/4 There are two birds in your head, raven and crow, and only one of them is yours. A ghost and a robot doing battle, singing like telephones, the phone is ringing, a headache word. You are dancing with the birdcage girl, banging your head against a cage that isnāt there. You want to say yes: yes to the bathtub, yes to the gumdrops, no to the laughing skullheads. The holes in this picture are not flowers, they are not wheels, and the phone is ringing ringing, a headache word, itās ringing for you. This is in the second person. This is happening to you because I donāt want to be here. Is there anything I wonāt put words around? Yes, there is. And so there are gaps. And so naturally things try to get into the gaps. I imagine things because I like them or sometimes I dislike them and I am afraid of them and I live in an imaginary world. The phone is ringing and I donāt want to hear this. The T.V. is on and I donāt want to see this, I donāt want to rise to this occasion. I stood the yard in my everyday clothes singing Wings little monster, listen to my soup bones. Does it help? What does this have to do with the airplanes and the buildings falling down? Iām a romantic, an absurdist. I am bad with facts and I get confused. Iām a hostile witness. I didnāt want to see this, talk about this. I wanted to testify to something else. The phone rings and you pick it up and itās bad news. Now what do you do?
Text of Black Telephone by Richard Siken, 2/4 There are many ways to write about war. On one end, thereās clarity, facts, the updates and the eyewitness accounts. On the other end, thereās Paul Celan, a holocaust survivor who wrote poems in the language of his oppressors; weird, fractured, tragic, and beautiful lyrics that render the experience of confusion and meaninglessness and loss. But I donāt want to write about war. I had other plans. I wanted to talk about monsters and terror, not war and terrorism. But since September 11th, monster means something different than it used to. Not only are we trapped in our bodies, drowning in gravity, but weāre stuck in our time, too. Down here, in these years in which we live. Peruvian novelist Mario Vargas Llosa says that as a writer, my primary obligation is to write. He adds, however, that this should not be incompatible with concern for the place where I live. āIf you are a writer,ā he says, āand there is no freedom where you live, you cannot say that this is not your problem.ā It is difficult not to feel obliged to participate in the public debate and commit oneself politically, but I donāt know anything about these kind of things. Iām still trying to figure out the difference between comedy and tragedy. Iām the last person to ask about right and wrong. For two weeks, I watched the constant coverage on the television. I couldnāt get my head around it. It seemed too simple, too one-sided, too much of a good versus evil thing. I am wary of the simple. Perhaps I am being unreasonable, but I still believe that there are answers that arenāt yes or no.
Text of Black Telephone by Richard Siken, 3/4 Personally, Iām a mess of conflicting impulsesāIām independent and greedy and I also want to belong and share and be a part of the whole. I doubt that Iām the only one who feels this way. Itās the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortableāyour weaknesses, bad thoughts, vanities, and hungersāand pretend theyāre across the room. Itās too ugly to be human. Itās too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves. Oh weāre a mess, poor humans, poor fleshāhybrids of angels and animals, dolls with diamonds stuffed inside them Weāve been to the moon and weāre still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. Itās two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, Iād know it was something true. Now Iām trying to dig deeper. I didnāt want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but Iām having a hard time with it. The phone rings and I pick it up and I really wanted to do something else with my hands. It keeps coming back to that: what do I do with these hands? Letās say the dead are watching us. What should we do with our hands? Letās say that aliens are watching us. What should we do with our hands? Letās say that the world isnāt made out of love, letās say itās all paratroopers and suckerpunches. Does this really change anything?
Text of Black Telephone by Richard Siken, 4/4 My friend Trevis has a New Yearās Day tradition, he tries to experience one hundred and eight emotions as fast as he can. I admire that. Heās ambitious, alive, resilient, flexible. He continues to remember things and yet move forward. He never kept a single promise, but then he never made one. It made me angry, it made me feel less safe, less confident. What he said instead was While weāre here, pass this with me. I was sitting with my friend Chris the other night, outside, at safehouse, drinking hot chocolate and enjoying the novelty of wearing a coat and sweater. āItās gonna get cold,ā he said. āI know,ā I said, and then we were quiet for a while. āYou know whatās funny about being cold?ā he asked, rhetorically, because he knows Iām from Arizona and donāt know anything about being cold. āWhen youāre cold, youāre not all the way cold, youāre just thirty percent cold.ā āYeah?ā I said, not really impressed with his Midwestern epiphany. āThe trick is,ā he continued āto live in the warm parts. You have to live in the other seventy percent.ā So now I say it to you: Pass this with me. Here, in the warm parts. Now in your hands is a book that Drew and I made with our hands. We celebrate it. If the dead are watching, I want them to see us writing, dancing, singing, painting. I want them to see that we still reach out to each other.
This is Richard Siken, from the Winter 01-02 issue of Spork. The website will say it's not secure, so here's some screenshots if you don't feel trusting
thisissporkpress.com/1_3/pieces/Editor.htm
I don't think he will. He shouldn't. But he could
Talisman 3 aka Other Worlds Than These (!!!) has a release date and it's October so plenty of time to reread Talisman and Black House and pray King doesn't fuck it up
have they tried constructing additional pylons even
Re that grotesque Yale report on a lack of "diverse" perspectives in academe: the majority of right leaning people (men) I've met in higher ed have been grotesque sexpests, misogynists, lazy, and incompetent. They can't hack the intellectual part and students hate them. Hope that helps!
"Oh man no WAY live-action Moana is gonna be anywhere as good"
Correct! SO MAYBE DON'T GO SEE IT.
Trying this new thing where email and financials only happen on a laptop on a separate floor from my workspace to help prevent me from doing those things when my aim is to do creative things
Flames
Flames on the side of my face
you guys are right, there are people who did get shot and killed in rap beefs who still didnāt lose as badly as Drake did
You don't find a word sharing a root with "tumor" to be erotically charged?
Was annoyed that almost no time was spent talking about B7 (which lyrically needed a sensitivity reader but musically is my favorite) but I suppose the whole of the memoir up to that point is actually the story of B7
I don't mind
youtu.be/mVQAPd3yJsI?...
a hairless rat next to a tiny rainbow colored xylophone. The caption reads "Neil banging out the tunes, April 13, 2006"
Happy 20 years to Neil banging out the tunes š
Guy who posts on work intranet all his takes about fad-shaped things that "everyone is talking about" but which no one has actually heard of
DC Metro sign for the āPentagon Cityā station.
Where the grass is [redacted] and the girls are [redacted].
How sure are we that dril is not bushmiller
"If you were in charge of Star Trek what would you do?"
Two parters anthology series made with scripts from currently active speculative fiction writers. Free reign on time period, cultural/ planetary setting, presence of the federation/ known entities, canon etc. Just has to be a great two parter
Bela Lugosi's Dead (Right)
Got a Crass doc from the library and Marc said what's a Crass and I said the only punk band
Somewhere along the way I realized I don't actually like star wars just zahn novels
I wonder if cis contraltos have that experience
Yes okay was doing falsetto vocal exercises this morning but that's because bass baritone singing is gender dysphoria territory
I have you down as "author most likely to walk into the woods" but for different reasons
Lotta interesting stuff in Brandy's memoir but none more absurd than everyone (including her) convinced that trying to do soprano shit was a better idea than leaning into her low range which let's be honest is among the best of all time
Screenshot of a two star review from story graph, the text of which reads: dang i made a book club read this
Just finished Nicholson Baker's The Mezzanine¹ and checked reviews and laughed very hard
1 which I loved very much
You've got to make it stop
youtu.be/lsO_SlA7E8k?...