🎭📘 Our book, "Digital Access to the Performing Arts" got its first review - many thanks to
@NewYorkTheater @brisunipress.bsky.social @metalabharvard
#DigitalAccess #theatreandai #CulturalAccesss #disabilityrights #copyrightlaws #humanrights #AccessToCulture
newyorktheater.me/2026/03/26/d...
🎭 📲 Theatre friends! Our virtual book launch for "Digital Access to the Performing Arts" is on April 30
@MHCHarvard @metalabharvard @brisunipress.bsky.social
Register: mahindrahumanities.harvard.edu/event/digita...
#digitaltheatre #copyrightlaws #DigitalAccess #DigitalAccessibility #theatreandai
Performing Arts Professor Magda Romanska’s newest comparative research study about the (dis)advantages of digital programming: DIGITAL ACCESS TO THE PERFORMING ARTS: A COMPARATIVE STUDY OF LEGAL AND STRUCTURAL CHALLENGES, will be published on March 24th. We recommend you give it a read!
Amazon Kindle: www.amazon.com/Digital-Acce...
🎭📘 It's not real until it's here! Our book just arrived! You can buy a hard copy or you can download it for free via Open Access at Open Library, the publisher's website, Muse, and
@amazonkindle.bsky.social (links in comments)
🎭📘‼️Our book, Digital Access to the Performing Arts is NOW AVAILABLE OPEN ACCESS! It was developed by Digital Access Research Project (launched 2023 @metalabharvard, published @brisunipress.bsky.social
AVAILABLE FOR FREE DOWNLOAD: muse.jhu.edu/pub/345/mono...
🏊♀️🎭A couple of photos of #Opheliamachine production that just closed in Amsterdam. A very intense, high paced visual imagery with music moving between Christian liturgy to rock. I love that it was updated with contemporary news, compiled by the brilliant production dramaturg. Dir. by Florian Hellwig
🏊♀️🎭Busy winter for Opheliamachine. Another production, at the University of Amsterdam, just closed. What a fantastic post-apocalyptic poster. Ophelia is drowning—in data? In rainfall flood sewage? She is not just Cyber-Ophelia. She is Eco-Horror Ophelia. #opheliamachine
#opheliamachine production photos from yesterday's show in Bangladesh - I love the moody techno vibes. With each production, the play gets shaped to reflect the times...
#opheliamachine is getting new production today in Bangladesh.
🎭📚Wow, what a thrilling company! Thank you
@dramabookshop! Contemporary variations on #Hamlet Drama Book Shop display on account of the premiere of #Hamnet. For international friends, if you're in NYC, legendary Drama Book Shop is a must. 💥
🎭📘 My book, “Digital Access to the Performing Arts,” has a cover! Straddling the disciplines of performance studies, digital humanities, disability studies, & public policy, the book argues for increased accessibility to the performing arts. 📲
#digitaltheatre #theatreandai #DigitalAccess
📘🎭"Routledge Companion to Dramaturgy" was just published in Iran in Persian translation thanks to Prof. Mehdi Chavosh. So thrilled that the dramaturgical conversation continues across borders, languages, & cultures.
#theatreacrossborders
[Photo: www.instagram.com/mehdichavosh...
🎭📘💻🔴New Book! 'Digital Access to the Performing Arts: A Comparative Study of Legal and Structural Challenges' explores urgent need to rethink digital access in theatre. 💥🎭
#DigitalAccess #digitaltheater #AICopyright
bristoluniversitypress.co.uk/digital-acce...
🎭💻I will be a guest speaker at Futures in Play: AI and Impact in Theatre panel @ArsElectronica -Linz, Austria. Part of a day long conference, STAGED REALITIES examiing how AI is reshaping theatre.
ars.electronica.art/panic/de/vie...
#theatreandai #aiandtheatre #arselectronica
Program correction (for the record): somewhere in translation, metaLAB (at Harvard) turned into “Postdramatic Theatre Lab.” Great idea—but not my initiative… yet. 💜
🎭🏊♀️#opheliamachine just received a moody, gothic, all-female performance at the beautiful, historic
@CendrevT Teatro Garcia de Resende (Évora, Portugal). Such a pleasure to see a new, bold interpretation of the script. #Ophelia
Production photo credit: Pedro Mendes
🎭🌏Our piece, co-written w Kasia Lech, "TheTheatreTimes Towards Transnational Digital Infrastructure" is now available in Polish in 📕 Teatr – Literatura – Zarządzanie [Theatre - Literature - Management], by @Uniwersytet_GD
wydawnictwo.ug.edu.pl/produkt/teat...
🎭💻📲🧠Theatre friends! Coming up on August 21 - free webinar "AI and Theatre: From Pedagogy to Performance" at Digital Theatre+
#digitaltheatre #AIandArt #aiandtheatre
SIGN UP: www.digitaltheatreplus.com/ai-theatre-p...?
🎭💻📲🧠Theatre friends! Join me for [Free webinar] on "AI and Theatre: From Pedagogy to Performance" at Digital Theatre+ Thursday, August 21, 11am ET www.digitaltheatreplus.com/ai-theatre-p...
🎭🏆The awards we got for The Theatre Times this year finally came, including our Webby - “Internet’s highest honor” according to The New York Times. We were chosen from nearly 13,000 Webby entries this year.
🏆🎭We are thrilled that The Theatre Times is this year’s Webby Honoree in the Websites and Mobile Sites - Cultural Blog/Website category in the 29th Annual Webby Awards.
#webbyawards
winners.webbyawards.com/2025/website...
🧠💻▶️#ArtificialIntelligence, #Totalitarianism, and the Future of #CognitiveLiberty" in The Humanist Magazine @americnhumanist
What thoughts do we have a right to express, & what thoughts do we have a right to keep? thehumanist.com/features/art...
I am so thrilled to give a keynote speech for the 2025 International Conference on Performing Arts Studies at the National Taiwan University of Arts, in Taipei. Title: "Quantum Dramaturgy." It's about my favorite thing: a combination of arts and science. tpa.ntua.edu.tw?p=7822
💥🎭📖Theatre friends, Opheliamachine is on sale at Bloomsbury Press at 40% in February:
www.bloomsbury.com/us/search/?q...
📕🎭🏊♂️ @NationalTheatre bookstore now #Opheliamachine shop.nationaltheatre.org.uk/collections/...
