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Posts by timothy davis

i mean he avoids exercise because the activity would quickly reveal vulnerability, which he obsessively avoids.

alcohol loosens inhibitions. donald doesn’t have any sober. it’s like handing a workout plan and a protein shake to the incredible hulk. he’s way ahead of the game plan.

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me, navigating any conversation with someone under 30:

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💯💯💯💯

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a blurry picture of a man laying on a couch ALT: a blurry picture of a man laying on a couch
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me aiming my phone at the card reader when my bill at trader joe’s is $654:

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congratulations to the entire cast and crew of the interview and a huge thank you to the organizers, volunteers and judges at the pasadena international film festival - we won best thriller at piff!

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💯💯💯💯

as a screenwriter, i just do a vomit draft in word, with the understanding that this will not only be bad, it will barely be coherent. then i take that draft and outline it. then i start writing.

it helps me if i view the first 2 steps, vomit draft & outline, as “not really writing.”

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when celebrities say “learn to use aj” what they mean is “to generate lighting, sets, and special effects in movies that star ME” and “so that my image and likeness can star in movies for the next hundred years, ensuring income for my estate.”

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looking forward to a future where we all just create our own home-made infinity war movie with our own digital face playing tony stark and studios make fifty mario karts starring everybody who was on the cover of entertainment weekly in 1996.

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i’m paraphrasing here, but tom hanks’ primary concern about ai was that he was unsure if his estate would be able to continue to monetize his likeness.

i think a lot of celebrity actors who got rich 25 years ago see ai as a way for them to keep leading projects in perpetuity.

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passover is a story of freedom born from oppression.

tickets for antoinette nwandu’s pass over are on sale now.

we open may 1 at the willie agee playhouse in inglewood, produced by 2 rhythms theatre.

getcha tix here:

www.2rhythms.com/events/may-1...

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yeah. part of the reason some successful folks can be cagey about offering career advice is “i worked really hard for a long time and was a good person and through a series of byzantine events involving half a dozen people doing the same, i caught a break” doesn’t fit on an action item list.

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New York Times headline: Hollywood Heavyweights Sign Letter Opposing Paramount Deal for Warner Bros.

New York Times headline: Hollywood Heavyweights Sign Letter Opposing Paramount Deal for Warner Bros.

Join WGA leadership and thousands of industry professionals by signing the Open Letter opposing the Paramount-WBD merger. 

blockthemerger.com/openletter#s...

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the head of the company literally campaigned for the idiot fascist ruining the world right now maybe don’t do free pr for him you absolute goof

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the morning after was directed by emma meisel (american horror story, doogie kamealoha, m.d.) & matt sato (high school musical), and stars lexie duncan (young rock) & keanush tafreshi (the agency).

all four of them are about to be very big deals.

it was written by yours truly. 😬

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trailer for the morning after: one perfect night, one completely unhinged morning.
trailer for the morning after: one perfect night, one completely unhinged morning. YouTube video by timothy davis

our short film, the morning after, will have its world premiere at the la film festivals’ la comedy film festival! 💘

the festival will be held may 13th - 17th in the let live and the other space theaters in hollywood.

here’s a quick teaser you can check out:

youtu.be/OcJjAh6ryTA?...

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in his first term he tried to murder his own vice-president, destroyed the economy by trying to pretend covid would just go away and laughed off the murder of jamal kashoggi it is EXACTLY the fucking same

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to my knowledge the closest the network ever permitted artists or audiences to acknowledge the trauma hangover of covid was to launch 157 shows about rich middle aged divorced white guys who are kinda sad now.

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we were developing a tv show post-pandemic and were instructed we were not to mention the pandemic EVER which was hard since it was a workplace dramedy set on planet earth.

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passover is a story of freedom born from oppression.

tickets for antoinette nwandu’s pass over are on sale now.

we open may 1 at the willie agee playhouse in inglewood, produced by 2 rhythms theatre.

getcha tix here: www.2rhythms.com/events/may-1...

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fight club taught us that when capitalism & hedonism fail to bring happiness, americans will embrace nihilism, which opens the doorway to fascism.

if you’re not a billionaire or a white supremacist, you had to be a nihilist to embrace donald. it’s what allows you to shrug away his moral atrocities.

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andrew jackson would have worn oakleys, sucked down monster energy drinks, had truck nuts on his car and his ring tone would have been kid rock’s american badass.

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many american christians are more familiar with the word of charlie kirk than they are of jesus. whatever church they attend o sunday, they worship at the altar of white supremacy, not god.

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💯

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“I don’t know if artists from oppressed communities need another ally right now as much as they need us to wrestle with our own identity in this culture, in this country, in this moment. And what responsibility we have to help all of us move through it, past it, and above it. God willing.”

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“They just have to navigate it, thwart it, and unfortunately, endure it. But we white folks gotta put our shoulders to the wheel, too.

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“white supremacy isn’t an issue for black people to solve, or gay people to solve, or the undocumented to solve.

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“The “diversity” conversation needs to include white artists grappling with whiteness. I was hopefully an ally to the other artists in the Distress Signals Project, but it’s also my responsibility to fully participate in this shared American question —

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“And that perspective simultaneously alienates white people from the conversation, but also alleviates us white folks of any responsibility to engage in dialogue.

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